Joan Scott's poststructuralist critique of experience demonstrates the dangers of empiricist narratives of experience but leaves feminists without a meaningful way to engage nonempiricist, experience-oriented texts, texts that constitute many women's primary means of taking control over their own representation. Using Chandra Mohanty's analysis of the role of writing in Third World feminisms, I articulate a concept of experience that incorporates poststructuralist insights while enabling a more responsible reading of Third World women's narratives.

It surely would lighten the tasks of feminism tremendously if we could cut to the quick of women's lives by focusing on some essential "woman- ness." However, though all women are women, no woman is only a woman. Those of us who have  ...

Joan Scott's poststructuralist critique of experience demonstrates the dangers of empiricist narratives of experience but leaves feminists without a meaningful way to engage nonempiricist, experience-oriented texts, texts that constitute many women's primary means of taking control over their own representation. Using Chandra Mohanty's analysis of the role of writing in Third World feminisms, I articulate a concept of experience that incorporates poststructuralist insights while enabling a more responsible reading of Third World women's narratives.

How to communicate with "the other" who is culturally different from oneself is one of the greatest challenges facing North-South relations. This paper builds on existential-phenomenological and poststructuralist concepts of alterity and difference to strengthen the position of Latina and other subaltern speakers in North-South dialogue. It defends a postcolonial approach to feminist theory as a basis for negotiating culturally differentiated feminist positions in this age of accelerated globalization, migration, and displacement.

White supremacy is the unnamed political system that has made the modern world what it is today. You will not find this term in introductory, or even advanced, texts in political theory. A standard undergraduate philosophy course will start off with plato and Aristotle, perhaps say something about Augustine, Aquinas, and Machiavelli, move on to Hobbes, Locke, Mill, and Marx, and then wind up with Rawls and Nozick. It will introduce you to notions of aristocracy, democracy, absolutism, liberalism, representative government, (...) socialism, welfare capitalism, andlibertarianism. But though it covers more than two thousand years of Western political thought and runs the ostensible gamut of political systems, there will be no mention of the basic political system that has shaped the world for the past several hundred years. And this omission is not accidental. Rather, it reflects the fact that standard textbooks and courses have for the most part been written and designed by whites, who take their racial privilege so much for granted that they do not even see it as political, as a form of domination. Ironically, the most important political system of recent global history-the system of domination by which white people have historically ruled over and, in certain important ways, continue to rule over nonwhite people-is not seen as a political system at all. It is just taken for granted; it is the background against which other systems, which we are to see as political are highlighted. This book is an attempt to redirect your vision, to make you see what, in a sense, has been there all along. (shrink)

The fourteen essays and speeches collected in this work, several of them published for the first time, span almost a decade of this Black lesbian feminnist's work. Lorde is unflinching in her observations and is lucid and clarifying in her coverage of a range of essential topics.

: This essay examines liminality as space of which dominant groups largely are ignorant. The limen is at the edge of hardened structures, a place where transgression of the reigning order is possible. As such, it both offers communicative openings and presents communicative impasses to liminal beings. For the limen to be a coalitional space, complex communication is required. This requires praxical awareness of one's own multiplicity and a recognition of the other's opacity that does not attempt to assimilate it (...) into one's own familiar meanings. Refusing the assumption of transparency and operating with relational identities, the complex communication that occurs in the limen—often invisible to dominant groups—can enable genuine coalition and effective resistance to domination. (shrink)

This essay examines liminality as space of which dominant groups largely are ignorant. The limen is at the edge of hardened structures, a place where transgression of the reigning order is possible. As such, it both offers communicative openings and presents communicative impasses to liminal beings. For the limen to be a coalitional space, complex communication is required. This requires praxical awareness of one's own multiplicity and a recognition of the other's opacity that does not attempt to assimilate it into (...) one's own familiar meanings. Refusing the assumption of transparency and operating with relational identities, the complex communication that occurs in the limen—often invisible to dominant groups—can enable genuine coalition and effective resistance to domination. (shrink)

In a work with far-reaching implications, Chela Sandoval does no less than revise the genealogy of theory over the past thirty years, inserting what she terms "U.S. Third World feminism" into the narrative in a way that thoroughly alters our perspective on contemporary culture and subjectivity. What Sandoval has identified is a language, a rhetoric of resistance to postmodern cultural conditions. U.S liberation movements of the post-World War II era generated specific modes of oppositional consciousness. Out of these emerged a (...) new activity of consciousness and language Sandoval calls the "methodology of the oppressed". This methodology -- born of the strains of the cultural and identity struggles that currently mark global exchange -- holds out the possibility of a new historical moment, a new citizen-subject, and a new form of alliance consciousness and politics. Utilizing semiotics and U.S. Third World feminist criticism, Sandoval demonstrates how this methodology mobilizes love as a category of critical analysis. Rendering this approach in all its specifics, Methodology of the Oppressed gives rise to an alternative mode of criticism opening new perspectives on a theoretical, literary, aesthetic, social movement, or psychic expression. (shrink)

Challenging the fundamental tenet of the multicultural movement -- that social struggles turning upon race, gender, and sexuality are struggles for recognition -- this work offers a powerful critique of current conceptions of identity and ...

