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Andrea Timar
Eotvos Lorand University of Sciences (PhD)
  1. Dehumanization in Literature and the Figure of the Perpetrator.Andrea Timar - forthcoming - In Maria Kronfeldner (ed.), The Routledge Handbook of Dehumanization. New York, Egyesült Államok:
    Chapter 14. Andrea Timár engages with literary representations of the experience of perpetrators of dehumanization. Her chapter focuses on perpetrators of dehumanization who do not violate laws of their society (i.e., they are not criminals) but exemplify what Simona Forti, inspired by Hannah Arendt, calls “the normality of evil.” Through the parallel examples of Dezső Kosztolányi’s Anna Édes (1926) and Doris Lessing’s The Grass is Singing (1950), Timár first explores a possible clash between criminals and perpetrators of dehumanization, showing literature’s (...)
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  2.  6
    Against Compassion: Post-Traumatic Stories in Arendt, Coleridge, Melville, and Benjamin Melville, and Coleridge.Andrea Timár - 2022 - Arendt Studies 6:223-246.
    The paper suggests that Samuel Taylor Coleridge’s arguments against sympathy after the French Revolution, Walter Benjamin’s claims against empathy following the traumatic shock of Modernity and the First World War, and Hannah Arendt’s critical take on compassion. after the Holocaust are similar responses to singular historical crises. Reconsidering Arendt’s On Revolution and its evocation of Hermann Melville’s novella Billy Budd, I show first that the novella bears the traces of an essay by Samuel Taylor Coleridge, “The Appeal to Law”. Then, (...)
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  3. A Modern Coleridge: Cultivation, Addiction, Habits.Andrea Timár - 2015 - Basingstoke, Egyesült Királyság: Palgrave MacMillan.
    A Modern Coleridge shows the interrelatedness of the discourses of cultivation, addiction and habit in Coleridge's poetry and prose, and argues that these all revolve around the problematic nexus of a post-Kantian idea of free will, essential to Coleridge's eminently modern idea of the 'human'.
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