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  1. The possibility of naturalism: a philosophical critique of the contemporary human sciences.Roy Bhaskar - 1979 - New York: Routledge.
    Since its original publication in 1979, The Possibility of Naturalism has been one of the most influential works in contemporary philosophy of science and social science. It is a cornerstone of the critical realist position, which is now widely seen as offering a viable alternative to move positivism and postmodernism. This revised edition includes a new foreword.
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  • Economics and reality.Tony Lawson - 1997 - New York: Routledge.
    There is an increasingly widespread belief, both within and outside the discipline, that modern economics is irrelevant to the understanding of the real world. Economics and Reality traces this irrelevance to the failure of economists to match their methods with their subject, showing that formal, mathematical models are unsuitable to the social realities economists purport to address. Tony Lawson examines the various ways in which mainstream economics is rooted in positivist philosophy and examines the problems this causes. It focuses on (...)
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  • Theories and narratives: reflections on the philosophy of history.Alex Callinicos - 1995 - Durham: Duke University Press.
    Theories and Narratives will interest all readers for whom the role of history in the understanding of contemporary civilizations is an essential issue.
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  • Renaturalizing aesthetics.Douglas Dempster - 1993 - Journal of Aesthetics and Art Criticism 51 (3):351-361.
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  • Karl Marx's Theory of History: A Defence.G. A. Cohen - 1978 - New York: Oxford University Press.
    First published in 1978, this book rapidly established itself as a classicof modern Marxism.
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  • The Possibility of Naturalism: A Philosophical Critique of the Contemporary Human Sciences.Roy Bhaskar - 1979 - New York: Routledge.
    Since its original publication in 1979, The Possibility of Naturalism has been one of the most influential works in contemporary philosophy of science and social science. It is one of the cornerstones of the critical realist position, which is now widely seen as offering perhaps the only viable alternative to positivism and post positivism. This fourth edition contains a new foreword from Mervyn Hartwig, who is founding editor of the Journal of Critical Realism and editor and principal author of the (...)
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  • The Possibility of Naturalism: A Philosophical Critique of the Contemporary Human Sciences.G. N. Cantor - 1982 - Philosophical Quarterly 32 (128):280-281.
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  • Accident and the necessity of art.Rudolf Arnheim - 1957 - Journal of Aesthetics and Art Criticism 16 (1):18-31.
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  • Art and Visual Perception: A Psychology of the Creative Eye.Rudolph Arnheim - 1956 - Philosophy and Phenomenological Research 16 (3):425-426.
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  • Art and Visual Perception, a Psychology of the Creative Eye.Rudolf Arnheim - 1955 - Journal of Aesthetics and Art Criticism 13 (3):411-412.
    Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology.
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  • A theory of style.James S. Ackerman - 1962 - Journal of Aesthetics and Art Criticism 20 (3):227-237.
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  • Evolution in the Arts: And Other Theories of Culture History.Thomas Munro - 2012 - Cleveland Museum of Art, Distributed by H.N. Abrams.
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  • Art and Visual Perception: A Psychology of the Creative Eye.Rudolf Arnheim - 1954 - University of California Press.
    Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology.
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  • Human understanding.Stephen Toulmin - 1972 - Princeton, N.J.,: Princeton University Press.
    v. 1. The collective use and evolution of concepts.
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  • The Pattern of the Past.Pieter Geyl & Pitirim Aleksandrovich Sorokin - 1968 - Beacon Press.
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  • When Are We Speculating on History? A Mandelbaumian Theory.Ian Verstegen - 2012 - Journal of the Philosophy of History 6 (1):60-83.
    Abstract This paper is a classic critique of speculative philosophies of history based on Maurice Mandelbaum's work. Unlike the more famous invective by Karl Popper, I argue that Mandelbaum's is a richer and more interesting approach, which reveals through exposition a deeper unity to Mandelbaum's work than is normally evident. Because Popper's nominalism is suspicious of all metaphysics, it loses credibility whereas Mandelbaum placed reflection on the nature of society and causality at the center of his interests. Mandelbaum's critique then (...)
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  • Arnheim and Gombrich in social scientific perspective.Ian Verstegen - 2004 - Journal for the Theory of Social Behaviour 34 (1):91–102.
    The two most common names to invoke for a perceptualist aesthetics are Rudolf Arnheim and E. H. Gombrich. But the similaritied and differences between them have never been explicitly drawn. This paper undertakes such an analysis based on the three categories of representation, expression and historical objectivity. Arnheim's less stringent solutions to the problems of representation and expression are applauded but Gombrich's unique attempt to ground both of these categories in a form amenable to non-historicist approach to history are also (...)
