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  1. Syntactic Structures.J. F. Staal - 1966 - Journal of Symbolic Logic 31 (2):245-251.
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  • Aspects of the Theory of Syntax.Noam Chomsky - 1965 - Cambridge, MA, USA: MIT Press.
    Chomsky proposes a reformulation of the theory of transformational generative grammar that takes recent developments in the descriptive analysis of particular ...
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  • A Psychology of Picture Perception: Images and Information.John J. Kennedy - 1974 - Journal of Aesthetics and Art Criticism 33 (2):232-234.
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  • Representation: The philosophical contribution to psychology.Richard Wollheim - 1977 - Critical Inquiry 3 (4):709--723.
    Armed with a theory of representation, or with answers to the two questions, What is a representation? and What is it to represent?, we might imagine ourselves approaching a putative representation and asking of it, Is it a representation?, and then, on the assumption that the answer is yes, going on to ask of it, What does it represent? Now, the answers that such questions receive might be called the applied answers of the theory that we are armed with. It (...)
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  • Art and Illusion: A Study in the Psychology of Pictorial Representation.Ernst Hans Gombrich - 1960 - Phaidon.
    The A.W. Mellon lectures in the fine arts 1956, National Gallery of Art, Washington.
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  • Syntactic Structures.Noam Chomsky - 1957 - Mouton.
    Noam Chomsky's book on syntactic structures is a serious attempts on the part of a linguist to construct within the tradition of scientific theory-construction ...
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  • Painting as an Art.Richard Wollheim - 1987 - Princeton University Press.
    Explains the difference between pictorial and linguistic meaning, examines the works of Titian, Poussin, Ingres, Manet, Picasso, and de Kooning, and discusses art's psychological impact.
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  • The third domain: The role of pictorial images in picture perception and production. [REVIEW]John Willats - 2002 - Axiomathes 13 (1):1-15.
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  • Vision Science: Photons to Phenomenology.Stephen Palmer - 1999 - MIT Press.
    This textbook on vision reflects the integrated computational approach of modern research scientists, combining psychological, computational and neuroscientific perspectives.
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  • The Science of Art: Optical Themes in Western Art from Brunelleschi to SeuratPerspective as Symbolic Form.Patrick Maynard, Martin Kemp, Erwin Panofsky & Christopher S. Wood - 1994 - Journal of Aesthetics and Art Criticism 52 (2):243.
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  • The Information Available in Pictures.James J. Gibson - 1971 - Leonardo 4 (1):27.
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  • Review of: Painting as an Art by Richard Wollheim. [REVIEW]Joseph Margolis - 1989 - Journal of Aesthetics and Art Criticism 47 (3):281-284.
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  • Painting as an Art.Joseph Margolis - 1989 - Journal of Aesthetics and Art Criticism 47 (3):281-284.
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  • Optical laws or symbolic rules? The dual nature of pictorial systems.John Willats - 2003 - In Heiko Hecht Margaret Atherton & Schwartz Robert (eds.), Looking into Pictures. MIT Press. pp. 125--143.
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  • Art and Representation: New Principles in the Analysis of Pictures.John Willats - 1999 - Journal of Aesthetics and Art Criticism 57 (1):99-100.
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  • The Birth and Rebirth of Pictorial Space.John White - 1958 - Journal of Aesthetics and Art Criticism 17 (1):130-131.
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  • Aspects of the Theory of Syntax.Ann S. Ferebee - 1965 - Journal of Symbolic Logic 35 (1):167.
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  • Art and Illusion. A Study in the Psychology of Pictorial Representation.George Boas - 1960 - Journal of Aesthetics and Art Criticism 19 (2):229-229.
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