Proust. and. the. Spectacle. of. the. Closet. "Vous devez vous y entendre mieux que moi, M. de Charlus, a faire marcher des petits marins. . . . Tenez, voici unlivreque j'ai recu, jepensequ'il vous interessera. . . . Letitreest joli: Parmiles hommes.

In neocolonial contexts of globalization, the epistemological terrain of radical diversity poses significant ethical challenges to transnational feminisms. In view of historical associations between knowledge and discourses of love which were conditioned by imperialist brands of humanism and benevolence under colonialism, this paper argues for a deconstructionist approach to conceptualizing love in relation to knowledge and for an ethics that severs the association with benevolence, instead making alterity the basis for its account.

: In neocolonial contexts of globalization, the epistemological terrain of radical diversity poses significant ethical challenges to transnational feminisms. In view of historical associations between knowledge and discourses of love which were conditioned by imperialist brands of humanism and benevolence under colonialism, this paper argues for a deconstructionist approach to conceptualizing love in relation to knowledge and for an ethics that severs the association with benevolence, instead making alterity the basis for its account.

Reaching across a broad range of religious traditions this collection of essays breaks new ground in bringing postcolonial insights to a study of gender and religion. The volume also compels postcolonial studies to take note of religion's role in sustaining colonial ideologies.

My Jewish Face & Other Stories chronicles the coming of age and coming out of a daughter of the Jewish left. Wandering from Brooklyn to Harlem and Berkeley in the sixties, from the intense feminist politics of the seventies to the isolation and regathering of activism in the eighties, Kaye/Kantrowitz's women struggle for lesbian community, for proud Jewish identity and always for justice steeped in compassion. As humanly warm and funny as they are serious, these stories will reach with great (...) hope and energy across generations and across cultures. I like this book a lot. It's full of history, herstories and plain stories--and in beautiful combination and variety--all bringing the truth, the angry adversarial truth, the happy love-finding truth of our women's movement years. --Grace Paley, writer and activist Melanie Kaye/Kantrowitz is a lesbian writer who does not stint in these fictional explorations. Her writing sacrifices neither clarity nor depth. As she recreates the contexts of our lives she gives us back our own voices. --Judith McDaniel, poet, essayist, activist Melanie Kaye/Kantrowitz's stories are urgently, often brutally honest...I came away from My Jewish Face as if from a roomful of vivid and articulate people who have discovered they have nothing left to hide. I value Kaye/Kantrowitz's voice for everything it says that comforts and everything that hurts--this is a sharp, sad, funny document of difficult times and I hope it falls into many, many hungry hands. --Rosellen Brown, novelist and poet. (shrink)

This Bridge Called My Back: Writings by Radical Women of Color, edited by Chicana writers Cherríe Moraga and Gloria Anzaldúa, was intended as a collection of essays, poems, tales and testimonials that would give voice to the contradictory experiences of “women of color.” In fact, the editors state: -/- We are the colored in a white feminist movement. We are the feminists among the people of our culture. We are often the lesbians among the straight. -/- By giving voice to (...) such experiences, each according to her style, the editors and contributors believed they were developing a theory of subjectivity and culture that would demonstrate the considerable differences between them and Anglo-American women, as well as between them and Anglo-European men and men of their own culture. As speaking subjects of a new discursive formation, many of Bridge's writers were aware of the displacement of their subjectivity across a multiplicity of discourses: feminist/lesbian, nationalist, racial, socioeconomic, historical, etc. The peculiarity of their displacement implies a multiplicity of positions from which they are driven to grasp or understand themselves and their relations with the real, in the Althusserian sense of the word. Bridge writers, in part, were aware that these positions are often incompatible or contradictory, and others did not have access to the maze of discourses competing for their body and voice. (shrink)

The essays in Rhetorical Spaces grow out of Lorraine Code's ongoing commitment to engaging philosophical issues as they figure in people's everyday lives. The arguements in this book are informed at once by the moral-political implications of how knowledge is produced and circulated and by issues of gendered subjectivity. In their critical dimension, these lucid essays engage with the incapacity of the philosophical mainstream's dominant epistemologies to offer regulative principles that guide people in the epistemic projects that figure centrally in (...) their lives. In its constructive dimension, Rhetorical Spaces focuses on developing productive, case-by-case analyses of knowing other people in situations where social-political inequalities create asymmetrical patterns of epistemic power and privilege. Framing all of the essays is the conception of rhetorical spaces which shows that prevailing intellectual-political climates can work to enhance or to thwart possibilities of establishing cognitive authority for the members of a society who belong to groups other than the dominant ones. Finally, bridging the gap between theory and practice, Lorraine Code shows how the issue of reconfiguring structures of authority and expertise are not just matters of individual responsibility, but require a radical restructuring of the communities and social orders in which people know and act. (shrink)

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.