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  1. On Art and the Mind.Richard Wollheim - 1974 - Philosophy 50 (191):113-117.
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  • Mimesis as Make-Believe.Kendall Walton - 1996 - Synthese 109 (3):413-434.
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  • (2 other versions)Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1971 - British Journal for the Philosophy of Science 22 (2):187-198.
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  • Vision and Painting: The Logic of the Gaze.Norman Bryson - 1984 - Journal of Aesthetics and Art Criticism 43 (2):219-221.
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  • Principles of categorization [Електронний ресурс]/Eleonora Rosch.E. Rosch - 1978 - In Eleanor Rosch & Barbara Bloom Lloyd (eds.), Cognition and Categorization. Lawrence Elbaum Associates.
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  • Cognition and Categorization.Eleanor Rosch & Barbara Bloom Lloyd (eds.) - 1978 - Lawrence Elbaum Associates.
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  • On pictorial representation.Richard Wollheim - 1998 - Journal of Aesthetics and Art Criticism 56 (3):217-226.
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  • (1 other version)Remembering: A Study in Experimental and Social Psychology.F. C. Bartlett - 1933 - Mind 42 (167):352-358.
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  • Narratology: Introduction to the Theory of Narrative.Lawrence R. Schehr, Christine van Boheemen & Mieke Bal - 1988 - Substance 17 (1):83.
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  • Language in the Inner City: Studies in the Black English Vernacular.William Labov - 1975 - Foundations of Language 13 (1):95-118.
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  • On art and the mind.Richard Wollheim - 1973 - Cambridge: Harvard University Press.
    Collected essays and lectures reflect the philosopher's belief in the relationship between art and the mind.
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  • Narrative Pictures.Bence Nanay - 2009 - Journal of Aesthetics and Art Criticism 67 (1):119 - 129.
    This paper is about visual narratives. Most of the examples used in the philosophical literature on narratives are literary ones. But a general account of narrative needs to be able to cover both pictorial and literary cases. In the first part of the paper, I will argue that none of the most influential accounts of narrative are capable of this. In the second part, I outline an account of visual narratives, or, rather, of our engagement with visual narratives.
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  • Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style.Michael Baxandall - 1973 - Journal of Aesthetics and Art Criticism 32 (1):130-132.
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  • (1 other version)Languages of Art.Nelson Goodman - 1968 - Indianapolis,: Hackett Publishing Company.
    "Like Dewey, he has revolted against the empiricist dogma and the Kantian dualisms which have compartmentalized philosophical thought.... Unlike Dewey, he has provided detailed incisive argumentation, and has shown just where the dogmas and dualisms break down." --Richard Rorty, _The Yale Review_.
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  • Family resemblances: Studies in the internal structure of categories.Eleanor Rosch & Carolyn Mervis - 1975 - Cognitive Psychology 7 (4):573--605.
    Six experiments explored the hypothesis that the members of categories which are considered most prototypical are those with most attributes in common with other members of the category and least attributes in common with other categories. In probabilistic terms, the hypothesis is that prototypicality is a function of the total cue validity of the attributes of items. In Experiments 1 and 3, subjects listed attributes for members of semantic categories which had been previously rated for degree of prototypicality. High positive (...)
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  • Annunciations - Figuring the Feminine in Renaissance Art.M. Carvalho John - 2015 - Contemporary Aesthetics 13.
    Viewers of Renaissance representations of the Annunciation miss an important irony. Where Mary is figured as unimpressed by Gabriel's proposal, she is upholding a masculinist ideal of female virtue. Where she is figured as delighted by the news, she represents an alternative feminine ideal that continues to be attractive to women and feminists, today. Inspired by the writings of Luce Irigaray and Julia Kristeva, I figure Mary in Renaissance representations of the Annunciation as contesting an ideal of feminine virtue that (...)
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  • A Note on Mimesis as Make-BelieveMemesis As Make-Believe. [REVIEW]Richard Wollheim & Kendall Walton - 1991 - Philosophy and Phenomenological Research 51 (2):401.
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  • Stories, Scripts, and Scenes: Aspects of Schema Theory.Jean Matter Mandler - 1984 - Lawerence Erlbaum.
    Aspects of Schema Theory J. M. Mandler. obligatory. Other researchers have also found a good deal of overlap in the items generated by their subjects for common event sequences, including studies in which very young children are asked to ...
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  • Stories in Pictures (and Non-Pictorial Objects): A Narratological and Cognitive Psychological Approach.Michael Ranta - 2011 - Contemporary Aesthetics 9.
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