As a work of social theory, I would argue that it belongs in a class with the writings of Habermas and Arendt". -- Jay Bernstein, University of Essex This is one of the most original and important works of contemporary European thought.

In this provocative and original work, Slavoj Zizek takes a look at the question of human agency in a postmodern world. From the sinking of the Titanic to Hitchcock's Rear Window, from the operas of Wagner to science fiction, from Alien to the Jewish Joke, the author's acute analyses explore the ideological fantasies of wholeness and exclusion which make up human society. Linking key psychoanalytical and philosophical concepts to social phenomena such as totalitarianism and racism, the book explores the political (...) significance of these fantasies of control. In so doing, The Sublime Object of Ideology represents a powerful contribution to a psychoanalytical theory of ideology, as well as offering persuasive interpretations of a number of contemporary cultural formations. -- Back cover. (shrink)

In this paper I explore Žižek’s stance on ideology. I begin with an overview, move to his understanding of the ‘act’ and then move into the second part of the paper which is a discussion of the first part in relation to his encounter with Deleuze in Organs Without Body. I claim that this was a missed encounter, or rather it will always remain an impossible encounter given that Lacan, Badiou and Žižek’s philosophical embrace of negativity bumps up squarely against (...) Deleuze and Guattari’s affirmative stance. This deadlock does not offer a ‘solution’ as much as the political consequences that emerge from the two paths taken. It is further claimed that these crossroads are separated by two very different understandings of infinity as they are developed in the Kantian antinomy of the mathematical and dynamic sublime. (shrink)