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Kant against the cult of genius: epistemic and moral considerations

In Camilla Serck-Hanssen & Beatrix Himmelmann (eds.), Proceedings of the 13th International Kant Congress: The Court of Reason (Oslo, 6–9 August 2019). De Gruyter. pp. 919-926 (2021)

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  1. The genesis of Kant's critique of judgment.John Zammito - 1992 - Chicago: University of Chicago Press.
    In this philosophically sophisticated and historically significant work, John H. Zammito reconstructs Kant's composition of The Critique of Judgment and reveals that it underwent three major transformations before publication. He shows that Kant not only made his "cognitive" turn, expanding the project from a "Critique of Taste" to a Critique of Judgment but he also made an "ethical" turn. This "ethical" turn was provoked by controversies in German philosophical and religious culture, in particular the writings of Johann Herder and the (...)
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  • Kant and the Art of Schematism.Samantha Matherne - 2014 - Kantian Review 19 (2):181-205.
    In the Critique of Pure Reason, Kant describes schematism as a (A141/B180–1). While most commentators treat this as Kant's metaphorical way of saying schematism is something too obscure to explain, I argue that we should follow up Kant's clue and treat schematism literally as Kunst. By letting our interpretation of schematism be guided by Kant's theoretically exact ways of using the term Kunst in the Critique of Judgment we gain valuable insight into the nature of schematism, as well as its (...)
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  • "Exemplary originality": Kant on genius and imitation.Martin Gammon - 1997 - Journal of the History of Philosophy 35 (4):563-592.
    "Exemplary Originality": Kant on Genius and Imitation MARTIN GAMMON 1. INTRODUCTION ACCORDING TO ERNST CASSIRER, Kant 's discussion of genius in the Third Cri- tique stands "at the crossroads of all aesthetic discussions in the eighteenth century," in that he tries to accommodate the neo-Classical demand that art- works follow determinate rules to the Romantic insistence that aesthetic cre- ativity be free from such rules? In the Third Critique itself, Kant defends both of these criteria through the doctrine of "exemplary (...)
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  • Hypothesis and explanation in kant’s philosophy of science.Robert E. Butts - 1961 - Archiv für Geschichte der Philosophie 43 (2):153-170.
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  • The Beauty of Science without the Science of Beauty: Kant and the Rationalists on the Aesthetics of Cognition.Angela Breitenbach - 2018 - Journal of the History of Philosophy 56 (2):281-304.
    it is common to praise the beauty of theories, the elegance of proofs, and the pleasing simplicity of explanations. We may admire, for example, the beauty of Einstein’s theory of general relativity, the simplicity of Darwin’s idea of natural selection, and the elegance of a geometrical proof of Pythagoras’s theorem. Aesthetic judgments such as these have much currency among scientists, and they are employed in the search for knowledge more broadly. But while the use of aesthetic judgments in science is (...)
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  • Unsociable Sociability.Allen W. Wood - 1991 - Philosophical Topics 19 (1):325-351.
    Kant holds that the moral principle is a priori, not empirical. But consistently with this, important parts of Kantian ethics, including his formulations of the moral principle, depend on a rich and interesting empirical theory of human nature.
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  • The genesis of Kant's « Critique of Judgment».John H. ZAMMITO - 1992 - Revue Philosophique de la France Et de l'Etranger 182 (4):639-639.
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