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  1. Vision and Painting: The Logic of the Gaze.Norman Bryson - 1984 - Journal of Aesthetics and Art Criticism 43 (2):219-221.
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  • Content and Consciousness.Daniel C. Dennett - 1968 - New York: Routledge.
    This paperback edition contains a preface placing the book in the context of recent work in the area.
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  • Brainstorms.Daniel C. Dennett - 1978 - MIT Press.
    This collection of 17 essays by the author offers a comprehensive theory of mind, encompassing traditional issues of consciousness and free will.
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  • Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1968 - Indianapolis,: Bobbs-Merrill.
    . . . Unlike Dewey, he has provided detailed incisive argumentation, and has shown just where the dogmas and dualisms break down." -- Richard Rorty, The Yale Review.
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  • Art and Illusion: A Study in the Psychology of Pictorial Representation.Ernst Hans Gombrich - 1960 - Phaidon.
    The A.W. Mellon lectures in the fine arts 1956, National Gallery of Art, Washington.
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  • James J. Gibson And The Psychology Of Perception.Edward S. Reed - 1988 - New Haven: Yale University Press.
    Gathering information from both published and unpublished material and interviews with Gibson's family, colleagues, and friends, Reed (philosophy, Drexel U.) chronicles Gibson's life and intellectual development and his attempts to synthesize several contrasting intellectual traditions into what he ultimately called an "ecological approach" to psychology. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com).
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  • Empiricism and the philosophy of mind.Wilfrid Sellars - 1956 - Minnesota Studies in the Philosophy of Science 1:253-329.
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  • The Determinate Character of Perceptual Experience.Sonia Anne Sedivy - 1992 - Dissertation, University of Pittsburgh
    I argue that perceptual content is distinctive in kind from the content of pure cognition, a difference which shows up experientially in the determinate character of perceptual experience. We see determinate individuals and determinate properties, seeing each as members or instantiations of describable kinds. I show that there is no tension in conceiving perception as both conceptually articulated and determinate. Rather, we became misled into thinking that there is a tension as a result of misinterpretations of the mid-twentieth century diagnoses (...)
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  • Languages of Art.Nelson Goodman - 1970 - Philosophy and Rhetoric 3 (1):62-63.
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