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  1. The Concept of the Oceanic Feeling in Artistic Creativity and in the Analysis of Visual Artworks.Jussi Antti Saarinen - 2015 - Journal of Aesthetic Education 49 (3):15-31.
    In a recent study on artistic creativity, artists from several fields were interviewed regarding their subjective experiences of the creative process.1 In addition to various psychological and behavioral phenomena, the artists reported feelings of connectedness with something beyond themselves, of dissolution of personal boundaries, of absorption in the artwork, and of timelessness, awe, and joy. For the past half-century, psychoanalytical writers on art have used the concept “oceanic feeling” to designate similar experiences of oneness, limitlessness, and elation in creativity. Despite (...)
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  • Background Emotions, Proximity and Distributed Emotion Regulation.Somogy Varga & Joel Krueger - 2013 - Review of Philosophy and Psychology 4 (2):271-292.
    In this paper, we draw on developmental findings to provide a nuanced understanding of background emotions, particularly those in depression. We demonstrate how they reflect our basic proximity (feeling of interpersonal connectedness) to others and defend both a phenomenological and a functional claim. First, we substantiate a conjecture by Fonagy & Target (International Journal of Psychoanalysis 88(4):917–937, 2007) that an important phenomenological aspect of depression is the experiential recreation of the infantile loss of proximity to significant others. Second, we argue (...)
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  • Affective intentionality and the feeling body.Jan Slaby - 2008 - Phenomenology and the Cognitive Sciences 7 (4):429-444.
    This text addresses a problem that is not sufficiently dealt with in most of the recent literature on emotion and feeling. The problem is a general underestimation of the extent to which affective intentionality is essentially bodily. Affective intentionality is the sui generis type of world-directedness that most affective states – most clearly the emotions – display. Many theorists of emotion overlook the extent to which intentional feelings are essentially bodily feelings. The important but quite often overlooked fact is that (...)
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  • Five levels of self-awareness as they unfold early in life.Philippe Rochat - 2003 - Consciousness and Cognition 12 (4):717-731.
    When do children become aware of themselves as differentiated and unique entity in the world? When and how do they become self-aware? Based on some recent empirical evidence, 5 levels of self-awareness are presented and discussed as they chronologically unfold from the moment of birth to approximately 4-5 years of age. A natural history of children's developing self-awareness is proposed as well as a model of adult self-awareness that is informed by the dynamic of early development. Adult self-awareness is viewed (...)
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  • The phenomenology of mood and the meaning of life.M. Ratcliffe - 2009 - In Peter Goldie (ed.), The Oxford Handbook of Philosophy of Emotion. New York: Oxford University Press. pp. 349--371.
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  • What does mysticism have to teach us about consciousness?Robert Forman - 1998 - Journal of Consciousness Studies 5 (2):185-201.
    One of the most exciting aspects of this journal, of which I am proud to be an executive editor, is that it has become a venue in which so many distinct fields can interact on a single question, that of consciousness. I know of no other question, or journal, which has brought together so many voices, from so many fields, to swirl around a single topic. It is exciting both to provide a forum and to be a part of this (...)
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  • The Opening of Vision: Nihilism and the Postmodern Situation.David Michael Levin - 1988 - New York: Routledge.
    First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
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  • The Suppressed Madness of Sane Men: Forty-Four Years of Exploring Psychoanalysis.Marion Milner - 1987 - Routledge.
    Marion Milner introduces this edited collection of her papers from 1942 to 1977 with a fascinating biographical account of her development in psychoanalysis. The collection includes her classic papers on symbolism.
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  • The Oceanic Feeling: A Case Study in Existential Feeling.Jussi Saarinen - 2014 - Journal of Consciousness Studies 21 (5-6):196-217.
    In this paper I draw on contemporary philosophy of emotion to illuminate the phenomenological structure of so-called oceanic feelings. I suggest that oceanic feelings come in two distinct forms: as transient episodes that consist in a feeling of dissolution of the psychological and sensory boundaries of the self, and as a relatively permanent feeling of unity, embracement, immanence, and openness that does not involve occurrent experiences of boundary dissolution. I argue that both forms of feeling are existential feelings, i.e. pre-intentional (...)
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  • What does mysticism have to teach us about consciousness?R. Forman - 1998 - Journal of Consciousness Studies 5 (2):185-201.
    One of the most exciting aspects of this journal, of which I am proud to be an executive editor, is that it has become a venue in which so many distinct fields can interact on a single question, that of consciousness. I know of no other question, or journal, which has brought together so many voices, from so many fields, to swirl around a single topic. It is exciting both to provide a forum and to be a part of this (...)
