Entry in Routledge handbook of skill and expertise. Discusses social perception, perceptual expertise, knowing what things look like, and a bit about about aesthetics at the end.

Overview of the (non)conceptualism debate in Kant studies.

The aim of the Schematism chapter of the Critique of Pure Reason is to solve the problem posed by the “inhomogeneity” of intuitions and categories: the sensible properties of objects represented in intuition are of a different kind than the properties represented by categories. Kant's solution is to introduce what he calls “transcendental schemata,” which mediate the subsumption of objects under categories. I reconstruct Kant's solution in terms of two substantive premises, which I call Subsumption Sufficiency (i.e., that subsuming an (...) object under a transcendental schema is sufficient to subsume it under the corresponding category) and Real Possibility (i.e., that it is really possible to subsume objects under each of the transcendental schemata). These two principles, together with a trivial modal one (the Subsumption-Possibility Link), entail that it is possible to subsume objects under categories; in other words, the argument of the Schematism is valid. The main work of the paper consists in reconstructing Kant's arguments for, and explanations of, these premises. I argue that they hinge on Kant's claim that transcendental schemata are “time-determinations,” which I interpret to mean: rules for reflexively representing the temporal relations among our own representational states. On the basis of this reading, I reconstruct Kant's argument for Subsumption Sufficiency, category by category. I also explain why Real Possibility follows almost immediately. Granting Kant the argument up to this point in the Critique, the argument of the Schematism is sound. (shrink)

Kant posits the schema as a hybrid bridging the generality of pure concepts and the particularity of sensible intuitions. However, I argue that countenancing such schemata leads to a third-man regress. Siding with those who think that the mid-way posit of the Critique of Pure Reason's schematism section is untenable, my diagnosis is that Kant's transcendental inquiry goes awry because it attempts to analyse a form/matter union that is primitive. I therefore sketch a nonrepresentational stance aimed at respecting this primitivity.

In the Critique of Judgment, Kant claims that genius is a talent for art, but not for science. Despite his restriction of genius to the domain of fine art, several recent interpreters have suggested that genius has a role to play in Kant’s account of cognition in general and scientific practice in particular. In this paper, I explore Kant’s reasons for excluding genius from science as well as the reasons that one might nevertheless be tempted to think that his account (...) allows room for the scientific genius. I then argue that Kant’s concerns are not only epistemic, but also moral, and together, they give us good reason for resisting the veneration of genius. (shrink)

In this paper, I argue that although Kant’s account of empirical schemata in the Critique of Pure Reason is primarily used to explain the shared content of intuitions and empirical concepts, it is also informed by methodological problems in natural history. I argue that empirical schemata, which are rules for determining the spatiotemporal form of objects, not only serve to connect individual intuitions with concepts, but also concern the very features of objects on the basis of which they were connected (...) and ordered in taxonomic systems based on similarity of form. I then suggest that Kant likely had scientific illustrations in mind in his discussion of empirical images in the Schematism chapter and that his account of schemata can help explain the epistemic function of these images in early modern science. (shrink)

In his genetic phenomenology, Husserl introduces types, pre-predicative frames of experience that guide the perception and cognition of objects. In this essay, I argue that there are two types that are functionally almost identical to Kant’s schemata. To support this conclusion, I first present an interpretation of Kant’s discussion of schemata. I argue that we must see schemata as pure, a priori cognitions that involve only pure intuition, pure concepts of the understanding, and the imagination. I offer two analogies to (...) explain how schemata function to subsume objects under concepts and to anticipate possible objects of experience before moving on to discuss the schema of substance. Next, I present a brief explanation of Husserl’s genetic phenomenology, organizing my presentation around the idea of apperception. This paves the way for a demonstration of how the fundamental type is best understood as standing at the center of a cluster of concepts, including apperception, passive belief, natural bodies, and the one spatio-temporal horizon of experience. I argue that the fundamental type is central to Husserl’s attempt to ground logic in pre-predicative experience. Finally, I compare two specific types with schemata on the grounds cultivated in the previous sections. The first of these types, the fundamental type, functions to pre-predicatively anticipate objects of possible experience, just as schemata do. The second of these types, which is implied by but never discussed in Husserl’s work, serves to mediate between a formal system of rules and an intuitive grasp of the world, just as schemata do. (shrink)

In this paper, I discuss Kant’s concept-less schematism (KU, 5: 287) in the thirdCritique1and make three claims: 1) concept-less schematism is entirely consistent with the schematism in the firstCritique; 2) concept-less schematism is schematism with noempiricalconcept as an outcome; and 3) in accordance with 1) and 2), the imagination is free to synthesize the given manifold and leads to judgements of taste without this meaning either that the categories play no role at all or that these judgements are full-fledged cognitive (...) determining judgements. While most commentators read the freedom of the imagination as its independence from the understanding, I argue that the freedom of the imagination is based on a non-determining employment of the pure concepts of the understanding. The freedom of the aesthetic imagination consists in the temporal schematization of the categories without any complementary determination of the empirical concept. (shrink)

Este trabajo estudia la teoría de los diferenciales de Salomon Maimon como respuesta a la cuestión quid juris y a la vez como clave para la fundamentación de la posibilidad de la metafísica como ciencia. Se reconstruye primero la crítica de Maimon al tratamiento kantiano de la pregunta quid juris. Luego, se analiza la respuesta del propio Maimon a esa pregunta, para establecer finalmente cómo tal respuesta abre el camino para la explicación de la posibilidad de la metafísica como ciencia.

