I argue that John McDowell’s attempt to refute Wilfrid Sellars’s two-component analysis of perceptual experience and substitute for it a conception according to which perceptual experience is the “conceptual shaping of sensory consciousness” fails. McDowell does not recognize the subtle dialectic in Sellars’s thought between transcendental and empirical considerations in favor of a substantive conception of sense impressions, and McDowell’s own proposal seems to empty the notion of sensory consciousness of any real significance.

1. Presumably the point of, say, inculcating a moral outlook lies in a concern with how people live. It may seem that the very idea of a moral outlook makes room for, and requires, the existence of moral theory, conceived as a discipline which seeks to formulate acceptable principles of conduct. It is then natural to think of ethics as a branch of philosophy related to moral theory, so conceived, rather as the philosophy of science is related to science. On (...) this view, the primary topic of ethics is the concept of right conduct, and the nature and justification of principles of behaviour. If there is a place for an interest in the concept of virtue, it is a secondary place. Virtue is a disposition to behave rightly; the nature of virtue is explained, as it were, from the outside in. (shrink)

The aim of this paper is to show that John McDowell’s approach to perception in terms of “openness”remains problematically vulnerable to the threat of scepticism. The leading thought of the openness view is that objects, events and others in the world, and no substitute, just are what is disclosed in perceptual experience. An account which aims to defend this thought must show, therefore, that the content of perceptual experience does not “all short” of its objects. We shall describe how McDowell (...) defends the openness view with reference to the disjunctive analysis of appearances (sections II and III); argue that his defence includes features which are both inconsistent with and unnecessary for the openness view (section IV); and show how those features call into question the success of McDowell’s route of response to sceptical arguments (section V). Finally, we sketch an alternative approach to openness and conclude that the explosive effect of letting loose the conception of experience advanced by the openness view has yet to be felt in the English‐speaking world (section VI). (shrink)

Abstract: In Mind and World, McDowell conceives of the content of perceptual experiences as conceptual. This picture is supposed to provide a therapy for skepticism, by showing that empirical thinking is objectively and normatively constrained. The paper offers a reconstruction of McDowell's view and shows that the therapy fails. This claim is based on three arguments: 1) the identity conception of truth he exploits is unable to sustain the idea that perception-judgment transitions are normally truth conducing; 2) it could be (...) plausible only from an externalist point of view that is in tension with the view of normativity that motivates conceptualism; 3) the identity conception of truth is incompatible with McDowell's recent version of conceptualism in terms of ‘non-propositional intuitive contents’. (shrink)

One of the most interesting aspects of McDowell’s very interesting book is the way in which it locates the problems of late-twentieth-century Anglo-American philosophy within the historical development of the Western philosophical tradition. Beginning with an opposition between Coherentism and the Myth of the Given exemplified in recent work of Donald Davidson’s, McDowell proceeds to frame his discussion in terms of the Kantian distinction between concepts and intuitions, understanding and sensibility, spontaneity and receptivity. McDowell’s basic idea is that we can (...) satisfactorily overcome the opposition between Coherentism and the Myth of the Given only by recognizing, with Kant, that concepts and intuitions, understanding and sensibility, must be integrated together in every cognitive act or process—even in the mere intake of experiential content characteristic of sense perception. There is thus no room, according to McDowell, for either unconceptualized sensory input standing in no rational relation to conceptual thought or purely intellectual thought operating independently of all rational constraint from sense experience. (shrink)

The concept of second nature plays a central role in McDowell's project of reconciling thought's external constraint with its spontaneity or autonomy: our conceptual capacities are natural in the sense that they are fully integrated into the natural world, but they are a second nature to us since they are not reducible to elements that are intelligible apart from those conceptual capacities. Rather than offering a theory of second nature and an account of how we acquire one, McDowell suggests that (...) Aristotle's account of ethical character formation as the acquisition of a second nature serves as a model that can reassure us that thought's autonomy does not threaten its naturalness. However, far from providing such reassurance, the Aristotelian model of second nature actually generates an anxiety about how the acquisition of such autonomous conceptual abilities could be possible. (shrink)

Much as we would like to conceive empirical thought as rationally grounded in experience, pitfalls await anyone who tries to articulate this position, and ...

this essay argues that John McDowell's argument that sensations are a useless 'fifth wheel' in Wilfrid Sellars' philosophy of experience fails.

