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  1. What gives rise to the perception of motion?James J. Gibson - 1968 - Psychological Review 75 (4):335-346.
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  • The effect of a change in direction of resultant force on sound localization: the audiogravic illusion.Ashton Graybiel & J. I. Niven - 1951 - Journal of Experimental Psychology 42 (4):227.
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  • The Logic Of Perception.Irvin Rock - 1983 - Cambridge: MIT Press.
    The theory of visual perception that Irvin Rock develops and supports in this book with numerous original experiments, views perception as the outcome of a process of unconscious inference, problem solving, and the building of structural descriptions of the external world.
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  • The Senses Considered as Perceptual Systems.Charles K. West & James J. Gibson - 1969 - Journal of Aesthetic Education 3 (1):142.
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  • (1 other version)The Perception of the Visual World.Norman Malcolm - 1951 - Philosophical Review 60 (4):594.
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  • The Senses Considered as Perceptual Systems.James Jerome Gibson - 1966 - Boston, USA: Houghton Mifflin.
    Describes the various senses as sensory systems that are attuned to the environment. Develops the notion of rich sensory information that specifies the distal environment. Includes a discussion of affordances.
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  • (1 other version)The visual perception of objective motion and subjective movement.James J. Gibson - 1954 - Psychological Review 61 (5):304-314.
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  • (1 other version)The Evolution of Physics.Albert Einstein & Léopold Infeld - 1939 - Revue de Métaphysique et de Morale 46 (1):173-173.
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  • The Reciprocity of Perceiver and Environment: The Evolution of James J. Gibson's Ecological Psychology.Thomas J. Lombardo - 1987 - Lawerence Erlbaum.
    Originally published in 1987, this title intended to historically reveal, through tracing Gibson's development, the substance of his views and how they bore upon general philosophical issues in theories of knowledge, and to investigate in detail the historical context of Gibson's theoretical position within psychology. Though the author has included a history of Gibson’s perceptual research and experimentation, the focus is to explicate the 'dynamic abstract form' of Gibson’s ecological approach. His emphasis is philosophical and theoretical, attempting to bring out (...)
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  • The kinetic depth effect.Hans Wallach & D. N. O'Connell - 1953 - Journal of Experimental Psychology 45 (4):205.
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  • Godel, Escher, Bach: An Eternal Golden Braid.Douglas Richard Hofstadter - 1979 - Hassocks, England: Basic Books.
    A young scientist and mathematician explores the mystery and complexity of human thought processes from an interdisciplinary point of view.
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  • An ecological theory of orientation and the vestibular system.Thomas A. Stoffregen & Gary E. Riccio - 1988 - Psychological Review 95 (1):3-14.
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  • Against direct perception.Shimon Ullman - 1980 - Behavioral and Brain Sciences 3 (3):333-81.
    Central to contemporary cognitive science is the notion that mental processes involve computations defined over internal representations. This view stands in sharp contrast to the to visual perception and cognition, whose most prominent proponent has been J.J. Gibson. In the direct theory, perception does not involve computations of any sort; it is the result of the direct pickup of available information. The publication of Gibson's recent book (Gibson 1979) offers an opportunity to examine his approach, and, more generally, to contrast (...)
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  • Direct visual perception: A reply to Gyr.James J. Gibson - 1973 - Psychological Bulletin 79 (6):396-397.
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  • The Ecological Approach to Visual Perception.Marc H. Bornstein - 1980 - Journal of Aesthetics and Art Criticism 39 (2):203-206.
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  • Gravitoinertial force versus the direction of balance in the perception and control of orientation.Gary E. Riccio & Thomas A. Stoffregen - 1990 - Psychological Review 97 (1):135-137.
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  • Review of Douglas Richard Hofstadter: Godel, Escher, Bach: An Eternal Golden Braid[REVIEW]Russell Hardin - 1980 - Ethics 90 (2):310-311.
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  • An Odyssey in Learning and Perception.Eleanor J. Gibson - 1994 - Behavior and Philosophy 22 (1):79-83.
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