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  1. A theory of humor elicitation.Robert S. Wyer & James E. Collins - 1992 - Psychological Review 99 (4):663-688.
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  • A processing fluency-account of funniness: Running gags and spoiling punchlines.Sascha Topolinski - 2014 - Cognition and Emotion 28 (5):811-820.
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  • Corrugator activity confirms immediate negative affect in surprise.Sascha Topolinski & Fritz Strack - 2015 - Frontiers in Psychology 6:108172.
    The emotion of surprise entails a complex of immediate responses, such as cognitive interruption, attention allocation to, and more systematic processing of the surprising stimulus. All these processes serve the ultimate function to increase processing depth and thus cognitively master the surprising stimulus. The present account introduces phasic negative affect as the underlying mechanism responsible for this switch in operating mode. Surprising stimuli are schema-discrepant and thus entail cognitive disfluency, which elicits immediate negative affect. This affect in turn works like (...)
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  • On the valence of surprise.Marret K. Noordewier & Seger M. Breugelmans - 2013 - Cognition and Emotion 27 (7):1326-1334.
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  • Thoughts beyond words: When language overshadows insight.Jonathan W. Schooler, Stellan Ohlsson & Kevin Brooks - 1993 - Journal of Experimental Psychology: General 122 (2):166.
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  • Semantic leaps: frame-shifting and conceptual blending in meaning construction.Seana Coulson - 2001 - New York: Cambridge University Press.
    Semantic Leaps explores how people combine knowledge from different domains in order to understand and express new ideas. Concentrating on dynamic aspects of on-line meaning construction, Coulson identifies two related sets of processes: frame-shifting and conceptual blending. Frame-shifting is semantic reanalysis in which existing elements in the contextual representation are reorganized into a new frame. Conceptual blending is a set of cognitive operations for combining partial cognitive models. By addressing linguistic phenomena often ignored in traditional meaning research, Coulson explains how (...)
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  • The associative basis of the creative process.Sarnoff Mednick - 1962 - Psychological Review 69 (3):220-232.
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  • Sweet Anticipation: Music and the Psychology of Expectation.William Benjamin - 2007 - Journal of Aesthetics and Art Criticism 65 (3):333-335.
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  • Blending basics.Seana Coulson & Todd Oakley - 2001 - Cognitive Linguistics 11 (3-4).
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  • Temporo-parietal and fronto-parietal lobe contributions to theory of mind and executive control: an fMRI study of verbal jokes.Yu-Chen Chan & Joseph P. Lavallee - 2015 - Frontiers in Psychology 6.
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