Results for 'Authorship in AI-Generated Art'

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  1. Interpreting AI-Generated Art: Arthur Danto’s Perspective on Intention, Authorship, and Creative Traditions in the Age of Artificial Intelligence.Raquel Cascales - 2023 - Polish Journal of Aesthetics 71 (4):17-29.
    Arthur C. Danto did not live to witness the proliferation of AI in artistic creation. However, his philosophy of art offers key ideas about art that can provide an interesting perspective on artwork generated by artificial intelligence (AI). In this article, I analyze how his ideas about contemporary art, intention, interpretation, and authorship could be applied to the ongoing debate about AI and artistic creation. At the same time, it is also interesting to consider whether the incorporation of (...)
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  2. AI-aesthetics and the artificial author.Emanuele Arielli - forthcoming - Proceedings of the European Society for Aesthetics.
    ABSTRACT. Consider this scenario: you discover that an artwork you greatly admire, or a captivating novel that deeply moved you, is in fact the product of artificial intelligence, not a human’s work. Would your aesthetic judgment shift? Would you perceive the work differently? If so, why? The advent of artificial intelligence (AI) in the realm of art has sparked numerous philosophical questions related to the authorship and artistic intent behind AI-generated works. This paper explores the debate between viewing (...)
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  3. Can ChatGPT be an author? Generative AI creative writing assistance and perceptions of authorship, creatorship, responsibility, and disclosure.Paul Formosa, Sarah Bankins, Rita Matulionyte & Omid Ghasemi - forthcoming - AI and Society.
    The increasing use of Generative AI raises many ethical, philosophical, and legal issues. A key issue here is uncertainties about how different degrees of Generative AI assistance in the production of text impacts assessments of the human authorship of that text. To explore this issue, we developed an experimental mixed methods survey study (N = 602) asking participants to reflect on a scenario of a human author receiving assistance to write a short novel as part of a 3 (high, (...)
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  4. Texts Without Authors: Ascribing Literary Meaning in the Case of AI.Sofie Vlaad - forthcoming - Journal of Aesthetics and Art Criticism.
    With the increasing popularity of Large Language Models (LLMs), there has been an increase in the number of AI generated literary works. In the absence of clear authors, and assuming such works have meaning, there lies a puzzle in determining who or what fixes the meaning of such texts. I give an overview of six leading theories for ascribing meaning to literary works. These are Extreme Actual Intentionalism, Modest Actual Intentionalism (1 & 2), Conventionalism, Actual Author Hypothetical Intentionalism, and (...)
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  5. Unveiling the Creation of AI-Generated Artworks: Broadening Worringerian Abstraction and Empathy Beyond Contemplation.Leonardo Arriagada - 2024 - Estudios Artísticos 10 (16):142-158.
    In his groundbreaking work, Abstraction and Empathy, Wilhelm Worringer delved into the intricacies of various abstract and figurative artworks, contending that they evoke distinct impulses in the human audience—specifically, the urges towards abstraction and empathy. This article asserts the presence of empirical evidence supporting the extension of Worringer’s concepts beyond the realm of art appreciation to the domain of art-making. Consequently, it posits that abstraction and empathy serve as foundational principles guiding the production of both abstract and figurative art. This (...)
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  6. Generative AI in the Creative Industries: Revolutionizing Art, Music, and Media.Mohammed F. El-Habibi, Mohammed A. Hamed, Raed Z. Sababa, Mones M. Al-Hanjori, Bassem S. Abu-Nasser & Samy S. Abu-Naser - 2024 - International Journal of Academic Engineering Research(Ijaer) 8 (10):71-74.
    Abstract: Generative AI is transforming the creative industries by redefining how art, music, and media are produced and experienced. This paper explores the profound impact of generative AI technologies, such as deep learning models and neural networks, on creative processes. By enabling artists, musicians, and content creators to collaborate with AI, these systems enhance creativity, speed up production, and generate novel forms of expression. The paper also addresses ethical considerations, including intellectual property rights, the role of human creativity in AI-assisted (...)
