First published in 1946, History of Western Philosophy went on to become the best-selling philosophy book of the twentieth century. A dazzlingly ambitious project, it remains unchallenged to this day as the ultimate introduction to Western philosophy. Providing a sophisticated overview of the ideas that have perplexed people from time immemorial, it is 'long on wit, intelligence and curmudgeonly scepticism', as the New York Times noted, and it is this, coupled with the sheer brilliance of its scholarship, that has made (...) Russell's History of Western Philosophy one of the most important philosophical works of all time. (shrink)

Stephen Nathanson's clear-sighted abridgment of Principles of Political Economy, Mill's first major work in moral and political philosophy, provides a challenging, sometimes surprising account of Mill's views on many important topics: socialism, population, the status of women, the cultural bases of economic productivity, the causes and possible cures of poverty, the nature of property rights, taxation, and the legitimate functions of government. Nathanson cuts through the dated and less relevant sections of this large work and includes significant material omitted in (...) other editions, making it possible to see the connections between the views Mill expressed in Principles of Political Economy and the ideas he defended in his later works, particularly On Liberty. Indeed, studying Principles of Political Economy, Nathanson argues in his general Introduction, can help to resolve the apparent contradiction between Mill's views in On Liberty and those in Utilitarianism, making it a key text for understanding Mill’s philosophy as a whole. (shrink)

Pt. I. Writings on the theory of logic: I. Pure logic or the logic of quality apart from quantity. II. The substitution of similars. III. On the mechanical performance of logical inference. IV. On a general system of numerically definite reasoning.--Pt. II. John Stuart Mill's philosophy tested: I. On geometrical reasoning. II. On resemblance. III. The experimental methods. IV. Utilitarianism. V. On the method of difference.

This paper shows that William Stanley Jevons was not precursor of logical positivism despite his attempt to build up a unified science. His mechanical reductionism was directed towards this project, and Jevons tried to found mathematics on logic through the development of a theory of number. We show that his attempts were unsuccessful, and that his errors remain visible within the totality of his mechanical system, including his economics. We argue that both his logic and his economics are comprehensible only (...) when interpreted in terms of extent of meaning, and that Jevons? system gives rise to difficulties when interpreted in terms of intent of meaning. We argue that Jevons? methodological recommendations were intended to bridge the gap between extent and intent of meaning. Although Jevons did not succeed in establishing a unified science, his flawed methodology resulted in one of the first applications of statistics to the social sciences. (shrink)

"Von Natur aus ist der Mensch ein politisches Wesen". Diese Einsicht sprach Aristoteles als erster aus. Die begriffliche Fassung der unterschiedlichen Formen staatlicher Organisation und seine Untersuchungen darüber, welche von ihnen der Bestimmung des Menschen am besten entspräche, begründen die Wissenschaft von der Politik und bilden noch heute ihr Fundament.

An examination of the relationship between philosophical and economic thought in the nineteenth century, Economy and Self explores how the free enterprise theory of Classical Economy influenced and was in turn influenced by the philosophical notion of alienation common in the writings of the age.

Keine ausführliche Beschreibung für "Descartes und die Philosophie" verfügbar.

Art appears to us historically. Hence, the historical meaning of art can best be understood by its clarification through a history of unconscious motives. This article applies to the classical arts and aesthetics (from Daedalos to Pygmalion) some theories ofRené Girard. Until the advent of the 'anthropométrie stage', art was solely concerned with the production of magic-ritual 'Objects' for the ritual, in which the experience oforiginal violence (Wieder-erlebung) took place. With the introduction of a religious structure, this original violence became (...) hidden away behind an abstract means, thus disabling the direct contact between man and force of nature. For the arts, we can identify 'mimesis' as this means, which consequently became the central aesthetical ideal. Anthropometric art, then, was no longer directed towards the truth of original violence, buttowards the representational truth of the myth and the religious order. Since mimetic representations can never be what they represent, truth and beauty were disconnected in the arts. The ideal of mimetic beauty, as expressed in composition or design, allows for a potentially infinite number of variations, covering truth as well as fiction. It seems that classical arts still expressed the truth, albeit in an increasingly remote manner (since original violence was progressively more hidden away). We specifically discuss forementioned evolution in classical drama (comedy and tragedy) and in Plato's and Aristotle's aesthetics and theories of art. (shrink)

We argue that the concepts of `human equality' and `inequality' play an important role in the structure of science and philosophy. When the value of `human inequality' predominates, scientific categories are formed in accordance with the principle of `hierarchical differentiation' and concepts remain closely tied to the objects they are referring to. Following Mirowski we define this as the `anthropometric stage' of human thought and development. Contrary, Mirowski's `syndetic stage' refers to societies where the value of `human equality' prevails. Here (...) concepts appear that are universally applicable. However, because of their conventional nature these concepts cannot be `grasped' any longer by human intuition. Between the `anthropometric' and `syndetic' stages, a `lineamentric stage' appears, a period of transition from `human equality' to `human inequality'. Being both a bridge and gap between the two other stages, the `lineamentric' stage contains many contradictions between an `abstract attitude' and `concrete categories'. In this paper we examine the anthropometric, lineamentric and syndetic stages and discuss several examples taken from philosophy, logic, mathematics and physics. (shrink)

The representation of reality is a fundamental concept in the perception of theworld. Its historical consideration leads to an understanding of historical andcontemporary culture. In this paper we specifically investigate theanthropometric stage of cultural development as a historical world view. Wedefine this stage on the basis of René Girard's hypotheses on the origin ofculture, and we isolate its principles. Next, we consider the function of art asthe representation of cultural values. We investigate the three major motivesof artistic representation in the (...) anthropometric stage, i.e. beauty, dramatizationand mimesis. We show how and why these motives play an essential partin the obfuscation and explanation of the origin of culture. Finally, we showhow these developments are dealt with in the aesthetics of Plato and Aristotle. (shrink)