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David Ambuel
Mary Washington College
  1. The Coy Eristic: Defining the Image That Defines the Sophist.David Ambuel - 2011 - In Ales Havlicek & Filip Karfik (eds.), Plato's Sophist: Proceedings of the Seventh Symposium Platonicum Pragense. Oikoymenh. pp. 278-310.
    The eponymous dialogue presents the sophist as a figure who defies definition, and those difficulties are attributed to the conception of the image. Ultimately, the sophist is defined as a species of image maker. The image, however, which is important throughout the Platonic corpus as a metaphor, an analogy, and a metaphysical concept as well, receives in the Sophist little clarification or definition apart from whatever may be inferred from the division of image making arts. In the Sophist, the sophist (...)
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  2. Platon: In Bildern Denken.David Ambuel - 2010 - In Johannes Grave & Arno Schubbach (eds.), Denken mit dem Bild: Platon, Plotin, Augustinus, Cusanus. Fink.
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  3. Difference in Kind: Observations on the Distinction of the Megista Gene.David Ambuel - 2013 - In Beatriz Bossi & Thomas M. Robinson (eds.), Plato's Sophist Revisited. de Gruyter. pp. 247-268.
    It is argued that the analysis by which the gene are differentiated in the dialogue is an exercise in studied ambiguities informed by an Eleatic logic of strict dichotomy that was the underpinning of the Sophist's method of division. By this dialectical drill, Plato shows that the metaphysics underlying the Visitor's method fails to adequately distinguish what it means to have a character from what it means to be a character, and therefore remains inadequate to track down the sophist or (...)
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  4. Pigs in Plato: Delineating the Human Condition in the Statesman.David Ambuel - 2013 - In Ales Havlicek, Jakub JIrsa & Karel Thein (eds.), Plato's Statesman: Proceedings of the Eighth Symposium Platonicum Pragense. Oikoymenh. pp. 209-226.
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