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  1. Sport, Make-Believe, and Volatile Attitudes.Nils-Hennes Stear - 2017 - Journal of Aesthetics and Art Criticism 75 (3):275-288.
    The outcomes of sports and competitive games excite intense emotions in many people, even when those same people acknowledge that those outcomes are of trifling importance. I call this incongruity between the judged importance of the outcome and the intense reactions it provokes the Puzzle of Sport. The puzzle can be usefully compared to another puzzle in aesthetics: the Paradox of Fiction, which asks how it is we become emotionally caught up with events and characters we know to be unreal. (...)
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  • (2 other versions)Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. WALTON - 1990 - Philosophy 66 (258):527-529.
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  • (1 other version)Introduction to a Philosophy of Music.Peter Kivy - 2004 - Journal of Aesthetics and Art Criticism 62 (3):299-300.
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  • (2 other versions)Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1990 - Journal of Aesthetics and Art Criticism 49 (2):161-166.
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  • (1 other version)Introduction to a Philosophy of Music.Peter Kivy & Geoffrey Madell - 2004 - Philosophical Quarterly 54 (214):199-202.
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  • Homo ludens: A study of the play‐element in cult.Johan Huizinga - 1949 - Routledge/Thoemms Press.
    The aim of Huizinga's study is to try to integrate the concept of play into that of culture. He approaches play from a historical, not scientific point and, his study does not use psychological interpretations of play.
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  • Mimesis as Make-Believe: On the Foundations of the Representational Arts by Kendall Walton. [REVIEW]Gregory Currie - 1993 - Journal of Philosophy 90 (7):367-370.
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  • Ways of Watching Sport.Stephen Mumford - 2013 - Royal Institute of Philosophy Supplement 73:3-15.
    There are many ways that we can watch sport but not all of them are philosophically interesting. One can watch it enthusiastically, casually, fanatically or drunkenly. One might watch only because one has bet on the outcome. Some watch a friend or relative compete and have a narrow focus on one individual's performance. A coach or scout on the lookout for new talent may have completely different interests to a supporter of a team. But what of the ways of watching (...)
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  • Introduction to a philosophy of music.Peter Kivy - 2002 - New York: Clarendon Press.
    Philosophy of music has flourished in the last thirty years, with great advances made in the understanding of the nature of music and its aesthetics. Peter Kivy has been at the center of this flourishing, and now offers his personal introduction to philosophy of music, a clear and lively explanation of how he sees the most important and interesting philosophical issues relating to music. Anyone interested in music will find this a stimulating introduction to some fascinating questions and ideas.
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  • (1 other version)Mimesis as make-believe: on the foundations of the representational arts.Kendall L. Walton - 1990 - Cambridge: Harvard University Press.
    Mimesis as Make-Believe is important reading for everyone interested in the workings of representational art.
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  • Responding Emotionally to Fictions.Stephen Davies - 2009 - Journal of Aesthetics and Art Criticism 67 (3):269 - 284.
    It is widely held that there is a paradox in the fact that we respond emotionally to characters, situations, or events that we know to be fictional, or in other words, when they do not exist. To take a familiar example.
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