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  7. AI Art is Theft: Labour, Extraction, and Exploitation, Or, On the Dangers of Stochastic Pollocks.Trystan S. Goetze - 2024 - Proceedings of the 2024 Acm Conference on Fairness, Accountability, and Transparency:186-196.
    Since the launch of applications such as DALL-E, Midjourney, and Stable Diffusion, generative artificial intelligence has been controversial as a tool for creating artwork. While some have presented longtermist worries about these technologies as harbingers of fully automated futures to come, more pressing is the impact of generative AI on creative labour in the present. Already, business leaders have begun replacing human artistic labour with AI-generated images. In response, the artistic community has launched a protest movement, which argues that (...)
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  8. Exploring the Intersection of Rationality, Reality, and Theory of Mind in AI Reasoning: An Analysis of GPT-4's Responses to Paradoxes and ToM Tests.Lucas Freund - manuscript
    This paper investigates the responses of GPT-4, a state-of-the-art AI language model, to ten prominent philosophical paradoxes, and evaluates its capacity to reason and make decisions in complex and uncertain situations. In addition to analyzing GPT-4's solutions to the paradoxes, this paper assesses the model's Theory of Mind (ToM) capabilities by testing its understanding of mental states, intentions, and beliefs in scenarios ranging from classic ToM tests to complex, real-world simulations. Through these tests, we gain insight into AI's potential for (...)
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  9. When Should Co-Authorship Be Given to AI?G. P. Transformer Jr, End X. Note, M. S. Spellchecker & Roman Yampolskiy - manuscript
    If an AI makes a significant contribution to a research paper, should it be listed as a co-author? The current guidelines in the field have been created to reduce duplication of credit between two different authors in scientific articles. A new computer program could be identified and credited for its impact in an AI research paper that discusses an early artificial intelligence system which is currently under development at Lawrence Berkeley National. One way to imagine the future of artificial intelligence (...)
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  10. AI-generated art and fiction: signifying everything, meaning nothing?Steven R. Kraaijeveld - forthcoming - AI and Society:1-3.
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  11. Exploration of the creative processes in animals, robots, and AI: who holds the authorship?Jessica Lombard, Cédric Sueur, Marie Pelé, Olivier Capra & Benjamin Beltzung - 2024 - Humanities and Social Sciences Communications 11 (1).
    Picture a simple scenario: a worm, in its modest way, traces a trail of paint as it moves across a sheet of paper. Now shift your imagination to a more complex scene, where a chimpanzee paints on another sheet of paper. A simple question arises: Do you perceive an identical creative process in these two animals? Can both of these animals be designated as authors of their creation? If only one, which one? This paper delves into the complexities of (...), consciousness, and agency, unpacking the nuanced distinctions between such scenarios and exploring the underlying principles that define creative authorship across different forms of life. It becomes evident that attributing authorship to an animal hinges on its intention to create, an aspect intertwined with its agency and awareness of the creative act. These concepts are far from straightforward, as they traverse the complex landscapes of animal ethics and law. But our exploration does not stop there. Now imagine a robot, endowed with artificial intelligence, producing music. This prompts us to question how we should evaluate and perceive such creations. Is the creative process of a machine fundamentally different from that of an animal or a human? As we venture further into this realm of human-made intelligence, we confront an array of ethical, philosophical, and legal quandaries. This paper provides a platform for a reflective discussion: ethologists, neuroscientists, philosophers, and bioinformaticians converge in a multidisciplinary dialogue. Their insights provide valuable perspectives for establishing a foundation upon which to discuss the intricate concepts of authorship and appropriation concerning artistic works generated by non-human entities. (shrink)
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  12.  82
    Yapay Zekâ Görüntü Üretme Modelleri ile Film Yapımı.Doga Col - 2024 - In Ali Büyükaslan & Başak Gezmen (eds.), Edebiyat, Sinema ve İletişim. İstanbul: Çizgi Kitabevi. pp. 217 -233.
