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  1. Sensitivity to genuine versus posed emotion specified in facial displays.Tracey McLellan, Lucy Johnston, John Dalrymple-Alford & Richard Porter - 2010 - Cognition and Emotion 24 (8):1277-1292.
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  • Inherently Ambiguous: Facial Expressions of Emotions, in Context.Ran R. Hassin, Hillel Aviezer & Shlomo Bentin - 2013 - Emotion Review 5 (1):60-65.
    With a few yet increasing number of exceptions, the cognitive sciences enthusiastically endorsed the idea that there are basic facial expressions of emotions that are created by specific configurations of facial muscles. We review evidence that suggests an inherent role for context in emotion perception. Context does not merely change emotion perception at the edges; it leads to radical categorical changes. The reviewed findings suggest that configurations of facial muscles are inherently ambiguous, and they call for a different approach towards (...)
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  • Emotion elicitation using films.James J. Gross & Robert W. Levenson - 1995 - Cognition and Emotion 9 (1):87-108.
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  • An argument for basic emotions.Paul Ekman - 1992 - Cognition and Emotion 6 (3):169-200.
    Emotions are viewed as having evolved through their adaptive value in dealing with fundamental life-tasks. Each emotion has unique features: signal, physiology, and antecedent events. Each emotion also has characteristics in common with other emotions: rapid onset, short duration, unbidden occurrence, automatic appraisal, and coherence among responses. These shared and unique characteristics are the product of our evolution, and distinguish emotions from other affective phenomena.
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  • Social Psychology.F. H. Allport - 1924 - Journal of Philosophy 21 (21):583-585.
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  • Understanding the Mechanisms Underlying the Production of Facial Expression of Emotion: A Componential Perspective.Klaus R. Scherer, Marcello Mortillaro & Marc Mehu - 2013 - Emotion Review 5 (1):47-53.
    We highlight the need to focus on the underlying determinants and production mechanisms to fully understand the nature of facial expression of emotion and to settle the theoretical debate about the meaning of motor expression. Although emotion theorists have generally remained rather vague about the details of the process, this has been a central concern of componential appraisal theories. We describe the fundamental assumptions and predictions of this approach regarding the patterning of facial expressions for different emotions. We also review (...)
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  • Coherence between expressive and experiential systems in emotion.Erika L. Rosenberg & Paul Ekman - 1994 - Cognition and Emotion 8 (3):201-229.
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  • Coherence between Emotion and Facial Expression: Evidence from Laboratory Experiments.Rainer Reisenzein, Markus Studtmann & Gernot Horstmann - 2013 - Emotion Review 5 (1):16-23.
    Evidence on the coherence between emotion and facial expression in adults from laboratory experiments is reviewed. High coherence has been found in several studies between amusement and smiling; low to moderate coherence between other positive emotions and smiling. The available evidence for surprise and disgust suggests that these emotions are accompanied by their “traditional” facial expressions, and even components of these expressions, only in a minority of cases. Evidence concerning sadness, anger, and fear is very limited. For sadness, one study (...)
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  • Thinking, Fast and Slow.Daniel Kahneman - 2011 - New York: New York: Farrar, Straus and Giroux.
    In the international bestseller, Thinking, Fast and Slow, Daniel Kahneman, the renowned psychologist and winner of the Nobel Prize in Economics, takes us on a groundbreaking tour of the mind and explains the two systems that drive the way we think. System 1 is fast, intuitive, and emotional; System 2 is slower, more deliberative, and more logical. The impact of overconfidence on corporate strategies, the difficulties of predicting what will make us happy in the future, the profound effect of cognitive (...)
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  • .Daniel Kahneman & Shane Frederick - 2002 - Cambridge University Press.
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  • (1 other version)The Expression of Emotions in Man and Animals.Charles Darwin - 1872 - John Murray.
    Darwin discusses why different muscles are brought into action under different emotions and how particular animals have adapted for association with man.
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  • Unconscious facial reactions to emotional facial expressions.U. Dimberg, M. Thunberg & K. Elmehed - 2000 - Psychological Science 11 (1):86-89.
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