Results for ' bow'

11 found
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  1. Reforming Education and Changing Schools.Richard Bowe, Stephen J. Ball & Anne Gold - 1992 - British Journal of Educational Studies 40 (4):429-431.
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  2. Holistic Engineering Ethics?Eddie Conlon, Diana Adela Martin & Brian Bowe - 2018 - Proceedings of the Engineering Education for Sustainable Development Conference.
    This paper focuses on the question of What kind of engineering ethics (EE) is needed to develop holistic engineers who can practice and promote the principles of sustainable development? -/- It is argued that, given the existence of other models, an approach to EE, as argued for at EESD 2016, centred on “training engineers for handling ethical dilemmas in sustainability contexts” (Lundqvist and Svanstrom 2016) is inadequate to address the sustainability challenge facing engineers.. We contend that while EE is now (...)
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  3. Philosophies of Archery.Enea Bianchi - 2021 - Popular Inquiry. The Journal of Kitsch, Camp and Mass Culture 2:22-37.
    This article investigates how different philosophical traditions and schools of thought have understood the practice and the discipline of archery. Whereas the scholarly literature on the history, the techniques and the uses of bows and arrows is diverse and extensive, my aim is to contribute to the less developed research on the relationship between philosophy and archery. Specifically, I will explore in what terms philosophers have employed the bow as a metaphor for both their standpoints and, more generally, significant aspects (...)
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  4. Do Not Lose the Rice: Dōgen Through the Eyes of Contemporary Western Zen Women.Laura Specker Sullivan - 2023 - In Ralf Müller & George Wrisley, Dōgen’s Texts: Manifesting Religion and/as Philosophy? Springer Verlag. pp. 125-143.
    Dōgen has been described as a social reformer based on his more “enlightened” attitude towards women, inviting women students into his sangha and advocating for more egalitarian views of gender (Eido Frances Carney, Receiving the Marrow: Teachings on Dōgen by Soto Zen Women Priests (2012), p. xi). In this chapter, I describe how contemporary Western Zen women and their allies have understood Dōgen’s texts as a tool of personal and social transformation through examination of work by Zen practitioners such as (...)
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  5. More Than a Flesh Wound.Graham Oppy - 2002 - Ars Disputandi 2:214-224.
    In ‘The Kalam Cosmological Argument Neither Bloodied nor Bowed’ , David Oderberg provides four main criticisms of the line of argument which I developed in ‘Time, Successive Addition, and Kalam Cosmological Arguments’ . I argue here that none of these lines of criticism succeeds. Further I re-emphasise the point that those who maintain that the temporal series of past events is formed by ‘successive addition’ are indeed thereby committed to a highly contentious strict finitist metaphysics.
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  6. Nothing to come in a relativistic setting.Mauro Dorato & Carl Hoefer - 2021 - Disputatio 13 (63):433-444.
    In this paper we critically review Correia’s and Rosenkranz’s Nothing to Come. A Defence of the Growing Block Theory of Time, published by Springer in 2018. By taking into account the essential reliance of the book on tense logic, we bring out the existence of a conflict between their logical axioms, that presuppose truth bivalence even for statements concerning future contingents, and the principle of groundedness that they also advocate. According to this principle, a proposition Q is now groundedly true (...)
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  7. In Defence of Tourists.Michel-Antoine Xhignesse - 2023 - Estetika: The European Journal of Aesthetics 60 (2):176-92.
    It is not uncommon for art historians and philosophers of art to deride the kinds of aesthetic experiences tourists seek out by characterizing them as bowing to the will of the herd, succumbing to peer pressure, or simply seeking out what is popular. Two charges, in particular, tend to be levelled against tourists. The first, which I call the motivation problem, contends that tourists are motivated to seek out aesthetic experiences for the wrong kinds of reasons. The second, which I (...)
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  8. Double or nothing: Deconstructing cultural heritage.George Rossolatos - 2015 - Chinese Semiotic Studies 11 (3):297-315.
    This paper draws on the deconstruction(ist) toolbox and specifically on the textual unweaving tactics of supplementarity, exemplarity, and parergonality, with a view to critically assessing institutional (UNESCO’s) and ordinary tourists’ claims to authenticity as regards artifacts and sites of ‘cultural heritage’. Through the ‘destru[k]tion’ of claims to ‘originality’ and ‘myths of origin’, that function as preservatives for canning such artifacts and sites, the cultural arche-writing that forces signifiers to piously bow before a limited string of ‘transcendental signifieds’ is brought to (...)
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  9. The issue of Adam's creation in “Nahj al-Balagha”.Rufat Garayev - 2022 - Metafizika 5 (4):99-112.
    Among all live beings, created by the God, the human takes the most honorable place. Having created the first human, Adam (pbuh), the God ordered to the angels come to bow before him. His Excellency Imam Ali in his work "Nahj al-Balagha" specified that the human was created of the clay by the God, and the Universe for the sake of his blessing. Unfortunately, some faithless societies still do not trust in creation of the human by the God, and cannot (...)
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  10. Sikhism and Islam: The Inter-Relationship (Part-III).Devinder Pal Singh - 2024 - The Sikh Review, Kolkata. Wb. India 72 (10):46-52..
    Equality for All: Islam articulates equal rights for all living beings, including animals and birds, and refers to these as communities. “The earth He has assigned to all living creatures” (HQ, 55:10); "There is not a moving (living) creature on earth, nor a bird that flies with its two wings, but are communities like you...then unto their Lord they (all) shall be gathered” (HQ, 6:37); "And for women are rights over men similar to those of men over women." (HQ, 2:228) (...)
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  11. A now in despair.I. Escañuela Romana - manuscript
    How do we live, then, so that all of nature bows down and we are in despair? “We wanted to change the world and the world changed us", says Nino Manfredi in Ettore Scola's film, C'eravamo tanto amati, something so expressive of this vital mode that dominates us. But to try not to be transformed by what we live seems impossible, even unfortunate, because a man always lives in his present, and in doing so lives with his fellow men. Only (...)
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