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  1. Intentionalism.Tim Crane - 2009 - In Brian McLaughlin & Ansgar Beckermann (eds.), The Oxford Handbook to the Philosophy of Mind. Oxford: Oxford University Press. pp. 474-93.
    The central and defining characteristic of thoughts is that they have objects. The object of a thought is what the thought concerns, or what it is about. Since there cannot be thoughts which are not about anything, or which do not concern anything, there cannot be thoughts without objects. Mental states or events or processes which have objects in this sense are traditionally called ‘intentional,’ and ‘intentionality’ is for this reason the general term for this defining characteristic of thought. Under (...)
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  • Perception and Multimodality.Casey O'Callaghan - 2012 - In Eric Margolis, Richard Samuels & Stephen Stich (eds.), The Oxford Handbook of Philosophy of Cognitive Science. Oxford University Press.
    Philosophers and cognitive scientists of perception by custom have investigated individual sense modalities in relative isolation from each other. However, perceiving is, in a number of respects, multimodal. The traditional sense modalities should not be treated as explanatorily independent. Attention to the multimodal aspects of perception challenges common assumptions about the content and phenomenology of perception, and about the individuation and psychological nature of sense modalities. Multimodal perception thus presents a valuable opportunity for a case study in mature interdisciplinary cognitive (...)
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  • Reality and Representation.David Papineau - 1988 - Mind 97 (388):629-632.
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  • Reality and Representation.David Papineau - 1990 - Behavior and Philosophy 18 (2):85-88.
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  • Making Sense of the Senses: Individuating Modalities in Humans and Other Animals.Brian L. Keeley - 2011 - In Fiona Macpherson (ed.), The Senses: Classic and Contemporary Philosophical Perspectives. Oxford University Press. pp. 220.
    After first noting that I seek to broaden the definition of science fiction to a little more loosely defined speculative fiction, this essay explores four different ways in which fiction can work together with both the sciences and the philosophy of perception. This cooperation is needed because there is much about the sensory worlds of humans and non-human animals of which we continue to be ignorant. First, speculative fiction can be a source of hypotheses about the nature of the senses. (...)
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  • Sounds and Space.Matthew Nudds - unknown
    Forthcoming publication in Auditory Perception and Sounds.
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  • The Individuation of the Senses.Mohan Matthen - 2015 - In Oxford Handbook of the Philosophy of Perception. Oxford University Press. pp. 567-586.
    How many senses do humans possess? Five external senses, as most cultures have it—sight, hearing, touch, smell, and taste? Should proprioception, kinaesthesia, thirst, and pain be included, under the rubric bodily sense? What about the perception of time and the sense of number? Such questions reduce to two. 1. How do we distinguish a sense from other sorts of information-receiving faculties? 2. By what principle do we distinguish the senses? Aristotle discussed these questions in the De Anima. H. P. Grice (...)
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  • Naturalizing the Mind.Fred Dretske - 1997 - Noûs 31 (4):528-537.
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  • Naturalizing the Mind.Fred Dretske - 1995 - Philosophy 72 (279):150-154.
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  • Consciousness and Experience.William G. Lycan - 1996 - Philosophy 72 (282):602-604.
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  • Some remarks about the senses.H. P. Grice - 1962 - In R. J. Butler (ed.), Analytical Philosophy, First Series. Oxford University Press.
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