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  1. Radio, Television, and Modern Life: A Phenomenological Approach.Paddy Scannell - 1996 - Blackwell.
    Written by one of the foremost and widely-respected writers in the field, this volume sheds new light on the forms and premises of the communicative experience. In doing so, it challenges the theoretical positions of marxist and "political economy of media" analysts who focus largely on the structure of economic and social power within the media. Instead, Scannell explores the structuring of engagement of the viewer/listener with the broadcaster by analysing the communicative intentions of the broadcaster and the understanding by (...)
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  • (1 other version)Forms of Talk.Erving Goffman - 1981 - Human Studies 5 (2):147-157.
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  • (1 other version)Forms of Talk.Erving Goffman - 1981 - Philosophy and Rhetoric 17 (3):181-182.
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  • Subculture: The Meaning of Style.Dick Hebdige - 1979 - Routledge.
    First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
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  • Authenticity and Experience.Paddy Scannell - 2001 - Discourse Studies 3 (4):405-411.
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  • `Being Yourself': The Pursuit of Authentic Celebrity.Andrew Tolson - 2001 - Discourse Studies 3 (4):443-457.
    This article examines some dimensions of the construction of contemporary celebrity. It looks at issues of image management, where the concern is to link the performance of celebrity to certain kinds of moral credibility, where the performance might be seen as `authentic'. These issues are examined in relation to the career of Geri Halliwell, in her attempts to reconstruct her celebrity image following her departure from the Spice Girls. Specifically, it examines her performance in the documentary film Geri made by (...)
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  • Defining `Authentic Talk'.Martin Montgomery - 2001 - Discourse Studies 3 (4):397-405.
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  • Visible Fictions: Cinema: Television: Video.John Ellis - 2002 - Routledge.
    This revised edition of a standard textbook combines an examination of the cinema and television industries with a detailed analysis of their aesthetic and semiotic characteristics. John Ellis draws on his experience as an independent television producer to provide a comprehensive and challenging overview of the place of film, television and video in our daily lives and their future prospects in a changing media landscape.
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