This groundbreaking collection reflects an uncompromised definition of feminism by women of color. 65,000 copies in print.

The pioneering anthology Home Girls features writings by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and writings. This edition features an updated list of contributor biographies and an all-new preface that provides a fresh assessment of how Black women's lives have changed-or not-since the book was first published. Contributors are Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Julie Carter, (...) Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willie M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita Weems. (shrink)

A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.

This Bridge Called My Back: Writings by Radical Women of Color, edited by Chicana writers Cherríe Moraga and Gloria Anzaldúa, was intended as a collection of essays, poems, tales and testimonials that would give voice to the contradictory experiences of “women of color.” In fact, the editors state: -/- We are the colored in a white feminist movement. We are the feminists among the people of our culture. We are often the lesbians among the straight. -/- By giving voice to (...) such experiences, each according to her style, the editors and contributors believed they were developing a theory of subjectivity and culture that would demonstrate the considerable differences between them and Anglo-American women, as well as between them and Anglo-European men and men of their own culture. As speaking subjects of a new discursive formation, many of Bridge's writers were aware of the displacement of their subjectivity across a multiplicity of discourses: feminist/lesbian, nationalist, racial, socioeconomic, historical, etc. The peculiarity of their displacement implies a multiplicity of positions from which they are driven to grasp or understand themselves and their relations with the real, in the Althusserian sense of the word. Bridge writers, in part, were aware that these positions are often incompatible or contradictory, and others did not have access to the maze of discourses competing for their body and voice. (shrink)

A provocative critique of Western attitudes about the Orient, this history examines the ways in which the West has discovered, invented, and sought to control the East from the 1700s to the present.

"This wonderful book does nothing less than to create the next stage of feminist thought." —Catharine R. Stimpson "De Lauretis provides a way of thinking about feminism that accepts rather than tries to resolve differences, that refuses ...