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Embodied Simulation. Its Bearing on Aesthetic Experience and the Dialogue Between Neuroscience and the Humanities.Vittorio Gallese - 2019 - Gestalt Theory 41 (2):113-127.details
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(5 other versions)Phenomenology of Perception.Maurice Merleau-Ponty - 1945 - New York: Routledge. Edited by Donald A. Landes.details
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Art and Visual Perception: The New Version.Rudolf Arnheim - 1969 - Journal of Aesthetics and Art Criticism 34 (3):361-364.details
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Art and Visual Perception, a Psychology of the Creative Eye.Rudolf Arnheim - 1955 - Journal of Aesthetics and Art Criticism 13 (3):411-412.details
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Art and the brain.Semir Zeki - 1999 - Journal of Consciousness Studies 6 (6-7):6-7.details
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Some speculative hypotheses about the nature and perception of dance and choreography.Ivar Hagendoorn - 2004 - Journal of Consciousness Studies 11 (3-4):3-4.details
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(5 other versions)Phenomenology of perception.Maurice Merleau-Ponty - 1945 - Atlantic Highlands, New Jersey: The Humanities Press. Edited by Donald A. Landes.details
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Flow: The Psychology of Optimal Experience.Mihaly Csikszentmihalyi - 1990 - Harper & Row.details
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A Somatic Movement Approach to Fostering Emotional Resiliency through Laban Movement Analysis.Rachelle P. Tsachor & Tal Shafir - 2017 - Frontiers in Human Neuroscience 11:261557.details
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(5 other versions)Phenomenology of Perception.Maurice Merleau-Ponty - 1945/1962 - New York: Routledge. Edited by Donald A. Landes.details
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(5 other versions)Phenomenology of Perception.Maurice Merleau-Ponty - 1962 - New York: Routledge. Edited by Donald A. Landes.details
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Learning to like it: Aesthetic perception of bodies, movements and choreographic structure.Guido Orgs, Nobuhiro Hagura & Patrick Haggard - 2013 - Consciousness and Cognition 22 (2):603-612.details
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Towards a sensorimotor aesthetics of performing art.B. Calvo-Merino, C. Jola, D. E. Glaser & P. Haggard - 2008 - Consciousness and Cognition 17 (3):911-922.details
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Phenomenology of Perception.Aron Gurwitsch, M. Merleau-Ponty & Colin Smith - 1964 - Philosophical Review 73 (3):417.details
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What Happens When I Watch a Ballet and I Am Dyskinetic? A fMRI Case Report in Parkinson Disease.Sara Palermo, Rosalba Morese, Maurizio Zibetti, Alberto Romagnolo, Edoardo Giovanni Carlotti, Andrea Zardi, Maria Consuelo Valentini, Alessandro Pontremoli & Leonardo Lopiano - 2020 - Frontiers in Psychology 11.details
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Timing is everything: Dance aesthetics depend on the complexity of movement kinematics.Andrea Orlandi, Emily S. Cross & Guido Orgs - 2020 - Cognition 205 (C):104446.details
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Practice makes perfect: the effect of dance training on the aesthetic judge.Barbara Montero - 2012 - Phenomenology and the Cognitive Sciences 11 (1):59-68.details
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Art and Visual Perception: A Psychology of the Creative Eye.Rudolph Arnheim - 1956 - Philosophy and Phenomenological Research 16 (3):425-426.details
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Toward a Neural Basis of Music Perception – A Review and Updated Model.Stefan Koelsch - 2011 - Frontier in Psychology 2.details
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(1 other version)Suppression of Regional Cerebral Blood during Emotional versus Higher Cognitive Implications for Interactions between Emotion and Cognition.Wayne C. Drevets & Marcus E. Raichle - 1998 - Cognition and Emotion 12 (3):353-385.details
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Neuroaesthetics and beyond: new horizons in applying the science of the brain to the art of dance. [REVIEW]Emily S. Cross & Luca F. Ticini - 2012 - Phenomenology and the Cognitive Sciences 11 (1):5-16.details
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The "Conscious" Dorsal Stream: Embodied Simulation and its Role in Space and Action Conscious Awareness.Vittorio Gallese - 2007 - PSYCHE: An Interdisciplinary Journal of Research On Consciousness 13.details
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The Senses in Performance.Sally Banes & André Lepecki - 2009 - Journal of Aesthetics and Art Criticism 67 (2):258-261.details
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