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  1. The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.
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  • Seeing and showing.Arthur C. Danto - 2001 - Journal of Aesthetics and Art Criticism 59 (1):1-9.
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  • Nonconceptual Epicycles.Sonia Sedivy - 2006 - European Review of Philosophy 6:33-66.
    This paper argues that perception is a mode of engagement with individuals and their determinate properties. Perceptual content involves determinate properties in a way that relies on our conceptual capacities no less than on the properties. The “richness” of perceptual experience is explained as a distinctive individual and property involving content. This position is developed in three steps: (i) novel phenomenological description of lived experience; (ii) detailed reconstruction of Gareth Evans’ proposal that we are capable of genuinely singular thought that (...)
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  • Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.
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  • Cognitive penetration and the gallery of indiscernibles.Bence Nanay - 2015 - Frontiers in Psychology 5.
    Danto's Gallery of Indiscernibles thought experiment only works if we make assumptions about the cognitive impenetrability of perception, which we have strong empirical reasons to reject.
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  • Which Properties Are Represented in Perception.Susanna Siegel - 2005 - In Tamar S. Gendler & John Hawthorne (eds.), Perceptual Experience. Oxford University Press. pp. 481-503.
    In discussions of perception and its relation to knowledge, it is common to distinguish what one comes to believe on the basis of perception from the distinctively perceptual basis of one's belief. The distinction can be drawn in terms of propositional contents: there are the contents that a perceiver comes to believe on the basis of her perception, on the one hand; and there are the contents properly attributed to perception itself, on the other. Consider the content.
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  • The artworld.Arthur Danto - 1964 - Problemos 82:184-193.
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