Abstract Taking the integrated viewpoints of causal theory of reference, cognitive science and the notion of correspondence principles from physics, this paper addresses the problems of creativity, the nature of visual imagery and the manner in which science progresses.

This paper explores a new reason for preferring a model-theoretic approach to understanding the nature of scientific theories. Identifying the models in philosophers' model-theoretic accounts of theories with the concepts in cognitive scientists' accounts of categorization suggests a structure to families of models far richer than has commonly been assumed. Using classical mechanics as an example, it is argued that families of models may be "mapped" as an array with "horizontal" graded structures, multiply hierarchical "vertical" structures, and local "radial" structures. (...) These structures promise important implications for how scientific theories are learned and used in actual scientific practice. (shrink)

The ArgumentMany inventors, engineers, and scientists think in verbal images. Elmer Sperry (1860–1930), a noted American inventor, was able to “operate” in his mind's eye the machines he was developing. For inventors, engineers, and experimental scientists, visualization is often followed by construction of a physical model of the invention, which can be an experimental apparatus. The model, or apparatus, is then tested in increasingly complex environments and changes are made in the physical artifact until it is ready to be used. (...) Examples of this process of development are Sperry's development of a ship stabilizer for the U.S. Navy and a revolving mirror to be used by Albert Michelson in the determination of the speed of light. Thomas Edison called experimentation his development of an invention through the building and testing of a series of models. So, both scientists and inventors experiment. They are not discovering the “secrets of nature”: they are observing how artifacts – their physical creations – behave. These physical models of thought reflect the characteristics of the tools with which they were made. They are socially constructed, as well. (shrink)