In two passages from Xenophon's Memorabilia, Socrates refutes Aristippus, first by a rather brutal brand of Realpolitik , then by refusing to answer Aristippus' questions about the good and the beautiful . This article argues that the nasty politics that emerge in Memorabilia 2.1 are not Socratic, but rather the natural consequence of Aristippean hedonism. Political considerations of another sort drive Socrates' tactics in Memorabilia 3.8, where his evasive manoeuvres are driven by his desire to avoid a direct confrontation with (...) hedonism. Socrates' own views are hedonistic in some sense, as revealed by his otherwise irrelevant discussion of pleasing home plans and altar sites at the end of 3.8, but Socrates does not wish to reveal as much to companions lacking his self-control. Socrates' treatment of Aristippus has as much to do with politics as with pleasure. (shrink)

In two passages from Xenophon’s Memorabilia, Socrates refutes Aristippus, first by a rather brutal brand of Realpolitik, then by refusing to answer Aristippus’ questions about the good and the beautiful. This article argues that the nasty politics that emerge in Memorabilia 2.1 are not Socratic, but rather the natural consequence of Aristippean hedonism. Political considerations of another sort drive Socrates’ tactics in Memorabilia 3.8, where his evasive manoeuvres are driven by his desire to avoid a direct confrontation with hedonism. ocrates’ (...) own views are hedonistic in some sense, as revealed by his otherwise irrelevant discussion of pleasing home plans and altar sites at the end of 3.8, but Socrates does not wish to reveal as much to companions lacking his self-control. Socrates’ treatment of Aristippus has as much to do with politics as with pleasure. (shrink)

La fable d’Héraklès à la croisée des chemins (Mémorables, II, 1, 21-34), que Xénophon attribue expressément à Prodicos (II, 1, 21), a dernièrement fait l’objet de plusieurs articles (Sansone, Gray, Tordesillas) qui s’efforcent de déterminer si et à quel point la version rapportée par Socrate est fidèle à la version originale de Prodicos. Or on peut aisément montrer que la plupart des thèmes exposés dans l’apologue sont également développés par Socrate ailleurs dans les Mémorables, de sorte qu’il est tentant de (...) considérer que cette version de l’apologue – celle qu’on peut lire en Mem. II, 1, 21-34 – ne doit pas grand-chose à Prodicos dans la mesure où elle a probablement été récrite de fond en comble par Xénophon. (shrink)