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  1. Truth, fiction, and literature: a philosophical perspective.Peter Lamarque & Stein Haugom Olsen - 1994 - New York: Oxford University Press. Edited by Stein Haugom Olsen.
    This book examines the complex and varied ways in which fictions relate to the real world, and offers a precise account of how imaginative works of literature can use fictional content to explore matters of universal human interest. While rejecting the traditional view that literature is important for the truths that it imparts, the authors also reject attempts to cut literature off altogether from real human concerns. Their detailed account of fictionality, mimesis, and cognitive value, founded on the methods of (...)
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  • The aesthetic point of view: selected essays.Monroe C. Beardsley - 1982 - Ithaca, N.Y.: Cornell University Press. Edited by Michael J. Wreen & Donald M. Callen.
    Essays explore the philosophy of art, the definition of a work of art, the aims of art criticism, and the nature of creativity.
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  • (1 other version)Spreading the Word: Groundings in the Philosophy of Language.Simon Blackburn - 1984 - Clarendon Press.
    Provides a comprehensive introduction to the major philosophical theories attempting to explain the workings of language.
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  • The Well-Wrought Urn.Cleanth Brooks - 1947 - Journal of Aesthetics and Art Criticism 6 (2):185-186.
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  • Must we mean what we say?: a book of essays.Stanley Cavell - 2002 - New York: Cambridge University Press.
    Reissued with a new preface, this famous collection of essays covers a remarkably wide range of philosophical issues, including essays on Wittgenstein, Austin, Kierkegaard, and the philosophy of language, and extending beyond philosophy into discussions of music and drama. Previous edition hb ISBN (1976): 0-521-21116-6 Previous edition pb ISBN (1976): 0-521-29048-1.
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  • On Form: Poetry, Aestheticism, and the Legacy of a Word.Angela Leighton - 2007 - Oxford University Press UK.
    What is form? Why does form matter? In this imaginative and ambitious study, Angela Leighton assesses not only the legacy of Victorian aestheticism, and its richly resourceful keyword, 'form', but also the very nature of the literary. She shows how writers, for two centuries and more, have returned to the idea of form as something which contains the secret of art itself. She tracks the development of the word from the Romantics to contemporary poets, and offers close readings of, among (...)
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