    Filmmaking with Artificial Intelligence Image Generation Models In just about one year, OpenAI’s release of ChatGPT 4 has caused panic in our daily lives. After a year, OpenAI introduced Sora, a moving image-generating model from text, similar to DALL-E for still images. Even though Sora is not yet available to the public, the very potential itself has raised issues in film production from the perspectives of producers and studios, as well as directors, actors, writers, and editors. In this chapter, the (...)
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  13. Tool, Collaborator, or Participant: AI and Artistic Agency.Anthony Cross - forthcoming - British Journal of Aesthetics.
    Artificial intelligence is now capable of generating sophisticated and compelling images from simple text prompts. In this paper, I focus specifically on how artists might make use of AI to create art. Most existing discourse analogizes AI to a tool or collaborator; this focuses our attention on AI’s contribution to the production of an artistically significant output. I propose an alternative approach, the exploration paradigm, which suggests that artists instead relate to AI as a participant: artists create a space for (...)
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  14. AI’s Role in Creative Processes: A Functionalist Approach.Leonardo Arriagada & Gabriela Arriagada-Bruneau - 2022 - Odradek. Studies in Philosophy of Literature, Aesthetics, and New Media Theories 8 (1):77-110.
    From 1950 onwards, the study of creativity has not stopped. Today, AI has revitalised debates on the subject. That is especially controversial in the artworld, as the 21st century already features AI-generated artworks. Without discussing issues about AI agency, this article argues for AI’s creativity. For this, we first present a new functionalist understanding of Margaret Boden’s definition of creativity. This is followed by an analysis of empirical evidence on anthropocentric barriers in the perception of AI’s creative capabilities, which (...)
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  15. Generative AI and photographic transparency.P. D. Magnus - forthcoming - AI and Society:1-6.
    There is a history of thinking that photographs provide a special kind of access to the objects depicted in them, beyond the access that would be provided by a painting or drawing. What is included in the photograph does not depend on the photographer’s beliefs about what is in front of the camera. This feature leads Kendall Walton to argue that photographs literally allow us to see the objects which appear in them. Current generative algorithms produce images in response to (...)
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  16. We Asked ChatGPT About the Co-Authorship of Artificial Intelligence in Scientific Papers.Ayşe Balat & İlhan Bahşi - 2023 - European Journal of Therapeutics 29 (3):e16-e19.
    Dear Colleagues, -/- A few weeks ago, we published an editorial discussion on whether artificial intelligence applications should be authors of academic articles [1]. We were delighted to receive more than one interesting reply letter to this editorial in a short time [2, 3]. We hope that opinions on this subject will continue to be submitted to our journal. -/- In this editorial, we wanted to publish the answers we received when we asked ChatGPT, one of the artificial intelligence applications, (...)
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  17. Prosthetic Godhood and Lacan’s Alethosphere: The Psychoanalytic Significance of the Interplay of Randomness and Structure in Generative Art.Rayan Magon - 2023 - 26Th Generative Art Conference.
    Psychoanalysis, particularly as articulated by figures like Freud and Lacan, highlights the inherent division within the human subject—a schism between the conscious and unconscious mind. It could be said that this suggests that such an internal division becomes amplified in the context of generative art, where technology and algorithms are used to generate artistic expressions that are meant to emerge from the depths of the unconscious. Here, we encounter the tension between the conscious artist and the generative process itself, which (...)
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  18. Turning queries into questions: For a plurality of perspectives in the age of AI and other frameworks with limited (mind)sets.Claudia Westermann & Tanu Gupta - 2023 - Technoetic Arts 21 (1):3-13.
    The editorial introduces issue 21.1 of Technoetic Arts via a critical reflection on the artificial intelligence hype (AI hype) that emerged in 2022. Tracing the history of the critique of Large Language Models, the editorial underscores that there are substantial ethical challenges related to bias in the training data, copyright issues, as well as ecological challenges which the technology industry has consistently downplayed over the years. -/- The editorial highlights the distinction between the current AI technology’s reliance on extensive pre-existing (...)
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  19. Appropriation and Authorship in Contemporary Art.Sherri Irvin - 2005 - British Journal of Aesthetics 45 (2):123-137.
