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  1. Recreative Minds: Imagination in Philosophy and Psychology, by Gregory Currie and Ian Ravenscroft. [REVIEW]Christoph Hoerl - 2005 - Mind and Language 20 (5):559-564.
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  • On What Is Strictly Speaking True.Charles Travis - 1985 - Canadian Journal of Philosophy 15 (2):187 - 229.
    Let us begin with a piece of intellectual history. The story begins in a period encapsulating the second world war – say the ‘40’s, give and take a bit. Around then, it began to be argued with force that an expression – e.g., an English one – while it well might mean something, does not say anything, and notably no one thing in particular. The principal behind the argument was surely J.L. Austin, though, I would claim, the same point was (...)
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  • Towards a science of magic.Gustav Kuhn, Alym A. Amlani & Ronald A. Rensink - 2008 - Trends in Cognitive Sciences 12 (9):349-354.
    It is argued here that cognitive science currently neglects an important source of insight into the human mind: the effects created by magicians. Over the centuries, magicians have learned how to perform acts that are perceived as defying the laws of nature, and that induce a strong sense of wonder. This article argues that the time has come to examine the scientific bases behind such phenomena, and to create a science of magic linked to relevant areas of cognitive science. Concrete (...)
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  • Cratylus. Plato - 1997 - In J. M. Cooper (ed.), Plato: Complete Works. Hackett. pp. 101--156.
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  • Explanatory inquiry and the need for explanation.Stephen R. Grimm - 2008 - British Journal for the Philosophy of Science 59 (3):481-497.
    Explanatory inquiry characteristically begins with a certain puzzlement about the world. But why do certain situations elicit our puzzlement while others leave us, in some epistemically relevant sense, cold? Moreover, what exactly is involved in the move from a state of puzzlement to a state where one's puzzlement is satisfied? In this paper I try to answer both of these questions. I also suggest ways in which our account of scientific rationality might benefit from having a better sense of the (...)
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  • On pictorial representation.Richard Wollheim - 1998 - Journal of Aesthetics and Art Criticism 56 (3):217-226.
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  • (1 other version)Alief and Belief.Tamar Gendler - 2008 - Journal of Philosophy 105 (10):634-663.
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  • The Principles of Art.R. G. Collingwood - 1938 - Philosophy 13 (52):492-496.
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  • The Philosophy of Horror, or Paradoxes of the Heart.Jerrold Levinson - 1991 - Journal of Aesthetics and Art Criticism 49 (3):253-258.
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  • (5 other versions)Philosophical Explanations. [REVIEW]Robert Nozick - 1982 - Critica 14 (41):87-93.
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  • Critique of the Power of Judgment.Hannah Ginsborg, Immanuel Kant, Paul Guyer & Eric Matthews - 2002 - Philosophical Review 111 (3):429.
    This new translation is an extremely welcome addition to the continuing Cambridge Edition of Kant’s works. English-speaking readers of the third Critique have long been hampered by the lack of an adequate translation of this important and difficult work. James Creed Meredith’s much-reprinted translation has charm and elegance, but it is often too loose to be useful for scholarly purposes. Moreover it does not include the first version of Kant’s introduction, the so-called “First Introduction,” which is now recognized as indispensable (...)
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  • Mimesis as Make-Believe: On the Foundations of the Representational Arts by Kendall Walton. [REVIEW]Gregory Currie - 1993 - Journal of Philosophy 90 (7):367-370.
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  • Wollheim on pictorial representation.Jerrold Levinson - 1998 - Journal of Aesthetics and Art Criticism 56 (3):227-233.
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