The essays collected here provide English-speaking readers with a lucid and accessible introduction to the world of France's leading contemporary philosopher. A classic student textbook.

One of the world's most famous philosophers, Jacques Derrida, explores difficult questions in this important and engaging book. Is it still possible to uphold international hospitality and justice in the face of increasing nationalism and civil strife in so many countries? Drawing on examples of treatment of minority groups in Europe, he skilfully and accessibly probes the thinking that underlies much of the practice, and rhetoric, that informs cosmopolitanism. What have duties and rights to do with hospitality? Should hospitality be (...) grounded on a private or public ethic, or even a religious one? This fascinating book will be illuminating reading for all. (shrink)

Prodigiously influential, Jacques Derrida gave rise to a comprehensive rethinking of the basic concepts and categories of Western philosophy in the latter part of the twentieth century, with writings central to our understanding of language, meaning, identity, ethics and values. In 1993, a conference was organized around the question, 'Whither Marxism?’, and Derrida was invited to open the proceedings. His plenary address, 'Specters of Marx', delivered in two parts, forms the basis of this book. Hotly debated when it was first (...) published, a rapidly changing world and world politics have scarcely dented the relevance of this book. (shrink)

INTRODUCTION The career of Benjamin Lee Whorf might, on the one hand, be described as that of a businessman of specialized talents— one of those individuals ...

Is it possible to think of the gift philosophically? How should we think of the gift in a world that seems to be regulated only with economic rules? These are two of the main questions that are treated in this essay. In order to deal with them, the author analyzes Jacques Derrida’s deconstruction of the gift and Jean-Luc Marion’s notion of givenness. Derrida and Marion are in agreement in refusing intentionality as an essential element of the logic of gift because (...) for them intentionality is always connected with economy. But they conceive economics in different ways and, as a consequence, their conceptions of gift are different. For Derrida, economics means credit and debit, while for Marion it means causality. This difference is the reason why Derrida thinks of the gift as either impossible or a moment of madness that overcomes credit and debit, while Marion thinks of it as a pure decision that comes from its givenness. As a result, for neither author does the gift have any element of need, motivation, or cause. The author argues that excess and decision cannot be the essence of the gift, but only reciprocity. This reciprocity is not an economic relation of giving and receiving but an asymmetrical reciprocity. (shrink)

Winner of the R. H. Gapper Book Prize 2011. Judith Still sets Derrida's work in a series of contexts including the socio-political history of France, especially in relation to Algeria, and his relationship to other writers, most importantly Helene Cixous, Luce Irigaray and Emmanuel Levinas - key thinkers of hospitality. Still also follows the thread of sexual difference in Derrida's writing in order to shed light on his exploration of the complex and delicate, strange yet familiar, political and ethical dilemmas (...) of how to be those impossible things, a good host and a good guest.Hospitality is critically important in Derrida's writings, and his insights in this have been influential across a range of disciplines from geography, politics and sociology to literary studies and philosophy. It functions as a way of both thinking about relations between individuals, and analysing the community or state's often inhospitable reception of outsiders, such as refugees or migrants. (shrink)

This paper will address the topic of “tradition” by exploring the ways that Martin Heidegger, Emmanuel Levinas, and Jacques Derrida each looked to return to traditional texts in order to overcome a perceived crisis or delimiting fault in the contemporary thought of their respective presents. For Heidegger, this meant a return to the pre-Socratics of “early Greek thinking.” For Levinas, it entailed a return to the sacred Jewish texts of the Talmud. For Derrida, it was the return to texts that (...) embodied the “Western metaphysical tradition,” be it by Plato, Descartes, Rousseau, or Marx. I then want to ask whether these reflections can be turned so as to shed light on three resilient trends in the practice of history that I will label positivist, speculative or teleological, and constructivist. By correlating the ways that Heidegger, Levinas, and Derrida utilize and employ “tradition” with the historical trends of positivism, speculative/teleological history, and constructivism, I hope to produce an engagement between theorists whose concerns implicate history even though they may not be explicitly historical, and historians who may not realize the ways that their work coincides with the claims of these theorists. (shrink)

One could accuse me here of making a big deal and a whole history out of words and gestures that remain very clear. When Madame de Mainternon says that the King takes her time, it is because she is glad to give it to him and takes pleasure from it: the King takes nothing from her and gives her as much as he takes. And when she says, “I give the rest to Saint-Cyr, to whom I would like to give (...) all,” she is confiding in her correspondent about a daily economy concerning the leisures and charities, the works and days of a “grande dame” somewhat overwhelmed by her obligations. None of the words she writes has the sense of the unthinkable and the impossible toward which my reading would have pulled them, in the direction of giving-taking, of time and the rest. She did not mean to say that, you will say.What if … yes she did [Et si].And if what she wrote meant to say that, then what would that suppose? How, where, on the basis of what and when can we read this letter fragment as I have done? How could we even hijack it as I have done, while still respecting its literality and its language? End of the epigraph. Jacques Derrida is Directeur d’Études at the École des Hautes Études en Sciences Sociales in Paris, and professor of French, University of California, Irvine. In the past year, he has published Le Problème de la genèse chez Husserl , Mémoires d’aveugle, l’autoportrait et autres ruines , L’Autre Cap , and Circonfession in Jacques Derrida, with Geoffrey Bennington . Peggy Kamuf is professor of French at the University of Southern California and Directeur de Programme, Collège International de Philosophie in Paris. She is the author of Signature Pieces: On the Institution of Authorship and most recently has edited A Derrida Reader: Between the Blinds. (shrink)

The book's two essays, 'Limited Inc.' and 'Signature Event Context, ' constitute key statements of the Derridean theory of deconstruction. They are perhaps the clearest exposition to be found of Derrida's most controversial idea.

This article considers the legacies of Jacques Derrida in and for Anglo-American sociocultural anthropology. It begins with a survey of Derrida's own engagement with themes that have historically been foundational to the field: the critique of sign theory and, with it, the questions of language and law in Lévi-Straussian structuralism; the question of the unconscious; the critique of the performative and its consequences for the idea of ritual; the rereading of Marcel Mauss's concept of the gift, and of economy more (...) generally; and the analysis of the metaphysical basis of law, in both religious and ostensibly secular formations. It then considers the state of the field at the time when it was being infused with different forms of post-structuralism and explores the competing claims made by these discourses in relation to deconstruction. Finally, after tracing the convergences and divergences between Derridean deconstruction and theory in sociocultural anthropology, it treats two main examples of works produced against and under the influence of Derrida's thought, respectively. (shrink)

The most powerful films have an afterlife. Their sensory appeal and their capacity to elicit involvement in story, character and conflict reaches beyond the screen to subtly reframe the way spectators view ethical issues and agents. This book questions how cinematic narratives relate to and affect ethical life.