Switch to: Citations

Add references

You must login to add references.
  1. Tears or Fears? Comparing Gender Stereotypes about Movie Preferences to Actual Preferences.Peter Wühr, Benjamin P. Lange & Sascha Schwarz - 2017 - Frontiers in Psychology 8.
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  • Facial reactions to violent and comedy films: Association with callous–unemotional traits and impulsive aggression.Kostas A. Fanti, Melina Nicole Kyranides & Georgia Panayiotou - 2017 - Cognition and Emotion 31 (2).
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Emotion drives attention: detecting the snake in the grass.Arne Öhman, Anders Flykt & Francisco Esteves - 2001 - Journal of Experimental Psychology: General 130 (3):466.
    Download  
     
    Export citation  
     
    Bookmark   217 citations  
  • The nature of horror.Noël Carroll - 1987 - Journal of Aesthetics and Art Criticism 46 (1):51-59.
    Download  
     
    Export citation  
     
    Bookmark   8 citations  
  • Emotion regulation of fear and disgust: differential effects of reappraisal and suppression.Bunmi O. Olatunji, Hannah E. Berg & Zidong Zhao - 2017 - Cognition and Emotion 31 (2).
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  • Sex Differences in Disgust: Why Are Women More Easily Disgusted Than Men?Laith Al-Shawaf, David M. G. Lewis & David M. Buss - 2018 - Emotion Review 10 (2):149-160.
    Women have consistently higher levels of disgust than men. This sex difference is substantial in magnitude, highly replicable, emerges with diverse assessment methods, and affects a wide array of outcomes—including job selection, mate choice, food aversions, and psychological disorders. Despite the importance of this far-reaching sex difference, sound theoretical explanations have lagged behind the empirical discoveries. In this article, we focus on the evolutionary-functional level of analysis, outlining hypotheses capable of explaining why women have higher levels of disgust than men. (...)
    Download  
     
    Export citation  
     
    Bookmark   10 citations  
  • Fears, phobias and preparedness: Toward an evolved module of fear and fear learning.Arne Öhman & Susan Mineka - 2001 - Psychological Review 108 (3):483-522.
    Download  
     
    Export citation  
     
    Bookmark   240 citations  
  • The paradox of horror.Berys Gaut - 1993 - British Journal of Aesthetics 33 (4):333-345.
    Download  
     
    Export citation  
     
    Bookmark   23 citations  
  • Cultural differences in attention: Eye movement evidence from a comparative visual search task.Albandri Alotaibi, Geoffrey Underwood & Alastair D. Smith - 2017 - Consciousness and Cognition 55:254-265.
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  • The Philosophy of Horror, or Paradoxes of the Heart.Mary Devereaux - 1992 - Philosophical Review 101 (4):950.
    Download  
     
    Export citation  
     
    Bookmark   11 citations  
  • (22 other versions)Foreword.[author unknown] - forthcoming - Volume 113, Number 5/6 - 2016 - the Journal of Philosophy.
    Download  
     
    Export citation  
     
    Bookmark   80 citations  
  • Toward a general psychological model of tension and suspense.Moritz Lehne & Stefan Koelsch - 2015 - Frontiers in Psychology 6:118396.
    Tension and suspense are powerful emotional experiences that occur in a wide variety of contexts (e.g., in music, film, literature, and everyday life). The omnipresence of tension experiences suggests that they build on very basic cognitive and affective mechanisms. However, the psychological underpinnings of tension experiences remain largely unexplained, and tension and suspense are rarely discussed from a general, domain-independent perspective. In this paper, we argue that tension experiences in different contexts (e.g., musical tension or suspense in a movie) build (...)
    Download  
     
    Export citation  
     
    Bookmark   13 citations