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  1. A Theory of Modernity.Agnes Heller - 1999 - Malden, Mass.: Wiley-Blackwell.
    Written by one of the most influential figures in post-World-War-II social thought, _A Theory of Modernity_ is a comprehensive analysis of the main dynamics of modernity, which discusses the technological, social and political elements of modernism.
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  • Die Eigenart des Asthetischen.György Lukács - 1981 - Luchterhand.
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  • Culture as Praxis.Zygmunt Bauman - 1999 - SAGE.
    In this major work, Zygmunt Bauman seeks to classify the meanings of culture. He distinguishes between culture as a concept, culture as a structure and culture as praxis and analyzes the different ways in which culture has been used in each of these settings. For Bauman, culture is a living, changing aspect of human interaction which must be understood and studied as a universal of human life. At the heart of his approach is the proposition that culture is inherently ambivalent. (...)
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  • The Ideology of the Aesthetic.Terry Eagleton - 1991 - Journal of Aesthetics and Art Criticism 49 (3):259-261.
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  • History and Class Consciousness: Studies in Marxist Dialectics.Georg Lukacs - 1971 - MIT Press.
    A series of essays treating, among other topics, the definition of orthodox Marxism, the question of legality and illegality, Rosa Luxemburg as a Marxist, the changing function of Historic Marxism, class consciousness, and the ...
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  • The contemporary historical novel.Agnes Heller - 2011 - Thesis Eleven 106 (1):88-97.
    Although contemporary historical novels share a number of features with the traditional historical novel, as analysed by Lukács (1981), they display a fundamental change in the perception of history, evident in the disappearance of the omniscient narrator, in their choice of significant and representative figures, and scepticism regarding teleology of history or the world-historical role of war and violence. On the one hand, history has become a riddle, and this is reflected in the preference for the form of the detective (...)
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  • Reconstructing aesthetics: writings of the Budapest school.Agnes Heller & Ferenc Fehér (eds.) - 1986 - New York, NY, USA: Blackwell.
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  • Introduction to Dialectical Logic.Henri Wald - 1979 - Science and Society 43 (2):242-244.
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  • (1 other version)The Theory of the Novel: A Historico-Philosophical Essay on the Forms of Great Epic Literature.Georg Lukacs - 1974 - MIT Press.
    Georg Lukács wrote The Theory of the Novel in 1914-1915, a period that also saw the conception of Rosa Luxemburg's Spartacus Letters, Lenin's Imperialism: The Highest Stage of Capitalism, Spengler's Decline of the West, and Ernst Bloch's Spirit of Utopia. Like many of Lukács's early essays, it is a radical critique of bourgeois culture and stems from a specific Central European philosophy of life and tradition of dialectical idealism whose originators include Kant, Hegel, Novalis, Marx, Kierkegaard, Simmel, Weber, and Husserl.The (...)
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  • Everyday life.Agnes Heller - 1984 - Boston: Routledge & Kegan Paul.
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  • Everyday Life.Agnes Heller - 1986 - Science and Society 50 (3):375-378.
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  • Philosophy as a literary genre. [REVIEW]Agnes Heller - 2012 - Thesis Eleven 110 (1):17-26.
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  • Culture, Science, Society: The Constitution of Cultural Modernity.Gyorgy Markus - 2011 - Brill.
    The book addresses the constitution of the high culture of modernity as an uneasy unity of the sciences, including philosophy, and the arts. Their internal dynamism and strain is established through, on the one hand, the relationship of the author - work - recipient, and, on the other, the respective roles of experts and the market.
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  • Aesthetic functions of silence and rests in music.Zofia Lissa - 1964 - Journal of Aesthetics and Art Criticism 22 (4):443-454.
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  • Vicissitudes in the Theory of Socialist Realism: A little lesson in history not to be ignored.Stefan Morawski & S. Alexander - 1961 - Diogenes 9 (36):110-136.
    There are only three distinct temporal relationships between art and theory: either the development of new events precedes theory, or both develop side by side, or theory anticipates the appearance of the new artistic current. This temporal relationship is, to some degree, fundamental in the relationship between both phenomena. If one is dealing with the first case, theories of art serve only to redress a balance. The art-theory introduces nothing in any way new; it serves only to explain an artistic (...)
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  • The Economic and Philosophic Manuscripts of 1844.Karl Marx, Martin Milligan, Dirk J. Struik, T. B. Bottomore & Erich Fromm - 1965 - Science and Society 29 (3):357-362.
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  • Nivele estetice.Ion Pascadi - 1972 - București,: Editura Academiei Republicii Socialiste România.
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  • Inquiries into the fundamentals of aesthetics.Stefan Morawski - 1974 - Cambridge, Mass.,: MIT Press.
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  • (1 other version)Dialectics of the Concrete.Karel Kosik, Karel Kovanda & James Schmidt - 1979 - Philosophy and Phenomenological Research 39 (4):604-606.
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  • The Dictatorship Over Needs.Ferenc Feher - 1978 - Telos: Critical Theory of the Contemporary 1978 (35):31-42.
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  • The Fake: Forgery and its Place in Art.Ervin Dunai (ed.) - 1999 - Rowman & Littlefield Publishers.
    Sándor Radnóti looks at forgeries, artistic reproductions, replicas, variations, and pastiches in order to study the dilemmas surrounding artistic illusion and "poetic license." He reveals how forgeries as the parasites of art make clear and transparent the meaning of artistic orginality.
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  • The Fake: Forgery and Its Place in Art.Ervin Dunai - 2000 - Philosophical Quarterly 50 (200):425-427.
    SOndor Radn-ti looks at forgeries, artistic reproductions, replicas, variations, and pastiches in order to study the dilemmas surrounding artistic illusion and 'poetic license.' He reveals how forgeries as the parasites of art make clear and transparent the meaning of artistic orginality.
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  • (1 other version)Dialectics of the Concrete.Karel Kosík - 1983 - Studies in Soviet Thought 25 (1):45-52.
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  • Aesthetics as a philosophical discipline in bulgaria.Pravda Spassova - 2001 - Studies in East European Thought 53 (1-2):111-117.
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  • Inquiries into the Fundamentals of Aesthetics.Stephan Morawski - 1976 - Philosophical Review 85 (4):571-575.
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  • Review of Leszak Kolakowski: The Alienation of Reason: A History of Positivist Thought[REVIEW]Leszak Kolakowski - 1968 - Ethics 79 (1):86-86.
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  • Aesthetics and Modernity: Essays by Agnes Heller.John Rundell (ed.) - 2010 - Lexington Books.
    Aesthetics and Modernity brings together Agnes Heller's most recent essays on aesthetic genres such as painting, music, literature and comedy, aesthetic reception and embodiment in the context of the continuing pitfalls of modernity. The essays also throw light on Heller's theories of values, emotions and feelings, embodiment, and modernity. Those with an interest in philosophy, critical theory, aesthetics, and social theory will find this collection illuminating, and an essential addition to any philosophy bookshelf.
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