IDEAS. and. MECHANISM. Essays on Early Modern Philosophy MARGARET DAULER WILSON For more than three decades, Margaret Wilson's essays on early modern philosophy have influenced scholarly debate. Many are considered  ...

What sort of property did Locke take colors to be? He is sometimes portrayed as holding that colors are wholly subjective. More often he is thought to identify colors with dispositions—powers that bodies have to produce certain ideas in us. Many interpreters find two or more incompatible strands in his account of color, and so are led to distinguish an “official,” prevailing view from the conflicting remarks into which he occasionally lapses. Many who see him as officially holding that colors (...) are dispositions concede that some of his remarks imply that colors are in us rather than in objects. After raising some difficulties for these readings, I offer an alternative. I will argue that Locke takes colors to be relational, but not dispositional, properties of the objects around us. On his view, an object is red if and only if it is actually causing a certain sensation in some observer. (shrink)

THIS PAPER ARGUES FOR THE CLAIM THAT ALTHOUGH COLOUR WORDS LIKE 'RED' ARE, ESSENTIALLY, 'PHENOMENAL-QUALITY' WORDS—I.E., WORDS FOR PROPERTIES WHOSE WHOLE AND ESSENTIAL NATURE CAN BE AND IS FULLY REVEALED IN SENSORY EXPERIENCE, GIVEN ONLY THE QUALITATIVE CHARACTER THAT THAT EXPERIENCE HAS—STILL 'RED' CANNOT BE SUPPOSED TO BE A WORD THAT PICKS OUT OR DENOTES ANY PARTICULAR PHENOMENAL QUALITY. THE ARGUMENT RESTS ESSENTIALLY ON THE SUPPOSITION, OFTEN DISCUSSED UNDER THE HEADING OF THE 'COLOR-SPECTRUM INVERSION ARGUMENT', THAT TWO PEOPLE COULD POSSIBLY (...) AGREE IN ALL THEIR COLOUR-JUDGEMENTS WHILE DIFFERING IN THEIR COLOUR EXPERIENCE. (shrink)

In this paper, I argue that Book II, Chapter viii of Locke' Essay is a unified, self-consistent whole, and that the appearance of inconsistency is due largely to anachronistic misreadings and misunderstandings. The key to the distinction between primary and secondary qualities is that the former are, while the latter are not, real properties, i.e., properties that exist in bodies independently of being perceived. Once the distinction is properly understood, it becomes clear that Locke's arguments for it are simple, valid (...) and (in one case) persuasive as well. (shrink)

Leibniz has almost universally been represented as denying that created substances, including human minds and the souls of animals, can causally interact either with one another or with bodies. Yet he frequently claims that such substances are capable of interacting in the special sense of what he calls 'ideal' interaction. In order to reconcile these claims with their favored interpretation, proponents of the traditional reading often suppose that ideal action is not in fact a genuine form of causation but instead (...) a merely apparent influence which serves to 'save the appearances.' I argue that this traditional reading distorts Leibniz's thought and that he actually considers ideal action a genuine (though non-standard) form of causation. (shrink)

Reid offers an under-appreciated account of the primary/secondary quality distinction. He gives sound reasons for rejecting the views of Locke, Boyle, Galileo and others, and presents a better alternative, according to which the distinction is epistemic rather than metaphysical. Primary qualities, for Reid, are qualities whose intrinsic natures can be known through sensation. Secondary qualities, on the other hand, are unknown causes of sensations. Some may object that Reid's view is internally inconsistent, or unacceptably relativistic. However, a deeper understanding shows (...) that it is consistent, and relative only to normal humans. To acquire this deeper understanding, one must also explore the nature of dispositions, Reid's rejection of the theory of ideas, his distinction between sensation and perception, and his distinction between natural and acquired perceptions. (shrink)

Reid offers an under‐appreciated account of the primary/secondary quality distinction. He gives sound reasons for rejecting the views of Locke, Boyle, Galileo and others, and presents a better alternative, according to which the distinction is epistemic rather than metaphysical. Primary qualities, for Reid, are qualities whose intrinsic natures can be known through sensation. Secondary qualities, on the other hand, are unknown causes of sensations. Some may object that Reid's view is internally inconsistent, or unacceptably relativistic. However, a deeper understanding shows (...) that it is consistent, and relative only to normal humans. To acquire this deeper understanding, one must also explore the nature of dispositions, Reid's rejection of the theory of ideas, his distinction between sensation and perception, and his distinction between natural and acquired perceptions. (shrink)