Keskityn siihen miten Leibnizilla yksittäiset mielihyvän tai mielipahan tiedostamattomat havainnot voivat kasautua tai tiivistyä ja muodostaa vähitellen tunteita, joista tulemme tietoisiksi.

A comprehensive and practical study tool, introducing Kant's thought and key works and exploring his continuing influence.

I present and develop a novel account of the schematism by reading it through the distinction between constitution and regulation. I thus show that Kant’s stipulation of only eight schemata for the twelve pure concepts of the understanding is not haphazard but answers, instead, to two distinct processes of synthesis, mathematical and dynamical, that either constitute objects in intuition or regulate objects of experience. Based on this, I offer a detailed reconstruction of each of the schemata specified by Kant, and (...) I provide an explanation of the systematic role each plays in the Analytic. (shrink)

En este artı́culo se analizarán algunos nudos temáticos desarrollados en la Crı́tica de la razón pura, utilizando las lentes teóricas de Jacques Derrida, con el fin de proponer, sobre algunos conceptos-clave en la filosofı́a transcendental de Kant, una lectura distinta respecto a la que se está acostumbrado estudiar y problematizar. Después de haber puesto en relación la imaginación kantiana con la noción derridiana de différance, se subrayará el aspecto paradójico de la auto-afección, mostrando que ésta, en su misma singularidad, trasciende (...) la oposición entre activo y pasivo, permitiendo mirar al sentido interno como posibilidad de archi-escritura, a partir de las huellas psı́quicas dejadas en su terreno. A continuación, las reflexiones se desplazarán hacia el tema del esquematismo, problematizando cómo y hasta qué medida la actividad productiva de la imaginación, por un lado, y la relación entre imagen y esquema, por otro, podrı́an relacionarse con los conceptos más significativos de la teorı́a derridiana de la escritura. (shrink)

Bu tez, Kant'ın şematizm olarak adlandırdığı, düşünsel kavramların duyusal görünümlere nasıl uygulanabileceğini açıklamaya çalıştığı edimi konu edinmektedir. Şematizm, düşünürler tarafından genellikle eleştirilmiş veya anlaşılmaz bulunmuştur ancak eleştirel felsefenin oldukça önemli bir yönünü oluşturur. Söz konusu çalışmada, şematizmin temsiller arasındaki geçişlerle nasıl anlaşılabileceği; duyusallık ile anlama yetisi ve anlama yetisi ile akıl arasındaki ilişkiyi nasıl oluşturduğu gösterilecektir. Bu ilişki, anlama yetisinin duyusallıktan gelen malzemeyi nasıl kurduğu, aklın ise anlama yetisinden gelen bilgileri nasıl düzenlediğiyle ilgilidir. Bununla birlikte, temsiller arasındaki olası geçişlerin farklı (...) (gidimli, belirleyici, düşünümsel, benzetimli) şematizm türlerine nasıl olanak sağladığı gösterilmeye çalışılacaktır. Göreceğiz ki şematizm, matematiği ve fizyolojiyi (fizik ve metafizik) zamansallığa dayanarak temellendirir. -/- This thesis deals with the act that Kant calls schematism, the way of applying intellectual concepts to sensible appearances. Schematism has been generally criticized or deemed incomprehensible by thinkers, but it constitutes a vitally important aspect of the critical philosophy. In this study, I will attempt to show how schematism provides transitions between representations and establishes the relation between sensibility and understanding, also between understanding and reason. The relation is about how the understanding constructs the material of sensibility, and how the reason regulates the cognitions of the understanding. In this respect, I will also show that possible transitions between representations (discursive, determinative, reflexive and analogical) enable different ways of schematism. It will be shown that schematism grounds mathematics, and physiology (physics and metaphysics) based on temporality. (shrink)

This dissertation’s contribution consists in providing a novel interpretation of the role time plays in Kant’s transcendental idealism. A significant part of Kant scholarship on the Critiques tends to assume that time, as understood in transcendental philosophy, is solely a formal property of intuition. This assumption has led several commentators to overlook a fundamental feature of transcendental idealism, namely, that in being the most basic form of intuition time is, also, a provider of content in and for experience. In looking (...) attentively at such feature this dissertation shows that time is the activity of the self that grounds the possibility of objectivity and explores the philosophical implications of such an interpretation. In the first Chapter I conduct a comprehensive survey of relevant literature and show that it is impossible to separate general metaphysics from transcendental logic in the context of Kant’s transcendental philosophy without making serious philosophical sacrifices. I then argue, in the second Chapter, that time is not merely a formal property of intuition but is, rather, the fundamental form of intuition and that, even if space is in no way reducible to, or derivable from it, time has nonetheless primacy over space on both logical and ontological grounds. From this I argue that by time, or self-affection, Kant understands the activity of subjectivity that brings about the possibility of relating to objects through the power of imagination. In the third Chapter, I show that such relation is not left wholly undetermined and that, instead, it occurs in accordance with the layout presented by Kant in the Table of Judgments, the Table of Pure Concepts of the Understanding, the Schemata and, importantly, in the System of Principles of the Understanding. I show that only an interpretation that acknowledges the systematicity found in the Analytic section of the Critique of Pure Reason can justify the distinction drawn by Kant between the mathematical and the dynamical and conclude, from that, that time does indeed provide a specific content in and for experience to be found in the Schematism doctrine. Finally, in the fourth Chapter I broaden the philosophical scope and inquire as to whether Kant has the theoretical means to articulate something like an uncategorized schema or time-determination. I conclude that, although in the Critical period Kant can do so only problematically, in the post-Critical period there are means to do so categorically: system, as such, is a time-determination for which the understanding lacks a pure concept. (shrink)