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  • Avatars of the Collective: A Realist Theory of Collective Subjectivities.Frédéric Vandenberghe - 2007 - Sociological Theory 25 (4):295-324.
    Let it be a network of voices... A network of voices that not only speak, but also struggle and resist for humanity.
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  • The Unfolding of Artistic Activity.Henry Schaefer-Simmern - 1949 - Journal of Aesthetics and Art Criticism 8 (1):58-59.
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  • The horror of ethnocentrism: Westernization, cultural difference, and strife in understanding non-western pasts in historical studies.Jörn Rüsen - 2008 - History and Theory 47 (2):261–269.
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  • Evolution in the Arts.Thomas Munro - 1964 - Philosophy and Phenomenological Research 25 (2):299-300.
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  • Evolution in the Arts and Other Theories of Culture History.Van Meter Ames - 1963 - Journal of Aesthetics and Art Criticism 22 (1):75-77.
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  • Purpose and Necessity in Social Theory.Maurice Mandelbaum - 1989 - Philosophical Review 98 (2):252-254.
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  • Making Sense of Marx.Jon Elster - 1985 - Cambridge University Press.
    A systematic, critical examination of Karl Marx's social theories and their philosophical presuppositions. Through extensive discussions of the texts Jon Elster offers a balanced and detailed account of Marx's views that is at once sympathetic, undogmatic and rigorous. Equally importantly he tries to assess 'what is living and what is dead in the philosophy of Marx', using the analytical resources of contemporary social science and philosophy. Professor Elster insists on the need for microfoundations in social science and provides a systematic (...)
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  • The scope of teleological thinking in preschool children.Deborah Kelemen - 1999 - Cognition 70 (3):241-272.
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  • The Hegel myth and its method.Walter A. Kaufmann - 1951 - Philosophical Review 60 (4):459-486.
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  • Gombrich and Cultural History.Dan Karlholm - 1994 - Nordic Journal of Aesthetics 7 (12).
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  • Art and Illusion: A Study in the Psychology of Pictorial Representation.Ernst Hans Gombrich - 1960 - Phaidon.
    The A.W. Mellon lectures in the fine arts 1956, National Gallery of Art, Washington.
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  • Art and Illusion. A Study in the Psychology of Pictorial Representation.George Boas - 1960 - Journal of Aesthetics and Art Criticism 19 (2):229-229.
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  • Art and Illusion; a Study in the Psychology of Pictorial Representation. [REVIEW]Nelson Goodman - 1960 - Journal of Philosophy 57 (18):595-599.
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  • The Pattern of the Past: Can we Determine it? [REVIEW]H. A. L. - 1950 - Journal of Philosophy 47 (16):475-476.
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  • Chance and necessity.Jacques Monod - 1971 - New York,: Vintage Books.
    Change and necessity is a statement of Darwinian natural selection as a process driven by chance necessity, devoid of purpose or intent.
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  • A Realist Philosophy of Social Science: Explanation and Understanding.Peter T. Manicas - 2006 - New York: Cambridge University Press.
    This introduction to the philosophy of social science provides an original conception of the task and nature of social inquiry. Peter Manicas discusses the role of causality seen in the physical sciences and offers a reassessment of the problem of explanation from a realist perspective. He argues that the fundamental goal of theory in both the natural and social sciences is not, contrary to widespread opinion, prediction and control, or the explanation of events. Instead, theory aims to provide an understanding (...)
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  • Making Sense of Marx.Jon Elster - 1985 - Science and Society 49 (4):497-501.
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  • Karl Marx's Theory of History: A Defence.G. A. COHEN - 1978 - Tijdschrift Voor Filosofie 43 (2):389-390.
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  • Karl Marx's Theory of History: A Defence.G. A. COHEN - 1978 - Philosophy 55 (213):416-418.
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  • Evolution in the Arts, and Other Theories of Culture History.Thomas Munro - 1965 - Philosophy 40 (153):253-255.
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  • Chance and Necessity: An Essay on the Natural Philosophy of Modern Biology.Jacques Monod - 1975 - Religious Studies 11 (3):366-368.
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  • Making Sense of Marx.J. Elster - 1988 - Tijdschrift Voor Filosofie 50 (4):718-719.
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  • Chance and Necessity: An Essay on the Natural Philosophy of Modern Biology.Jacques Monod & Austryn Wainhouse - 1972 - Science and Society 36 (4):463-469.
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  • Postmodernism, or the Cultural Logic of Late Capitalism.Fredric Jameson - 1993 - Utopian Studies 4 (2):216-217.
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  • Making Sense of Marx.Jon Elster - 1989 - Studies in Soviet Thought 37 (3):250-253.
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