Duncan Pritchard has recently defended a view he calls ‘epistemological disjunctivism’, largely inspired by John McDowell. I argue that Pritchard is right to associate the view with McDowell, and that McDowell’s ‘inference-blocking’ argument against the sceptic succeeds only if epistemological disjunctivism is accepted. However, Pritchard also recognises that epistemological disjunctivism appears to conflict with our belief that genuine and illusory experiences are indistinguishable (the ‘distinguishability problem’). Since the indistinguishability of experiences is the antecedent in the inference McDowell intends to block, (...) I suggest that his argument rests on an inconsistent set of premises. In support of this, I show that Pritchard’s response to the distinguishability problem is incompatible with the conclusion of the ‘inference-blocking’ argument, and that the response available in McDowell’s work relies on a mistaken conception of fallibility. Either McDowell must deny the sceptic’s premise that perceptual experiences are indistinguishable, or he must give up his conclusion that perceptual warrant can be indefeasible. (shrink)

... [T]here manifestly is not one drop of principle in the whole vast reservoir of established scientific theory that has sprung from any other source than the power of the human mind to originate ideas that are true. But this power, for all it has accomplished, is so feeble that as ideas flow from their springs in the soul, the truths are almost drowned in a flood of false notions; and that which experience does is gradually, and by a sort (...) of fractionation, to precipitate and filter off the false ideas, eliminating them and letting the truth pour on in its mighty current. But precisely how does this action of experience take place? It takes place by a series of surprises. Throughout the.. (shrink)

This book draws upon the phenomenological tradition of Husserl and Heidegger to provide an alternative elaboration of John McDowell’s thesis that in order to understand how self-conscious subjectivity relates to the world, perception must be understood as a genuine unity of spontaneity (‘concept’) and receptivity (‘intuition’). Thereby it clarifies McDowell’s critique of Donald Davidson and develops an alternative conception of perceptual experience which gives sense to McDowell’s claim that self-conscious subjectivity is so inherently in touch with its world that scepticism (...) about the latter must be incoherent. It also develops a more accurate, historically oriented critique of the metaphysics constraining one to construe perceptual experience in ways which misrepresent how self-conscious subjectivity bears upon the world. It shows that many of McDowell’s meta-philosophical views are implicitly Husserlian and that had McDowell developed them further, he would have avoided the paradoxical meta-philosophy he adopts from Wittgenstein. In conclusion, it intimates the central weakness in Husserl’s position which takes one from Husserl to Heidegger. The book is written in terms accessible to analytic philosophers and will thus enable them to see the central differences between analytic and phenomenological approaches to intentionality and self-consciousness. (shrink)

This new translation of the first Critique forms part of a fifteen-volume English-language edition of the works of Immanuel Kant under the general editorship of this volume’s editor-translators, Paul Guyer and Allen Wood. The edition, which is almost complete by now, comprises all of Kant’s published works along with extensive selections from his literary remains, his correspondence, and student transcripts of his lecture courses in metaphysics, ethics, logic, and anthropology. The Cambridge edition aims at a consistent English rendition of Kant’s (...) works, both within a given volume and across volumes. In terms of scope and detail, the Cambridge edition is unrivaled in any language, except for the authoritative Academy edition begun under the directorship of Wilhelm Dilthey in 1900, which, however, is still not completed and several volumes of which are in serious need of re-editing. In one case, that of the Opus postumum, the best edition currently available seems to be the one in the Cambridge edition. (shrink)

Inspired by the work of Wilfrid Sellars, Michael Williams launches an all-out attack on what he calls "phenomenalism," the idea that our knowledge of the world rests on a perceptual or experiential foundation. The point of this wider-than-normal usage of the term "phenomenalism," according to which even some forms of direct realism deserve to be called phenomenalistic, is to call attention to important continuities of thought between theories often thought to be competitors. Williams's target is not phenomenalism in its classical (...) sense-datum and reductionist form but empiricism generally. Williams examines and rejects the idea that, unless our beliefs are answerable to a "given" element in experience, objective knowledge will be impossible. Groundless Belief was first published in 1977. This second edition contains a new afterword in which Williams places his arguments in the context of some current discussions of coherentism versus the Myth of the Given and explains their relation to subsequent developments in his own epistemological views. (shrink)