In the course of his discussion of the sensible quality of color in the Dialogues Berkeley advances an argument that I shall refer to as the argument from microscopes (AFM). I offer an account of the AFM that treats it as part of Berkeley’s extended Reductio of Hylas’ philosophical theory of metaphysical realism. I then criticize two representative interpretations of the AFM which fail to appreciate its Reductio structure and, as a consequence, mistakenly attribute to Berkeley such problematic claims as (...) that sensible objects are not colored and that the microscopic view of objects reveals the real nature of objects. If I am correct, properly construed, Berkeley’s AFM escapes these and other objections commonly raised against it. (shrink)

This chapter contains sections titled: The Imaginary Status of Shape: The “Diachronic” Argument The Dominant Synchronic Argument An Alternative Interpretation Shape and Idealism.

John Cottingham; XIII*—Descartes on Colour, Proceedings of the Aristotelian Society, Volume 90, Issue 1, 1 June 1990, Pages 231–246, https://doi.org/10.1093/ari.

John Cottingham; XIII*—Descartes on Colour, Proceedings of the Aristotelian Society, Volume 90, Issue 1, 1 June 1990, Pages 231–246, https://doi.org/10.1093/ari.

Color relationalism is the view that colors are constituted in terms of relations to perceiving subjects. Among its explanatory virtues, relation- alism provides a satisfying treatment of cases of perceptual variation. But it can seem that relationalists lack resources for saying that a representa- tion of x’s color is erroneous. Surely, though, a theory of color that makes errors of color perception impossible cannot be correct. In this paper I’ll argue that, initial appearances notwithstanding, relationalism contains the resources to account (...) for errors of color perception. I’ll conclude that worries about making room for error are worries the relationalist can meet. (shrink)

Berkeley has made the bold claim on behalf of his theory that it is uniquely able to justify the claim that snow is white. But this claim, made most strikingly in the Third of his "Three Dialogues," has been held, most forcefully by Margaret Wilson, to conflict with Berkeley's argument in the First Dialogue that, because of various facts to do with perceptual variation, colors are merely apparent and hence, mind-dependent. This paper develops an alternative reading of the First Dialogue (...) arguments, in which their project is not to establish the mind-dependence of colors but instead to undermine the position that colors are also mind-independent. Under these circumstances, the coherence of the First and the Third Dialogue arguments is assured, just so long as the Third Dialogue claim to have established that snow is really white is not taken to mean that snow is mind-independently white, but instead, something like that our experiences of snow are stably and regularly white. (shrink)

Peter Alexander; XIII*—The Names of Secondary Qualities, Proceedings of the Aristotelian Society, Volume 77, Issue 1, 1 June 1977, Pages 203–220, https://doi.or.

Peter Alexander; XIII*—The Names of Secondary Qualities, Proceedings of the Aristotelian Society, Volume 77, Issue 1, 1 June 1977, Pages 203–220, https://doi.or.

Legendary since his own time as a universal genius, Gottfried Wilhelm Leibniz (1646-1716) contributed significantly to almost every branch of learning. One of the creators of modern mathematics, and probably the most sophisticated logician between the Middle Ages and Frege, as well as a pioneer of ecumenical theology, he also wrote extensively on such diverse subjects as history, geology, and physics. But the part of his work that is most studied today is probably his writings in metaphysics, which have been (...) the focus of particularly lively philosophical discussion in the last twenty years or so. The writings contain one of the great classic systems of modern philosophy, but the system must be pieced together from a vast and miscellaneous array of manuscripts, letters, articles, and books, in a way that makes especially strenuous demands on scholarship. This book presents an in-depth interpretation of three important parts of Leibniz's metaphysics, thoroughly grounded in the texts as well as in philosophical analysis and critique. The three areas discussed are the metaphysical part of Leibniz's philosophy of logic, his essentially theological treatment of the central issues of ontology, and his theory of substance (the famous theory of monads). (shrink)