    Appropriation art has often been thought to support the view that authorship in art is an outmoded or misguided notion. Through a thought experiment comparing appropriation art to a unique case of artistic forgery, I examine and reject a number of candidates for the distinction that makes artists the authors of their work while forgers are not. The crucial difference is seen to lie in the fact that artists bear ultimate responsibility for whatever objectives they choose to pursue through (...)
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  20. Every dog has its day: An in-depth analysis of the creative ability of visual generative AI.Maria Hedblom - 2024 - Cosmos+Taxis 12 (5-6):88-103.
    The recent remarkable success of generative AI models to create text and images has already started altering our perspective of intelligence and the “uniqueness” of humanity in this world. Simultaneously, arguments on why AI will never exceed human intelligence are ever-present as seen in Landgrebe and Smith (2022). To address whether machines may rule the world after all, this paper zooms in on one of the aspects of intelligence Landgrebe and Smith (2022) neglected to consider: creativity. Using Rhodes four Ps (...)
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  21.  75
    A New Harmonisation of Art and Technology: Philosophic Interpretations of Artificial Intelligence Art.Tao Feng - 2022 - Critical Arts 36 (1-2):110-125.
    Artificial intelligence (AI) art is the product of AI technology applied to art. In terms of technical application, AI art has two methods: symbolism and connectivism. In terms of the human-machine system, there are three levels: human using machine, human guiding machine and human-machine separation. AI art is a special form, existing between natural beauty and human art: AI art, first of all, is not a natural aesthetic object, given that it is the product of artefacts. Its appreciation is mixed (...)
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  22. AI-aesthetics and the Anthropocentric Myth of Creativity.Emanuele Arielli & Lev Manovich - 2022 - NODES 1 (19-20).
    Since the beginning of the 21st century, technologies like neural networks, deep learning and “artificial intelligence” (AI) have gradually entered the artistic realm. We witness the development of systems that aim to assess, evaluate and appreciate artifacts according to artistic and aesthetic criteria or by observing people’s preferences. In addition to that, AI is now used to generate new synthetic artifacts. When a machine paints a Rembrandt, composes a Bach sonata, or completes a Beethoven symphony, we say that this is (...)
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  23. Artificial Intelligence Implications for Academic Cheating: Expanding the Dimensions of Responsible Human-AI Collaboration with ChatGPT.Jo Ann Oravec - 2023 - Journal of Interactive Learning Research 34 (2).
    Cheating is a growing academic and ethical concern in higher education. This article examines the rise of artificial intelligence (AI) generative chatbots for use in education and provides a review of research literature and relevant scholarship concerning the cheating-related issues involved and their implications for pedagogy. The technological “arms race” that involves cheating-detection system developers versus technology savvy students is attracting increased attention to cheating. AI has added new dimensions to academic cheating challenges as students (as well as faculty and (...)
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  24. The value of testimonial-based beliefs in the face of AI-generated quasi-testimony.Felipe Alejandro Álvarez Osorio & Ruth Marcela Espinosa Sarmiento - 2024 - Aufklärung 11 (Especial):25-38.
    The value of testimony as a source of knowledge has been a subject of epistemological debates. The "trust theory of testimony" suggests that human testimony is based on an affective relationship supported by social norms. However, the advent of generative artificial intelligence challenges our understanding of genuine testimony. The concept of "quasi-testimony" seeks to characterize utterances produced by non-human entities that mimic testimony but lack certain fundamental attributes. This article analyzes these issues in depth, exploring philosophical perspectives on testimony and (...)
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  25. Hazlitt on aesthetic democracy and artistic genius.Martin Lang - 2022 - The Hazlitt Review 14:25-36.
    This essay asks how Hazlitt’s notion of artistic genius stands up today, where connoisseurs are unfashionable, expertise is distrusted and popular opinion is often courted and highly valued in the generation and reception of art. It does this by analysing Hazlitt’s concepts of gusto and “aesthetic democracy”. First, Hazlitt’s concept of aesthetic democracy is applied to the painting of Thomas Kinkade, the reassessment of ‘slaver’ statues and a conceptual project by Komar and Melamid to highlight some problems with popular opinion (...)