I examine Robert Brandom's reading of the classical pragmatists, as given in his new book Perspectives on Pragmatism: Classical, Recent, and Contemporary. I argue that his reading is deficient in certain fundamental respects, and that this deficiency illuminates important blind spots in Brandom's overall theoretical project. Specifically, I focus on Brandom's rationalist pragmatism and its rejection of the classical pragmatic conception of experience. I argue that this rejection is based on an overly instrumental reading of the classical figures, as well (...) as on an incorrect interpretation of them as succumbing to the Myth of the Given. My overall goal is to demonstrate that Brandom is lead astray in his encounter with the classical pragmatists because of his unwillingness to integrate into his theoretical picture the essentially embodied nature of human cognitive and practical activity. (shrink)

In this volume, Maher contextualizes the work of a group of contemporary analytic philosophers—The Pittsburgh School—whose work is characterized by an interest in the history of philosophy and a commitment to normative functionalism, or the insight that to identify something as a manifestation of conceptual capacities is to place it in a space of norms. Wilfrid Sellars claimed that humans are distinctive because they occupy a norm-governed "space of reasons." Along with Sellars, Robert Brandom and John McDowell have tried to (...) work out the implications of that idea for understanding knowledge, thought, norms, language, and intentional action. The aim of this book is to introduce their shared views on those topics, while also charting a few key disputes between them. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Fool’s Truth: Diderot, Goethe, and HegelJames SchmidtI. Of the many works that crossed from France into Germany during the “long” eighteenth century, none took as circuitous a route as Rameau’s Nephew. Begun by Diderot in 1761 but never published during his lifetime, the dialogue was among the works sent to Catherine the Great after his death in 1784. A copy of the manuscript was brought to Jena late (...) in 1804, where it was read by Schiller and passed on to Goethe, who immediately set about translating it into German. Goethe’s translation was published in the Spring of 1805 but, as Goethe later complained, made little impact on the German reading public. 1 There was, however, one notable exception: Georg Wilhelm Friedrich Hegel.Hegel’s interpretation of Diderot’s dialogue in his 1807 Phenomenology of Spirit has long been an topic of considerable interest. Marxists—and, for that matter, Marx himself—have regarded the Phenomenology’s discussion of Diderot as illustrative of Hegel’s interest in the social and economic foundations of modern society. 2 For Lionel Trilling, it marked an important step in the genesis of the modern ideal of “authenticity.” 3 More recently, the tensions between Diderot’s “dialogizing” of the Enlightenment and the [End Page 625] Hegelian dialectic have been explored by a number of commentators. 4 Less attention, however, has been paid to the fact that the words Hegel appropriated were not, strictly speaking, Diderot’s, but rather came from Goethe’s translation. 5 Before Rameau’s Nephew could appear in the pages of Hegel’s Phenomenology, it first passed into German in a translation that, no less than Hegel, inserted the text into a rather different context from the one in which it had originated.A consideration of Hegel’s appropriation of Rameau’s Nephew thus involves us in questions about the transporting, translating, and transposing of works across borders, languages, and genres. I will begin by examining briefly how Goethe went about presenting an eighteenth century French text to a nineteenth-century German audience. I will then explore, at greater length, how Hegel went about situating this most peculiar of dialogues into his most baffling of books. Finally, I will reflect on some of the tensions between what Diderot wrote and what Hegel attempted to do with it.II. “Now, think of a city like Paris,” Goethe told Eckermann, bemoaning the “isolated, miserable sort of life” to which German intellectuals had been condemned. In Paris one could find “all of the leading minds of a great kingdom all together at the same spot, mutually instructing and advancing one another through daily contact, conflict, and rivalry.” The leading German intellectuals, in contrast, were scattered about: “There is one in Vienna, another in Berlin, another in Königsberg, another in Bonn or Düsseldorf, all fifty to a hundred miles away from each other, so that personal contact and personal exchange of ideas count as rare events.” In Paris “the best from the realms of nature and art from throughout the world lies open for daily inspection,” while “every passage over a bridge or a square recalls a mighty past” and “every street corner has evolved into a piece of history.” It was a city where “men such as Molière, Voltaire, Diderot, and the like have kept up a current of intellect such as has not been found in a single spot anywhere else in the entire world.” 6 Weimar, quite clearly, was not Paris.Rameau’s Nephew was so thoroughly a creature of Paris that the mere thought of rendering it into German might have dismayed a weaker soul than Goethe. Moi and Lui begin a conversation at the Café de la Régence that will [End Page 626] lead them from discussions of the contest between French and Italian styles in music to a consideration of the prospects for human autonomy. In between they will pass over such matters as the social utility of geniuses, the tension between aesthetics and morality, the proper upbringing of children, and the structure of social dependency, pausing from time to time as Lui loses himself in increasingly wilder pantomimes. Along the way... (shrink)