While there has been a resurgence in Malebranche scholarship in the anglophone world over the last twenty years, most of it has focused on Malebranche’s theory of ideas, and little attention has been paid to his philosophy of mind. Schmaltz’s book thus comes as a welcome addition to the Malebranche literature; that he has given us such a well-researched and carefully argued study is even more welcome. The focus of this work is Malebranche’s split with Descartes on the question of (...) our knowledge of the nature of the mind; the book concentrates specifically on Malebranche’s rejection of the claim that we know the nature of the mind better than we know the nature of body. Schmaltz maintains that Malebranche’s arguments for his position are, for the most part, successful against the Cartesians who opposed him, though he claims—and this is perhaps the central claim of the book—that “Malebranche took his negative thesis concerning our knowledge of the soul to involve not so much a rejection of Cartesianism as an internal correction of it”. While acknowledging that Augustine was “the primary inspiration for [Malebranche’s] view of the ideas that are the objects of perception”, Schmaltz’s interpretation of Malebranche’s theory of the soul “presents it as fundamentally Cartesian”. According to Schmaltz, not only is Malebranche closer to Descartes in this regard than is generally thought, he is closer to him than are many other Cartesians. Part 1 of the book examines Malebranche’s position that while we have certain knowledge of the soul’s existence, we have only confused knowledge of its nature. Part 2 focuses on Arnauld’s objection that if in fact we had no clear idea of the soul, we could not, despite Malebranche’s claims to the contrary, know anything of its immortality, spirituality, or freedom. (shrink)

This book presents an in-depth interpretation of three important parts of Leibniz's metaphysics: the metaphysical part of Leibniz's philosophy of logic, his essentially theological treatment of the central issues of ontology, and his theory of substance.

Richard Popkin’s meticulous translation--the most complete since the eighteenth century--contains selections from thirty-nine articles, as well as from Bayle’s four Clarifications. The bulk of the major articles of philosophical and theological interest--those that influenced Leibniz, Berkeley, Hume, and Voltaire and formed the basis for so many eighteenth-century discussions--are present, including David, Manicheans, Paulicians, Pyrrho, Rorarius, Simonides, Spinoza, and Zeno of Elea.

This book offers a provocative interpretation of the theory of the soul in the writings of the French Cartesian, Nicolas Malebranche (1638-1715). Though recent work on Malebranche's philosophy of mind has tended to emphasize his account of ideas, Schmaltz focuses rather on his rejection of Descartes' doctrine that the mind is better known than the body. In particular, he considers and defends Malebranche's argument that this rejection has a Cartesian basis. Schmaltz reveals that this argument not only provides a fresh (...) perspective on Cartesianism but also is relevant to current debates in the philosophy of mind. (shrink)

Christia Mercer has exposed for the first time the underlying doctrines of Leibniz's philosophy. By analyzing Leibniz's early works she demonstrates that the metaphysics of pre-established harmony developed many years earlier than previously believed and for reasons that have not been understood. A much deeper understanding of some of Leibniz's key doctrines emerges. Christia Mercer's study will force scholars to reconsider their basic assumptions about early modern philosophy and science. This is a very significant contribution to the history of early (...) modern philosophy that will be of special importance to philosophers, historians of ideas, historians of science and those in religious studies. (shrink)

In Rediscovering Colors: A Study in Pollyanna Realism, Michael Watkins endorses the Moorean view that colors are simple, non-reducible, properties of objects. Consequently, Watkins breaks from what has become the received view that either colors are reducible to certain properties of interest to science, or else nothing is really colored. What is novel about the work is that Watkins, unlike other Mooreans, takes seriously the metaphysics of colors. Consequently, Watkins provides an account of what colors are, how they are related (...) to the physical properties on which they supervene, and how colors can be causally efficacious without the threat of causal overdetermination. Along the way, he provides novel accounts of normal conditions and non-human color properties. The book will be of interest to any metaphysician and philosopher of mind interested in colors and color perception. (shrink)

Edward Wilson Averill By the phrase 'anthropocentric account of color' I mean an account of color that makes an assumption of the following form: two ...

This book presents the first integrated treatment of the philosophy of Robert Boyle, one of the leading English natural philosophers of the Scientific Revolution.

In the texts of the middle years (roughly, the 1680s and 90s), Leibniz appears to endorse two incompatible approaches to motion, one a realist approach, the other a phenomenalist approach. I argue that once we attend to certain nuances in his account we can see that in fact he has only one, coherent approach to motion during this period. I conclude by considering whether the view of motion I want to impute to Leibniz during his middle years ranks as a (...) kind of realism or rather as some kind of phenomenalism or idealism. (shrink)

in The Cambridge Companion to Locke’s Essay, edited by Lex Newman. Cambridge: Cambridge University Press, 2007.