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  26. Explaining Explanations in AI.Brent Mittelstadt - forthcoming - FAT* 2019 Proceedings 1.
    Recent work on interpretability in machine learning and AI has focused on the building of simplified models that approximate the true criteria used to make decisions. These models are a useful pedagogical device for teaching trained professionals how to predict what decisions will be made by the complex system, and most importantly how the system might break. However, when considering any such model it’s important to remember Box’s maxim that "All models are wrong but some are useful." We focus on (...)
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  27. A Portrait of the Artist as a Young Algorithm.Sofie Vlaad - 2024 - Ethics and Information Technology 26 (3):1-11.
    This article explores the question as to whether images generated by Artificial Intelligence such as DALL-E 2 can be considered artworks. After providing a brief primer on how technologies such as DALL-E 2 work in principle, I give an overview of three contemporary accounts of art and then show that there is at least one case where an AI-generated image meets the criteria for art membership under all three accounts. I suggest that our collective hesitancy to call AI- (...) images art stems from the lack of a clear author figure. I propose two possible complementary solutions. First, that some AI-generated images as artworks are conjunctively authored by both the developers of the AI and the prompt-giver. Second, that AI image generators can themselves be considered works of art authored by the developers. I conclude by way of suggesting that we might have separate art competitions specifically for AI-generated artworks. (shrink)
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  28. Content Reliability in the Age of AI: A Comparative Study of Human vs. GPT-Generated Scholarly Articles.Rajesh Kumar Maurya & Swati R. Maurya - 2024 - Library Progress International 44 (3):1932-1943.
    The rapid advancement of Artificial Intelligence (AI) and the developments of Large Language Models (LLMs) like Generative Pretrained Transformers (GPTs) have significantly influenced content creation in scholarly communication and across various fields. This paper presents a comparative analysis of the content reliability between human-generated and GPT-generated scholarly articles. Recent developments in AI suggest that GPTs have become capable in generating content that can mimic human language to a greater extent. This highlights and raises questions about the quality, accuracy, (...)
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  29. Angry Men, Sad Women: Large Language Models Reflect Gendered Stereotypes in Emotion Attribution.Flor Miriam Plaza-del Arco, Amanda Cercas Curry & Alba Curry - 2024 - Arxiv.
    Large language models (LLMs) reflect societal norms and biases, especially about gender. While societal biases and stereotypes have been extensively researched in various NLP applications, there is a surprising gap for emotion analysis. However, emotion and gender are closely linked in societal discourse. E.g., women are often thought of as more empathetic, while men's anger is more socially accepted. To fill this gap, we present the first comprehensive study of gendered emotion attribution in five state-of-the-art LLMs (open- and closed-source). We (...)
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  30. Criatividade, Transhumanismo e a metáfora Co-criador Criado.Eduardo R. Cruz - 2017 - Quaerentibus 5 (9):42-64.
    The goal of Transhumanism is to change the human condition through radical enhancement of its positive traits and through AI (Artificial Intelligence). Among these traits the transhumanists highlight creativity. Here we first describe human creativity at more fundamental levels than those related to the arts and sciences when, for example, childhood is taken into account. We then admit that creativity is experienced on both its bright and dark sides. In a second moment we describe attempts to improve creativity both at (...)
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  31. Large Language Models: Assessment for Singularity.R. Ishizaki & Mahito Sugiyama - forthcoming - AI and Society.
    The potential for Large Language Models (LLMs) to attain technological singularity—the point at which artificial intelligence (AI) surpasses human intellect and autonomously improves itself—is a critical concern in AI research. This paper explores the feasibility of current LLMs achieving singularity by examining the philosophical and practical requirements for such a development. We begin with a historical overview of AI and intelligence amplification, tracing the evolution of LLMs from their origins to state-of-the-art models. We then proposes a theoretical framework to assess (...)
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  32. From Tools to Authors (Chapter 8 of "Artificial Aesthetics", Lev Manovich, Emanuele Arielli).Emanuele Arielli & Lev Manovich - forthcoming - In Emanuele Arielli & Lev Manovich (eds.), Artificial Aesthetics.
