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Towards a Science of Emerging Media

In J. E. Katz & J. Floyd (eds.), Philosophy of Emerging Media: Understanding, Appreciation and Application. New York, US: Oxford University Press. pp. 29-48 (2015)

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  1. The Mystery of Capital: Why Capitalism Triumphs in the West and Fails Everywhere Else.Hernando De Soto - 2000 - Civitas Books.
    A renowned economist's classic book on capitalism in the developing world, showing how property rights are the key to overcoming poverty "The hour of capitalism's greatest triumph," writes Hernando de Soto, "is, in the eyes of four-fifths of humanity, its hour of crisis." In The Mystery of Capital, the world-famous Peruvian economist takes up one of the most pressing questions the world faces today: Why do some countries succeed at capitalism while others fail? In strong opposition to the popular view (...)
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  • (2 other versions)The Construction of Social Reality.John Searle - 1995 - Philosophy 71 (276):313-315.
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  • Orality and Literacy: The Technologizing of the Word.Walter J. Ong - 1983 - Philosophy and Rhetoric 16 (4):270-271.
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  • The Electronic Media and the Transformation of Law.M. Ethan Katsh - 1989 - Oxford University Press on Demand.
    This is the first book to explore the broad influence of computers and television on the evolution of the US legal process.
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  • Money and fictions.Ingvar Johansson - 2005 - In Felix Larsson (ed.), Kapten Mnemos Kolumbarium. Gothenburg, Sweden: Philosophical Communications. pp. 73--101.
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  • Diagrams, Documents, and the Meshing of Plans.Barry Smith - 2013 - In András Benedek & Kristof Nyiri (eds.), How To Do Things With Pictures: Skill, Practice, Performance. Peter Lang Edition. pp. 165--179.
    There are two important ways in which, when dealing with documents, we go beyond the boundaries of linear text. First, by incorporating diagrams into documents, and second, by creating complexes of intermeshed documents which may be extended in space and evolve and grow through time. The thesis of this paper is that such aggregations of documents are today indispensable to practically all complex human achievements from law and finance to orchestral performance and organized warfare. Documents provide for what we can (...)
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  • Document Acts.Barry Smith - 2013 - In Anita Konzelmann Ziv & Hans Bernhard Schmid (eds.), Institutions, Emotions, and Group Agents. Dordrecht: Springer. pp. 19-31.
    The theory of document acts is an extension of the more traditional theory of speech acts advanced by Austin and Searle. It is designed to do justice to the ways in which documents can be used to bring about a variety of effects in virtue of the fact that, where speech is evanescent, documents are continuant entities. This means that documents can be preserved in such a way that they can be inspected and modified at successive points in time and (...)
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  • How to Do Things with Documents.Barry Smith - 2012 - Rivista di Estetica 50:179-198.
    This essay is a contribution to social ontology, drawing on the work of John Searle and of Hernando de Soto. At the center of the argument is the proposition advanced by de Soto in his Mystery of Capital to the effect that many of the entities which structure our contemporary social reality are entities which exist in virtue of the fact that there are (paper or digital) documents which support their existence. I here develop de Soto’s argument further, focusing specifically (...)
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  • (1 other version)Das literarische Kunstwerk.Roman Ingarden - 1967 - Les Etudes Philosophiques 22 (4):474-475.
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  • Practices of Art.Barry Smith - 1988 - In J. C. Nyíri & Barry Smith (eds.), Practical Knowledge: Outlines of a Theory of Traditions and Skills. Croom Helm. pp. 172-209.
    Starting out from the ontology of human work set out by Marx in Das Kapital, the paper seeks to analyse the relations between the artist and his actions and aims, the work of art he produces, and the audience for this work. The paper concludes with a discussion of the problem of creativity in the arts, drawing on ideas of Roman Ingarden and other phenomenologists.
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  • Musical works : a mash-up.Joseph G. Moore - 2013 - In Christy Mag Uidhir (ed.), Art & Abstract Objects. Oxford University Press.
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  • (1 other version)Das Literarische Kunstwerk.Roman Ingarden - 1932 - Mind 41 (161):97-106.
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  • (2 other versions)Institutions, Emotions, and Group Agents.Anita Konzelmann Ziv & Hans Bernhard Schmid (eds.) - 2013 - Dordrecht: Springer.
    The contributions gathered in this volume present the state of the art in key areas of current social ontology. They focus on the role of collective intentional states in creating social facts, and on the nature of intentional properties of groups that allow characterizing them as responsible agents, or perhaps even as persons. Many of the essays are inspired by contemporary action theory, emotion theory, and theories of collective intentionality. Another group of essays revisits early phenomenological approaches to social ontology (...)
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  • (2 other versions) Institutions, Emotions, and Group Agents.Anita Konzelmann Ziv & Hans Bernhard Schmid (eds.) - 2013 - Dordrecht: Springer.
    The contributions gathered in this volume present the state of the art in key areas of current social ontology. They focus on the role of collective intentional states in creating social facts, and on the nature of intentional properties of groups that allow characterizing them as responsible agents, or perhaps even as persons. Many of the essays are inspired by contemporary action theory, emotion theory, and theories of collective intentionality. Another group of essays revisits early phenomenological approaches to social ontology (...)
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  • Total Mobilization.Maurizio Ferraris - 2014 - The Monist 97 (2):200-221.
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  • Das literarische Kunstwerk: Mit einem Anhang: Von den Funktionen der Sprache im Theaterschauspiel.Roman Ingarden - 1972 - Halle (Saale): de Gruyter.
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  • Infostorms.Vincent F. Hendricks Pelle G. Hansen - 2013 - Metaphilosophy 44 (3):301-326.
    It has become a truism that we live in so‐called information societies where new information technologies have made information abundant. At the same time, information science has made us aware of many phenomena tied to the way we process information. This article explores a series of socio‐epistemic information phenomena resulting from processes that track truth imperfectly: pluralistic ignorance, informational cascades, and belief polarization. It then couples these phenomena with the hypothesis that modern information technologies may lead to their amplification so (...)
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  • (2 other versions)Untersuchungen zur Ontologie der Kunst.Roman Ingarden - 1963 - Zeitschrift für Philosophische Forschung 17 (1):179-181.
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