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Vie des formes.Henri Focillon - 1943 - Paris]: Presses Universitaires de France.details
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The Primacy of Practice in the Ontology of Art.David Davies - 2009 - Journal of Aesthetics and Art Criticism 67 (2):159-171.details
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Summa Theologica (1273).Thomas Aquinas - 1947 - New York: Benziger Bros..details
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Reperforming and reforming art as performance: Responses. [REVIEW]David Davies - 2005 - Acta Analytica 20 (4):64-90.details
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Art as Performance.Robert Stecker - 2005 - Journal of Aesthetics and Art Criticism 63 (1):77-80.details
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Responses and replies.Arthur C. Danto - 1993 - In Mark Rollins (ed.), Danto and His Critics. Malden, MA: Wiley-Blackwell. pp. 193--216.details
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The ontological status of art objects.Eddy M. Zemach - 1966 - Journal of Aesthetics and Art Criticism 25 (2):145-153.details
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How paintings are.Eddy M. Zemach - 1989 - British Journal of Aesthetics 29 (1):65-71.details
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Once is not enough?Michael Wreen - 1990 - British Journal of Aesthetics 30 (2):149-158.details
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Works and worlds of art.Nicholas Wolterstorff - 1980 - New York: Oxford University Press.details
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Toward an ontology of art works.Nicholas Wolterstorff - 1975 - Noûs 9 (2):115-142.details
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The Literary Work Is Not Its Text.Susan Wilsmore - 1987 - Philosophy and Literature 11 (2):307-316.details
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Production determines category: An ontology of art.Michael Weh - 2010 - Journal of Aesthetic Education 44 (1):84-99.details
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A theory of the compositional work of music.William E. Webster - 1974 - Journal of Aesthetics and Art Criticism 33 (1):59-66.details
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Theory of Literature.Austin Warren - 1951 - Journal of Philosophy 48 (4):108-110.details
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Repeatable Artworks as Created Types.Lee Walters - 2013 - British Journal of Aesthetics 53 (4):461-477.details
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Categories and intentions: A reply.Kendall L. Walton - 1973 - Journal of Aesthetics and Art Criticism 32 (2):267-268.details
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Particular works of art.Jeanne Wacker - 1960 - Mind 69 (274):223-233.details
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Music and metaphysics.Saam Trivedi - 2008 - Metaphilosophy 39 (1):124–143.details
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Against musical works as eternal types.Saam Trivedi - 2002 - British Journal of Aesthetics 42 (1):73-82.details
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Musical Materialism.Chris Tillman - 2011 - British Journal of Aesthetics 51 (1):13-29.details
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Danto and the ontology of literature.B. R. Tilghman - 1981 - Journal of Aesthetics and Art Criticism 40 (3):293-299.details
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Works for Performance.Paul Thom - 1990 - Grazer Philosophische Studien 38 (1):139-156.details
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The ontology of art and knowledge in aesthetics.Amie L. Thomasson - 2005 - Journal of Aesthetics and Art Criticism 63 (3):221–229.details
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The Ontology of Art.Amie L. Thomasson - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Oxford, UK: Blackwell. pp. 78-92.details
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Ontological Innovation in Art.Amie L. Thomasson - 2010 - Journal of Aesthetics and Art Criticism 68 (2):119-130.details
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For an Audience: A Philosophy of the Performing Arts.Paul Thom - 1993 - Temple University Press.details
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Existence questions.Amie L. Thomasson - 2008 - Philosophical Studies 141 (1):63 - 78.details
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The Identity of the Work of Art.Richard Susterman - 1980 - Philosophical Inquiry 2 (4):534-545.details
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Individuals: An Essay in Descriptive Metaphysics.Peter F. Strawson - 1959 - London, England: Routledge. Edited by Wenfang Wang.details
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Methodological Questions about the Ontology of Music.Robert Stecker - 2009 - Journal of Aesthetics and Art Criticism 67 (4):375 - 386.details
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What Works of Art Are: Notes Towards a Homespun Ontology.Francis Sparshott - 1980 - Pacific Philosophical Quarterly 61 (4):346-367.details
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The structure of aesthetics.Francis Edward Sparshott - 1963 - Toronto,: University of Toronto Press.details
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Type, token, interpretation and performance.R. A. Sharpe - 1979 - Mind 88 (351):437-440.details
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Music, platonism and performance: Some ontological strains.R. A. Sharpe - 1995 - British Journal of Aesthetics 35 (1):38-48.details
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Music and humanism: an essay in the aesthetics of music.R. A. Sharpe - 2000 - New York: Oxford University Press.details
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The Aesthetics of Music.Roger Scruton - 1997 - Oxford, GB: Oxford University Press.details
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Margolis on "the identity of a work of art".W. D. L. Scobie - 1960 - Mind 69 (274):256-258.details
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Scepticism and animal faith.George Santayana - 1923 - [New York]: Dover Publications.details
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On restoring and reproducing art.Mark Sagoff - 1978 - Journal of Philosophy 75 (9):453-470.details
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The ontological status of the esthetic object.Richard Rudner - 1949 - Philosophy and Phenomenological Research 10 (3):380-388.details
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Some ambiguities in identifying the work of art.Stephen David Ross - 1977 - Journal of Aesthetics and Art Criticism 36 (2):137-145.details
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Artworks as historical individuals.Guy Rohrbaugh - 2003 - European Journal of Philosophy 11 (2):177–205.details
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Artistic experience.Louis Arnaud Reid - 1926 - Mind 35 (138):181-203.details
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The uniqueness and reproducibility of a work of art: A critique of Goodman's theory.Anthony Ralls - 1972 - Philosophical Quarterly 22 (86):1-18.details
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What is a piece of music?Kingsley Price - 1982 - British Journal of Aesthetics 22 (4):322-336.details
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Platonism in Music : a Kind of Refutation.Stefano Predelli - 2006 - Revue Internationale de Philosophie 4 (4):401-414.details
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Ontologese and musical nihilism: A reply to Cameron.Stefano Predelli - 2009 - British Journal of Aesthetics 49 (2):179-183.details
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Musical ontology and the argument from creation.Stefano Predelli - 2001 - British Journal of Aesthetics 41 (3):279-292.details
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