The Phaedrus depicts the Platonic Socrates’ most explicit exhortation to ‘philosophy’. The dialogue thereby reveals something of his idea of its nature. Unfortunately, what it reveals has been obscured by two habits in the scholarship: to ignore the remarks Socrates makes about ‘philosophy’ that do not arise in the ‘Palinode’; and to treat many of those remarks as parodies of Isocrates’ competing definition of the term. I remove these obscurities by addressing all fourteen remarks about ‘philosophy’ and by showing that (...) for none do we have reason to attribute to them Isocratean meaning. We thereby learn that ‘philosophy’ does not refer essentially to contemplation of the forms but to conversation concerned with selfimprovement and the pursuit of truth. (shrink)

In this paper I argue that the logos, the primary object of knowledge in Heraclitus’ epistemology, is a unity both as an object of knowledge and as an instance of being rather than becoming. Section I begins with discussions of knowledge and Heraclitus’ conception of logos; section II is concerned with knowledge and unity. The two later sections of the paper explore the consequences of the account I attribute to Heraclitus: section III considers being, unity, and change; and section IV (...) discusses Heraclitus’ views of knowledge and sense perception. (shrink)

I contend that “philosophos” is meant to carry the connotation of a Pythagorean: Euenus is a native from Paros which had a strong Pythagorean community down to the end of the fifth century. Moreover, “philosophos” was used to refer to the Pythagoreans, as can be seen from the story related by Cicero from Heraclides Ponticus (Tusc. Disp. V, iii, 7-8; cp. DL, 1.12; 8.8). I argue (against Burkert) that even if this story is part of the lore surrounding Pythagoras and, (...) hence, without historical value as for Pythagoras, it may still be used as evidence for the use of “philosophos” among latter-day Pythagoreans. (shrink)

The article seeks to show that, contrary to the standard view, the 'Choice of Heracles' preserved at Xen. Mem. 2.1.21-33 is not a summary or paraphrase, but is a very close approximation to the actual wording of Prodicus' epideixis. The language and style are shown to be uncharacteristic of Xenophon, and the fact that Prodicus' original was known to exist in both written and orally performed versions serves to explain why the piece is framed by language that disclaims strict accuracy (...) in reproducing it. It is further shown that the way in which near-synonyms are used in the piece is not necessarily inconsistent with other evidence for Prodicus' practice: it is rather the personified character Vice whose usage conflicts with that of Prodicus himself and with that of the personification of Virtue. Finally, it is proposed that the 'Choice of Heracles' represented the contents, not of Prodicus' advanced teaching, but of the popular, cut-rate lecture intended for a general audience. (shrink)

For many of the ancient Greek philosophers, the ethical life was understood to be closely tied up with important notions like rational integrity, self-control, self-sufficiency, and so on. Because of this, feeling or passion (pathos), and in particular, pleasure, was viewed with suspicion. There was a general insistence on drawing up a sharp contrast between a life of virtue on the one hand and one of pleasure on the other. While virtue was regarded as rational and as integral to advancing (...) one’s well-being or happiness and safeguarding one’s autonomy, pleasure was viewed as largely irrational and as something that usually undermines a life of reason, self-control and self-sufficiency. I want to try to show that the hedonist Aristippus of Cyrene, a student and contemporary of Socrates, was unique in not drawing up such a sharp contrast. Aristippus, I argue, might be seen to be challenging the conception of passion and pleasure connected to loss of self-control and hubristic behavior. Not only do I try to show that pleasure according to Aristippus is much more comprehensive or inclusive than it is usually taken to be, but that a certain kind of control and self-possession actually play an important part in his conception of pleasure and in his hedonism as a whole. (shrink)