Emmanuel Levinas is one of the most important figures of twentieth-century philosophy. Exerting a profound influence upon such thinkers as Derrida, Lyotard, Blanchot, and Irigaray, Levinas's work bridges several major gaps in the evolution of continental philosophy--between modern and postmodern, phenomenology and poststructuralism, ethics and ontology. He is credited with having spurred a revitalized interest in ethics-based philosophy throughout Europe and America. _Entre Nous_ (Between Us) is the culmination of Levinas's philosophy. Published in France a few years before his death, (...) it gathers his most important work and reveals the development of his thought over nearly forty years of committed inquiry. Along with several trenchant interviews published here, these essays engage with issues of suffering, love, religion, culture, justice, human rights, and legal theory. Taken together, they constitute a key to Levinas's ideas on the ethical dimensions of otherness. Working from the phenomenological method of Edmund Husserl and Martin Heidegger, Levinas pushed beyond the limits of their framework to argue that it is ethics, not ontology, that orients philosophy, and that responsibility precedes reasoning. Ethics for Levinas means responsibility in relation to difference. Throughout his work, Levinas returns to the metaphor of the face of the other to discuss how and where responsibility enters our lives and makes philosophy necessary. For Levinas, ethics begins with our face to face interaction with another person--seeing that person not as a reflection of one's self, nor as a threat, but as different and greater than self. Levinas moves the reader to recognize the implications of this interaction: our abiding responsibility for the other, and our concern with the other's suffering and death. Situated at the crossroads of several philosophical schools and approaches, Levinas's work illuminates a host of critical issues and has found resonances among students and scholars of literature, law, religion, and politics. _Entre Nous_ is at once the apotheosis of his work and an accessible introduction to it. In the end, Levinas's urgent meditations upon the face of the other suggest a new foundation upon which to grasp the nature of good and evil in the tangled skein of our lives. (shrink)

INTRODUCTION Ever since the beginning of the modern phenomenological movement disciplined attention has been paid to various patterns of human experience as ...

In Selfless Cinema?, Sarah Cooper maps out the power relations of making, and viewing, documentaries in ethical terms. The ethics of filmmaking are often examined in largely legalistic terms, dominated by issues of consent, responsibility, and participantse(tm) or film-makerse(tm) rights, but Cooper approaches four representative French film-makers e" Jean Rouch, Chris Marker, Raymond Depardon, and Agns Varda e" in a far less juridical way, drawing on the ethical philosophy of Emmanuel Levinas. She argues that, in spite of Levinase(tm)s iconoclastic, anti-ocular (...) thinking, his concept of visage is richly applicable to film, and especially to documentary. (shrink)

'The Levinas Reader' collects, often for the first time in English, essays by Levinas encompassing every aspect of his thought: the early phenomenological studies written under the guidance and inspiration of Husserl and Heidegger; the fully developed ethical critique of such totalizing philosophies; the pioneering texts on the moral dimension to aesthetics; the rich and subtle readings of the Talmud which are an exemplary model of an ethical, transcendental philosophy at work; the admirable meditations on current political issues.

Documentary filmmakers have ethical responsibilities to the subjects of their films. Specifically, they have an ethical responsibility to prevent harm to their subjects if they are in a position to do so, even harm not directly related to being in the film. Justification for this comes from documentary's status as a practice of a social institution and can be supported by Utilitarian and Kantian considerations, as well as the Aristotelian discussion of practices. Three films, The Thin Blue Line, Dope Sick (...) Love , and Born Into Brothels , are used as examples for the requirement to prevent harm to subjects. These examples cover several different possibilities of how documentary filmmakers behave concerning the welfare of their subjects and are evaluated in light of ethical considerations offered. (shrink)

In recent years there has been a resurgence of interest in the work of Emmanuel Levinas, widely recognized as one of the most important yet difficult philosophers of the 20th century. In this much-needed introduction, Davis unpacks the concepts at the centre of Levinas's thought - alterity, the Other, the Face, infinity - concepts which have previously presented readers with major problems of interpretation. Davis traces the development of Levinas's thought over six decades, describing the context in which he worked, (...) and the impact of his writings. He argues that Levinas's work remains tied to the ontological tradition with which he wants to break, and demonstrates how his later writing tries to overcome this dependency by its increasingly disruptive, sometimes opaque, textual practice. He discusses Levinas's theological writings and his relationship to Judaism, as well as the reception of his work by contemporary thinkers, arguing that the influence of his work has led to a growing interest in ethical issues among poststructuralist and postmodernist thinkers in recent years. Comprehensive and clearly written, this book will be essential reading for students and researchers in continental philosophy, French studies, literary theory and theology. (shrink)

'Image Ethics in the Digital Age' brings together leading experts in the fields of journalism, media studies, & law to address the challenges presented by new technology & assess the implications for personal & societal values & behavior.

In recent years, the concept of a ‘prohibition against representation’ and its ethical andpolitical implications for artistic practices past, present and future have been subjected torenewed critical scrutiny. While this interdiction derives from the Second Commandmentgiven by God to Moses, forbidding the creation of graven images or idols, it hasfrequently been invoked in secular contexts, and has acquired special resonance inongoing debates about the difficulty of adequately representing the event which hasbeen called the Holocaust or Shoah. The persistent claim that (...) the Nazis’ persecution ofthe Jews and other communities remains beyond or unsusceptible to representation,and more specifically the assertion that it cannot or should not be recuperated withinimages, are often informed by a particular understanding of the Bilderverbot . However, certain survivors and scholarshave queried whether it is legitimate or helpful to reactivate this injunction in theaftermath of such atrocities. Jorge Semprun, Jacques Rancière, Jean-Luc Nancy andothers have variously criticised this move, along with associated rhetorics of ‘ineffability’,as confused and obscurantist, politically misleading and morally suspect.1Nancy, theauthor of one of the most forceful critiques in this vein, warns that the allegation thatrepresentation of the Holocaust is illegitimate rests on a misunderstanding ormisapplication of the original religious prohibition which he seeks to correct;‘“representation of the Shoah”’, he concludes, ‘is not only possible and licit, but in fact also necessary and imperative’. (shrink)

Cases taken from the coverage of Canadian/Ipperwash and American/Makah disputes over tribal land and sea claims point up that subtle but entrenched racist assumptions, conclusions, and myths of native culture persist despite attempts by newsrooms to be more culturally sensitive. Traditional journalism standards of practice and ethical approaches must be expanded to consider more of the subtleties of media's problematic representations of aboriginal peoples—as a culture, a culture apart, and a cultural construct. The ethics of continental philosopher Emmanuel Levinas, the (...) ritual model of communication, and frameworks and methodologies used by feminist and cultural studies scholars are applied to show that journalism's current standards, which are rooted in Enlightenment ethics and embrace a transmission view of communication, are inadequate to the challenge of reporting on diversity in an ethnically complex world. (shrink)