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  • Neural correlates of hallucinogen-induced altered states of consciousness.Franz X. Vollenweider, Alex Gamma & Margreet Fi Vollenweider-Scherpenhuyzen - 1999 - In S. Hameroff, A. Kaszniak & David Chalmers (eds.), Toward a Science of Consciousness III: The Third Tucson Discussions and Debates. MIT Press.
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  • The Critical Writings of Adrian Stokes.Adrian Stokes - 1978 - Journal of Aesthetics and Art Criticism 37 (2):243-245.
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  • What is the oceanic?Caroline Rooney - 2007 - Angelaki 12 (2):19 – 32.
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  • The life of Ramakrishna.Romain Rolland - 1931 - Mayavati,: Almora, Himalayas, Advaita ashrama. Edited by E. F. Malcolm-Smith.
    Written in the early 1990s by a winner of the Nobel Prize in Literature.
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  • The phenomenology of existential feeling.Matthew Ratcliff - 2012 - In Jörg Fingerhut & Sabine Marienberg (eds.), Feelings of Being Alive. De Gruyter. pp. 23-54.
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  • The enigma of the oceanic feeling: revisioning the psychoanalytic theory of mysticism.William Barclay Parsons - 1999 - New York: Oxford University Press.
    This study examines the history of the psychoanalytic theory of mysticism, starting with the seminal correspondence between Freud and Romain Rolland concerning the concept of "oceanic feeling." Providing a corrective to current views which frame psychoanalysis as pathologizing mysticism, Parsons reveals the existence of three models entertained by Freud and Rolland: the classical reductive, ego-adaptive, and transformational (which allows for a transcendent dimension to mysticism). Then, reconstructing Rolland's personal mysticism (the "oceanic feeling") through texts and letters unavailable to Freud, Parsons (...)
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  • Freud and Augustine in Dialogue: Psychoanalysis, Mysticism, and the Culture of Modern Spirituality.William B. Parsons - 2013 - University of Virginia Press.
    "It is arguably the case," writes William Parsons, "that no two figures have had more influence on the course of Western introspective thought than Freud and Augustine." Yet it is commonly assumed that Freud and Augustine would have nothing to say to each other with regard to spirituality or mysticism, given the former's alleged antipathy to religion and the latter's not usually being considered a mystic. Adopting an interdisciplinary, dialogical, and transformational framework for interpreting Augustine's spiritual journey in his Confessions, (...)
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  • Civilization and its discontents.Sigmund Freud - 1966 - In John Martin Rich (ed.), Readings in the philosophy of education. Belmont, Calif.,: Wadsworth Pub. Co..
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  • On Not Being Able to Paint.Marion Milner - 2010 - Routledge.
    Milner’s great study, first published in 1950, discusses the nature of creativity and those forces which prevent its expression. In focusing on her own beginner’s efforts to draw and paint, she analyses not the mysterious and elusive ability of the genius but – as the title suggests – the all too common and distressing situation of ‘not being able’ to create. With a new introduction by Janet Sayers, this edition of _On Not Being Able to Paint_ brings the text to (...)
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  • The Varieties of Religious Experience: A Study in Human Nature.William James - 1929 - New York: Cambridge University Press. Edited by Matthew Bradley.
    The Gifford Lectures were established in 1885 at the universities of St Andrews, Glasgow, Aberdeen and Edinburgh to promote the discussion of 'Natural Theology in the widest sense of the term - in other words, the knowledge of God', and some of the world's most influential thinkers have delivered them. The 1901–2 lectures given in Edinburgh by American philosopher William James are considered by many to be the greatest in the series. The lectures were published in book form in 1902 (...)
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  • The three domains of creativity.A. Koestler - 1981 - In Denis Dutton & Michael Krausz (eds.), The Concept of creativity in science and art. Hingham, MA: Distributors for the U.S. and Canada, Kluwer Boston.
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  • Vedanta and psychoanalysis.Malcom Cunningham - 2006 - In David M. Black (ed.), Psychoanalysis and religion in the 21st century: competitors or collaborators? New York: Routledge.
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  • The Opening of Vision: Nihilism and the Postmodern Situation.David Michael Levin - 1988 - New York: Routledge.
    First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
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  • The varieties of religious experience. A Study in human Nature.William James - 1902 - Revue Philosophique de la France Et de l'Etranger 54:516-527.
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  • Beyond Unity: Religious Experience, Creativity, and Psychology.Kevin Fauteux - 1995 - The Journal of Aesthetic Education 29 (2):93.
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