    Chapter 8, "From Tools to Authors" of "Artificial Aesthetics" discusses the evolving role of AI in artistic creation, moving from a tool to a potential creative agent. It explores the concept of "extended aesthetics," where technology enhances both human creativity and perception. The chapter outlines different levels of AI autonomy and examines how this shift challenges traditional ideas of authorship, comparing AI collaborations to historical artistic practices. It raises questions about the value of effort in art, contrasting human struggle (...)
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  33. El paradigma de la Inteligencia Artificial: una aproximación filosófica, política y estética.Constanza Rivano Delzo - manuscript
    This article aims to generate an approach to the debate on the regulation of artificial intelligence. For this, an ontological analysis is made on the human need to legislate establishing a theoretical cross between Martin Heidegger and John Locke to then criticize the political and commercial insistence of understanding Artificial Intelligence only as a tool. Then, the text will try to reflect how through Art made by Artificial Intelligence it is possible to establish aesthetic value and authorship of the (...)
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  34. In Praise of Normative Science: Arts and Humanities in the Age of Artificial Intelligence (2nd edition).Helen Titilola Olojede & Etaoghene Paul Polo - 2025 - International Journal of Social Sciences and Humanities: Africa Research Corps Network (Arcn) Journals 11 (2):1-9.
    The advent of Artificial Intelligence (AI) and other digital technologies is touted as ushering in the fourth industrial revolution (4IR). 4IR, also known as ‘Industry 4.0,’ pertains to the burning internet connectivity, sophisticated analytics and production, and automation’s transformative impacts on the world. The surge of change in the production arena started in the second half of 2010 and has continued to increase astronomically, with a remarkable probability of shaping the future of manufacturing and humanity. The 4IR is thus heralding (...)
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  35. Aus Text wird Bild.Alisa Geiß - 2024 - In Gerhard Schreiber & Lukas Ohly (eds.), KI:Text: Diskurse über KI-Textgeneratoren. De Gruyter. pp. 115-132.
    Over the last two years, the third wave of artificial intelligence (AI) has emerged powerful tools for both artistic expression and scientific research. In design, image generators display an equivalent disruption to text generators, while the medium of text creates the new scope of writing prompts. This contribution discusses the ambivalences between text and image generators via two main theses: first about the potential of prompting and generated images as a medium of discourse; second, it examines the reasoning behind (...)
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  36.  79
    Harnessing Artificial Intelligence for Sikhism: Opportunities and Risks.Devinder Pal Singh - 2024 - Understanding Sikhism - The Research Journal 26 (1):25-34.
    Artificial Intelligence (AI) holds transformative potential for Sikhism, enhancing access to Gurbani, preserving history, and fostering global community connections. AI platforms can translate and recommend passages from the Guru Granth Sahib, broadening understanding across languages and contexts. Digitizing historical Sikh texts and artifacts safeguards them for future generations, while virtual congregation platforms and AI-powered tools can connect Sikhs worldwide, promoting spiritual growth and unity. Additionally, social media tools can amplify Sikh values like equality and Seva. However, these advancements carry risks. (...)
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  37.  36
    Development of AI-Based Object Detection and Alarm Generation System.P. Rathna Sekhar - 2024 - International Journal of Engineering Innovations and Management Strategies, 1 (4):1-12.
    . In this article, we propose an innovative method that utilizes AI for the real-time detection of humans and automatically triggers an alarm using the latest object detection methods based on algorithms such as YOLO (You Only Look Once). The key goal of the system is to facilitate rescue operations, enhance security surveillance, and minimize the turnaround time for any emergency actions. This allows, for example, the placement of such a system in a live video stream, and the person will (...)
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  38. Artificial Intelligence as Art – What the Philosophy of Art can offer the understanding of AI and Consciousness.Hutan Ashrafian - manuscript
    Defining Artificial Intelligence and Artificial General Intelligence remain controversial and disputed. They stem from a longer-standing controversy of what is the definition of consciousness, which if solved could possibly offer a solution to defining AI and AGI. Central to these problems is the paradox that appraising AI and Consciousness requires epistemological objectivity of domains that are ontologically subjective. I propose that applying the philosophy of art, which also aims to define art through a lens of epistemological objectivity where the domains (...)
