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  1. Signs.Maurice Merleau-Ponty - 2018 - Chiasmi International 20:231-231.
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  • Aesthetic Theory.Theodor W. Adorno, Gretel Adorno, Rolf Tiedemann & C. Lenhardt - 1986 - Journal of Philosophy 83 (12):732-741.
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  • Phenomenology of Perception.Aron Gurwitsch, M. Merleau-Ponty & Colin Smith - 1964 - Philosophical Review 73 (3):417.
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  • The Limits of Interpretation.Umberto Eco - 1994 - Noûs 28 (1):119-122.
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  • Consciousness is not a Bag: Immanence, Transcendence, and Constitution in The Idea of Phenomenology.Robert Sokolowski, John B. Brough & John J. Drummond - 2008 - Husserl Studies 24 (3):177-191.
    A fruitful way to approach The Idea of Phenomenology is through Husserl’s claim that consciousness is not a bag, box, or any other kind of container. The bag conception, which dominated much of modern philosophy, is rooted in the idea that philosophy is restricted to investigating only what is really immanent to consciousness, such as acts and sensory contents. On this view, what Husserl called “the riddle of transcendence” can never be solved. The phenomenological reduction, as Husserl develops it in (...)
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  • The Many Senses of Imagination and the Manifestation of Fiction: A View from Husserl’s Phenomenology of Phantasy.Javier Enrique Carreno Cobos - 2013 - Husserl Studies 29 (2):143-162.
    The systematic importance of the eidetic account of phantasy for Husserlian phenomenology in general is undisputed, but whether this account can be relevant for Aesthetics has often been put into question. In this paper I argue that Husserl’s rich phenomenology of phantasy, and in particular his account of perceptual phantasy, can nevertheless significantly enhance our understanding of how we recognize and imaginatively participate in artistic fictions. Moreover, I show how Husserl’s peculiar formulation of a non-intuitive phantasy at stake in artistic (...)
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  • The Neutrality of Images and Husserlian Aesthetics.Christian Ferencz-Flatz - 2009 - Studia Phaenomenologica 9:477-493.
    Although most interpreters admit that Husserl was not guided by an interest in aesthetics when dealing with the various issues of image consciousness, his considerations are nevertheless usually interpreted in an aesthetic key. The article intends to challenge this line of interpretation by clearly separating between the neutrality of image consciousness, on one hand, and the disinterest of the aesthetic attitude towards reality, on the other hand, as well as by reviewing the elements in Husserl’s theory that led to their (...)
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  • Of the Standard of Taste.David Hume - unknown
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  • Consciousness is not a bag: Immanence, transcendence, and constitution in the idea of phenomenology.John B. Brough - 2008 - Husserl Studies 24 (3):177-191.
    A fruitful way to approach The Idea of Phenomenology is through Husserl’s claim that consciousness is not a bag, box, or any other kind of container. The bag conception, which dominated much of modern philosophy, is rooted in the idea that philosophy is restricted to investigating only what is really immanent to consciousness, such as acts and sensory contents. On this view, what Husserl called the riddle of transcendence can never be solved. The phenomenological reduction, as Husserl develops it in (...)
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  • Formale und transzendentale Logik.Edmund: Erfahrung und UrteilUntersuchungen zur Genealogie der Logik Ludwig Landgrebe Husserl - 1930 - Revue de Métaphysique et de Morale 37 (3):11-12.
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  • Generativity and generative phenomenology.Anthony J. Steinbock - 1995 - Husserl Studies 12 (1):55-79.
    This paper has two motivations. First, I want to delineate structurally the dimensions of phenomenological method: not merely the static and genetic methods, but along with them I want to introduce the new ideas of generativity and generative method (Section 2). Second, because these dimensions cannot merely be treated structurally, I want to examine their dynamic interrelation, that is, the system of motivations obtaining between them. I will do this by elaborating the phenomenological concept of "leading clue" (Section 3). Finally, (...)
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  • Type and eidos in Husserl's late philosophy.Alfred Schuetz - 1959 - Philosophy and Phenomenological Research 20 (2):147-165.
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  • History, critique, and freedom: the historical a priori in Husserl and Foucault.Andreea Smaranda Aldea & Amy Allen - 2016 - Continental Philosophy Review 49 (1):1-11.
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  • Phenomenological and Aesthetical Attitudes. Remarks on Their Autonomy and Overlapping.J. Vydrová - 2008 - Filozofia 63:619-624.
    The connection between art and philosophy is presented in the essay on two levels. On one hand they are conceived as two parallel and autonomous attitudes , on the other hand there is a possibility of their intertwining . Both directions are based on phenomenology and focus on the problem of „life“ and „praxis“. A. Giacometti’s and W. Kandinsky’s views on art serve as the background of the philosophical analysis.
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  • The Phenomenology of Aesthetic Consciousness and Phantasy: Working with Husserl.Paul Crowther - 2021 - New York, NY: Routledge.
    This is the first book dedicated to Husserl's aesthetics. Paul Crowther pieces together Husserl's ideas of phantasy and image and presents them as a unified and innovative account of aesthetic consciousness. He also shows how Husserl's ideas can be developed to solve problems in aesthetics, especially those related to visual art, literature, theatre, and nature. After outlining the major components of Husserl's phenomenological method, Crowther addresses the scope and structure of Husserl's notion of aesthetic consciousness. For Husserl, aesthetic consciousness in (...)
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  • Modality Matters: Imagination as Consciousness of Possibilities and Husserl’s Transcendental-Historical Eidetics.Andreea Smaranda Aldea - 2020 - Husserl Studies 36 (3):303-318.
    The paper contends that transcendental phenomenology is a form of radical immanent critique able to explicate the necessary structures of meaning-constitution as well as evaluate our present situation through the historically traditionalized layers of concrete, lived experience. In order to make this case, the paper examines the critical dimension of phenomenology through the lens of one of its core conditions for possibility: the imagination. Building on—yet also departing from—Husserl’s own analyses, the paper contends that the imagination is both self- and (...)
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  • A Controversy Over the Existence of Fictional Objects: Husserl and Ingarden on Imagination and Fiction.Witold Płotka - 2020 - Journal of the British Society for Phenomenology 51 (1):33-54.
    1. Phenomenology is first and foremost about intentionality. As Husserl puts it, “Intentionality is the name of the problem encompassed by the whole of phenomenology”.1 Broadly understood, the phen...
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  • Analysen zùr passiven Synthesis. [REVIEW] E. Husserl - 1968 - Revue de Métaphysique et de Morale 73:127.
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  • Aufsätze Und Vorträge.Edmund Husserl - unknown
    Der Herausgeber dieses Jahrbuchs hat geglaubt, mit derVerof- 5 fentlichung der seit dem Erscheinen des ersten Bandes eingelaufenen und zum Teil schon im Herbst 1913 in den Druck gegebenen Arbei­ ten nieht Hinger zogern zu diirfen. So viele geistige Krafte dieser unheilvolle Krieg fesselt und leider auch zerstort, wirklich unterbin­ den kann und wird er das deutsche Geistesleben nieht. Nach wie vor 10 ist es beseelt von der ererbten Liebe zu den Ewigkeitswerten der Kultur, und immerfort wirkt es sich aus (...)
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  • On the Motives which led Husserl to Transcendental Idealism.Roman Ingarden & Arnor Hannibalsson - 1977 - Tijdschrift Voor Filosofie 39 (3):544-545.
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