The book is a translation of the Sophist with a running commentary. Three main points are argued: the dialogue does not present positive doctrine but has the structure of a reductio ad absurdum, Plato's point is to criticize the metaphysics of Parmenides. By failing to account for resemblance, Eleaticism implies an inadequate theory of relations, which makes impossible any understanding of "essence." Consequently, Eleaticism can be taken as the philosophical underpinning for the antithesis of philosophy, lending legitimacy to sophistry, the (...) criticism constitutes an indirect argument for the theory of forms. ;The method of division employed in the Sophist does not proceed "along natural joints" as called for in the Phaedrus, nor can it, since the Eleatic logic that underlies the method used in the Sophist allows for no intermediate in the strict opposition of 'being' and 'not-being.' The only definitions that can be made on this basis are negative definitions. This leads to an inability to account for images on Eleatic terms, providing a refuge for the sophist--he cannot be a maker of deceptive images if there are no images and no falsity. However, the modification of the Eleatic rejection of not-being is incomplete and insufficient. ;The arguments allow only for relations of identity and difference or whole and part, excluding any account of resemblance, the basis for any theory of participation. On these grounds, not-being is defined in terms of difference, affording an incomplete explanation of false statement, while abandoning the initial problem of images. Moreover, the concluding argument directly implies the reduction of 'being' to the newly introduced definition of 'not-being.' The ending turns back to the beginning: the sophist has an art that is no art, and definitions can only be definitions in terms of difference, negative definitions allowing no adequate account of images and no essences. The dialogue ends in a subtle aporia pointing to the failure to acknowledge that to say images both are and are not indicates an order of ontological dependence. (shrink)

_Theaetetus_, the _Sophist_, and the _Statesman_ are a trilogy of Platonic dialogues that show Socrates formulating his conception of philosophy as he prepares the defense for his trial. Originally published together as _The Being of the Beautiful_, these translations can be read separately or as a trilogy. Each includes an introduction, extensive notes, and comprehensive commentary that examines the trilogy's motifs and relationships. "Seth Benardete is one of the very few contemporary classicists who combine the highest philological competence with a (...) subtlety and taste that approximate that of the ancients. At the same time, he as set himself the entirely modern hermeneutical task of uncovering what the ancients preferred to keep veiled, of making explicit what they indicated, and hence...of showing the naked ugliness of artificial beauty."—Stanley Rose, _Graduate Faculty Philosophy Journal_ Seth Benardete was professor of classics at New York University. He was the author or translator of many books, most recently _The Argument of the Action, Plato's "Laws," and Plato's "Symposium,"_ all published by the University of Chicago Press. (shrink)