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  39.  20
    Generative AI in Graph-Based Spatial Computing: Techniques and Use Cases.Sankara Reddy Thamma Sankara Reddy Thamma - 2024 - International Journal of Scientific Research in Science and Technology 11 (2):1012-1023.
    Generative AI has proven itself as an efficient innovation in many fields including writing and even analyzing data. For spatial computing, it provides a potential solution for solving such issues related to data manipulation and analysis within the spatial computing domain. This paper aims to discuss the probabilities of applying generative AI to graph-based spatial computing; to describe new approaches in detail; to shed light on their use cases; and to demonstrate the value that they add. This technique thus incorporates (...)
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  40. What Are Lacking in Sora and V-JEPA’s World Models? -A Philosophical Analysis of Video AIs Through the Theory of Productive Imagination.Jianqiu Zhang - unknown
    Sora from Open AI has shown exceptional performance, yet it faces scrutiny over whether its technological prowess equates to an authentic comprehension of reality. Critics contend that it lacks a foundational grasp of the world, a deficiency V-JEPA from Meta aims to amend with its joint embedding approach. This debate is vital for steering the future direction of Artificial General Intelligence(AGI). We enrich this debate by developing a theory of productive imagination that generates a coherent world model based on Kantian (...)
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  41. AI Ethics by Design: Implementing Customizable Guardrails for Responsible AI Development.Kristina Sekrst, Jeremy McHugh & Jonathan Rodriguez Cefalu - manuscript
    This paper explores the development of an ethical guardrail framework for AI systems, emphasizing the importance of customizable guardrails that align with diverse user values and underlying ethics. We address the challenges of AI ethics by proposing a structure that integrates rules, policies, and AI assistants to ensure responsible AI behavior, while comparing the proposed framework to the existing state-of-the-art guardrails. By focusing on practical mechanisms for implementing ethical standards, we aim to enhance transparency, user autonomy, and continuous improvement in (...)
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  42. Debate: What is Personhood in the Age of AI?David J. Gunkel & Jordan Joseph Wales - 2021 - AI and Society 36 (2):473–486.
    In a friendly interdisciplinary debate, we interrogate from several vantage points the question of “personhood” in light of contemporary and near-future forms of social AI. David J. Gunkel approaches the matter from a philosophical and legal standpoint, while Jordan Wales offers reflections theological and psychological. Attending to metaphysical, moral, social, and legal understandings of personhood, we ask about the position of apparently personal artificial intelligences in our society and individual lives. Re-examining the “person” and questioning prominent construals of that category, (...)
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  43. Logics for AI and Law: Joint Proceedings of the Third International Workshop on Logics for New-Generation Artificial Intelligence and the International Workshop on Logic, AI and Law, September 8-9 and 11-12, 2023, Hangzhou.Bruno Bentzen, Beishui Liao, Davide Liga, Reka Markovich, Bin Wei, Minghui Xiong & Tianwen Xu (eds.) - 2023 - College Publications.
    This comprehensive volume features the proceedings of the Third International Workshop on Logics for New-Generation Artificial Intelligence and the International Workshop on Logic, AI and Law, held in Hangzhou, China on September 8-9 and 11-12, 2023. The collection offers a diverse range of papers that explore the intersection of logic, artificial intelligence, and law. With contributions from some of the leading experts in the field, this volume provides insights into the latest research and developments in the applications of logic in (...)
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  44. Entheogens in Christian Art: Wasson, Allegro and the Psychedelic Gospels.Jerry Brown & Julie M. Brown - 2019 - Journal of Psychedelic Studies 3 (2):142-163.
    In light of new historical evidence regarding ethnomycologist R. Gordon Wasson’s correspondence with art historian Erwin Panofsky, this article provides an in-depth analysis of the presence of entheogenic mushroom images in Christian art within the context of the controversy between Wasson and philologist John Marco Allegro over the identification of a Garden of Eden fresco in the 12th century Chapel of Plaincourault in France. It reveals a compelling financial motive for Wasson’s refusal to acknowledge that this fresco represents Amanita muscaria, (...)
