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  1. Social Acceleration: A New Theory of Modernity.Hartmut Rosa - 2013 - Columbia University Press.
    Hartmut Rosa advances an account of the temporal structure of society from the perspective of critical theory. He identifies three categories of change in the tempo of modern social life: technological acceleration, evident in transportation, communication, and production; the acceleration of social change, reflected in cultural knowledge, social institutions, and personal relationships; and acceleration in the pace of life, which happens despite the expectation that technological change should increase an individual's free time. According to Rosa, both the structural and cultural (...)
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  • Defining art historically.Jerrold Levinson - 1979 - British Journal of Aesthetics 19 (3):21-33.
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  • Refining art historically.Jerrold Levinson - 1989 - Journal of Aesthetics and Art Criticism 47 (1):21-33.
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  • The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.
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  • On Slowness: Toward an Aesthetic of the Contemporary.Lutz P. Koepnick - 2014 - New York: Cambridge University Press.
    Speed is an obvious facet of contemporary society, whereas slowness has often been dismissed as conservative and antimodern. Challenging a long tradition of thought, Lutz Koepnick instead proposes we understand slowness as a strategy of the contemporary--a decidedly modern practice that gazes firmly at and into the present's velocity. As he engages with late twentieth- and early twenty-first-century art, photography, video, film, and literature, Koepnick explores slowness as a critical medium to intensify our temporal and spatial experiences. Slowness helps us (...)
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  • Technics and time.Bernard Stiegler - 1998 - Stanford, Calif.: Stanford University Press.
    At the beginning of Western philosophy, Aristotle contrasted made objects, which did not have the source of their own production within themselves, with beings formed by nature. This distinction persisted until Marx, who conceived of the possibility of an evolution of the technical object. This philosophy developed while industrialisation was in the process of overthrowing the contemporary order of social organisation, which highlighted technology's new place in philosophical enquiry. Bernard Stiegler goes back to the beginning of Western philosophy and revises (...)
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