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  1. Whatever next? Predictive brains, situated agents, and the future of cognitive science.Andy Clark - 2013 - Behavioral and Brain Sciences 36 (3):181-204.
    Brains, it has recently been argued, are essentially prediction machines. They are bundles of cells that support perception and action by constantly attempting to match incoming sensory inputs with top-down expectations or predictions. This is achieved using a hierarchical generative model that aims to minimize prediction error within a bidirectional cascade of cortical processing. Such accounts offer a unifying model of perception and action, illuminate the functional role of attention, and may neatly capture the special contribution of cortical processing to (...)
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  • Self-projection and the brain.Randy L. Buckner & Daniel C. Carroll - 2007 - Trends in Cognitive Sciences 11 (2):49-57.
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  • (1 other version)Wandering minds: the default network and stimulus-independent thought.M. F. Mason, M. I. Norton, J. D. van Horn, D. M. Wegner, S. T. Grafton & C. N. Macrae - 2007 - Science 315 (5810):393-395.
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  • (1 other version)Inner Vision: An Exploration of Art and the Brain.Semir Zeki - 2002 - Journal of Aesthetics and Art Criticism 60 (4):365-366.
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  • Complementarity As Generative Principle: A Thought Pattern for Aesthetic Appreciations and Cognitive Appraisals in General.Yan Bao, Alexandra von Stosch, Mona Park & Ernst Pöppel - 2017 - Frontiers in Psychology 8.
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  • Neuroesthetics is Not Just about Art.Dahlia W. Zaidel - 2015 - Frontiers in Human Neuroscience 9.
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  • Difference in brain activations during appreciating paintings and photographic analogs.Yoshinori Mizokami, Takeshi Terao, Koji Hatano, Nobuhiko Hoaki, Kentaro Kohno, Yasuo Araki, Kensuke Kodama, Mayu Makino, Toshihiko Izumi, Tsuyoshi Shimomura, Minoru Fujiki & Takanori Kochiyama - 2014 - Frontiers in Human Neuroscience 8.
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  • Cortical midline structures and the self.Georg Northoff & Felix Bermpohl - 2004 - Trends in Cognitive Sciences 8 (3):102-107.
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  • Is it the picture or is it the frame? An fMRI study on the neurobiology of framing effects.Sarita Silveira, Kai Fehse, Aline Vedder, Katrin Elvers & Kristina Hennig-Fast - 2015 - Frontiers in Human Neuroscience 9.
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  • Combining universal beauty and cultural context in a unifying model of visual aesthetic experience.Christoph Redies - 2015 - Frontiers in Human Neuroscience 9.
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  • (1 other version)Inner Vision.S. Zeki - unknown
    The work of the artist and the science of vision may seem distantly related as subjects.
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  • Mathematics in Western Culture.Morris Kline - 1955 - Philosophy and Phenomenological Research 15 (3):434-436.
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  • Der Ursprung des Kunstwerkes.Martin Heidegger - 1967 - Stuttgart: Reclam.
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  • Cognitive Constraints on the Visual Arts: An Empirical Study of the Role of Perceived Intentions in Appreciation Judgements.Jean-Luc Jucker & Justin L. Barrett - 2011 - Journal of Cognition and Culture 11 (1-2):115-136.
    What influences people’s appreciation of works of art? In this paper, we provide a new cognitive approach to this big question, and the first empirical results in support of it. As a work of art typically does not activate intuitive cognition for functional artefacts, it is represented as an instance of non-verbal symbolic communication. By application of Sperber and Wilson’s Relevance Theory of communication, we hypothesize that understanding the artist’s intention plays a crucial role in intuitive art appreciation judgements. About (...)
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  • Chinese Painting.Richard Edwards - 1962 - Journal of the American Oriental Society 82 (1):122.
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  • Aesthetic perception and its minimal content: a naturalistic perspective.Ioannis Xenakis & Argyris Arnellos - 2014 - Frontiers in Psychology 5.
    Aesthetic perception is one of the most interesting topics for philosophers and scientists who investigate how it influences our interactions with objects and states of affairs. Over the last few years, several studies have attempted to determine “how aesthetics is represented in an object,” and how a specific feature of an object could evoke the respective feelings during perception. Despite the vast number of approaches and models, we believe that these explanations do not resolve the problem concerning the conditions under (...)
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