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  45. Unjustified untrue "beliefs": AI hallucinations and justification logics.Kristina Šekrst - forthcoming - In Kordula Świętorzecka, Filip Grgić & Anna Brozek (eds.), Logic, Knowledge, and Tradition. Essays in Honor of Srecko Kovac.
    In artificial intelligence (AI), responses generated by machine-learning models (most often large language models) may be unfactual information presented as a fact. For example, a chatbot might state that the Mona Lisa was painted in 1815. Such phenomenon is called AI hallucinations, seeking inspiration from human psychology, with a great difference of AI ones being connected to unjustified beliefs (that is, AI “beliefs”) rather than perceptual failures). -/- AI hallucinations may have their source in the data itself, that is, (...)
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  46. Theorem proving in artificial neural networks: new frontiers in mathematical AI.Markus Pantsar - 2024 - European Journal for Philosophy of Science 14 (1):1-22.
    Computer assisted theorem proving is an increasingly important part of mathematical methodology, as well as a long-standing topic in artificial intelligence (AI) research. However, the current generation of theorem proving software have limited functioning in terms of providing new proofs. Importantly, they are not able to discriminate interesting theorems and proofs from trivial ones. In order for computers to develop further in theorem proving, there would need to be a radical change in how the software functions. Recently, machine learning results (...)
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  47.  28
    A Cross-Cultural Examination of Fairness Beliefs in Human-AI Interaction.Xin Han, Marten H. L. Kaas & Cuizhu Wang - forthcoming - In Adam Dyrda, Maciej Juzaszek, Bartosz Biskup & Cuizhu Wang (eds.), Ethics of Institutional Beliefs: From Theoretical to Empirical. Edward Elgar.
    In this chapter, we integrate three distinct strands of thought to argue that the concept of “fairness” varies significantly across cultures. As a result, ensuring that human-AI interactions meet relevant fairness standards requires a deep understanding of the cultural contexts in which AI-enabled systems are deployed. Failure to do so will not only result in the generation of unfair outcomes by an AI-enabled system, but it will also degrade legitimacy of and trust in the system. The first strand concerns the (...)
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  48. Legal Definitions of Intimate Images in the Age of Sexual Deepfakes and Generative AI.Suzie Dunn - 2024 - McGill Law Journal 69:1-15.
    In January 2024, non-consensual deepfakes came to public attention with the spread of AI generated sexually abusive images of Taylor Swift. Although this brought new found energy to the debate on what some call non-consensual synthetic intimate images (i.e. images that use technology such as AI or photoshop to make sexual images of a person without their consent), female celebrities like Swift have had deepfakes like these made of them for years. In 2017, a Reddit user named “deepfakes” posted (...)
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  49. AI-Testimony, Conversational AIs and Our Anthropocentric Theory of Testimony.Ori Freiman - 2024 - Social Epistemology 38 (4):476-490.
    The ability to interact in a natural language profoundly changes devices’ interfaces and potential applications of speaking technologies. Concurrently, this phenomenon challenges our mainstream theories of knowledge, such as how to analyze linguistic outputs of devices under existing anthropocentric theoretical assumptions. In section 1, I present the topic of machines that speak, connecting between Descartes and Generative AI. In section 2, I argue that accepted testimonial theories of knowledge and justification commonly reject the possibility that a speaking technological artifact can (...)
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  50. Medical AI: is trust really the issue?Jakob Thrane Mainz - 2024 - Journal of Medical Ethics 50 (5):349-350.
    I discuss an influential argument put forward by Hatherley in theJournal of Medical Ethics. Drawing on influential philosophical accounts of interpersonal trust, Hatherley claims that medical artificial intelligence is capable of being reliable, but not trustworthy. Furthermore, Hatherley argues that trust generates moral obligations on behalf of the trustee. For instance, when a patient trusts a clinician, it generates certain moral obligations on behalf of the clinician for her to do what she is entrusted to do. I make three objections (...)
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