This study explores the interface between conscious and nonconscious mental processes using phenomenological analysis, information processing cognitive psychology, connectionism and traditional aesthetic theories. It attempts to explain how global, evaluative information--especially the primitive feeling of 'rightness' or 'making sense'--is represented in consciousness. ;Many lines of evidence confirm and extend William James' nucleus/fringe model of consciousness: surrounding clear experience in focal attention is a fringe of vague experience. Context information in general, and the feeling of rightness in particular, occupy the fringe. (...) The fringe is vague because it works to finesse consciousness' limited capacity to articulate experience, and the fringe is elusive or 'ungraspable' because it helps to call new information into consciousness. The phenomenology of the fringe is thus a consequence of its cognitive functions. ;Meaningfulness is proposed to be a summary index of cognitive integration, signalling consciousness about the degree of global compatibility or 'fit' between a given content in the focus of attention and its nonconscious context. Though very similar to goodness-of-fit in a connectionist network, Meaningfulness is proposed to play an active feedback role in cognition, while goodness-of-fit, as currently used, is a passive measure of network integration. ;This analysis predicts that an intense feeling of Meaningfulness will have a characteristic 'profile,' and this profile is evident in many accounts of aesthetic experience: a feeling of unity and coherence that cannot be captured adequately in words, but which nevertheless seems to be a source of profound, and often "spiritual," knowledge. ;Many philosophical theories try to explain the unistic, ineffable, noetic, and transcendent aspects of the aesthetic. Platonic and Aristotelian traditions are considered, but the primary focus is on Kant. The Critique of Judgment created modern aesthetics, and in many ways it is remarkably compatible with current cognitive analysis. ;Beyond clarifying the cognitive foundation of aesthetic experience, this study offers new arguments against epiphenomenalism, provides further reason to doubt rule-based accounts of nonconscious processing, explains the isomorphism in aesthetic and mystical phenomenology, and develops a method to investigate consciousness called convergent phenomenology. (shrink)

[first paragraph]: Robert Forman's theory outlined in `Mysticism, language and the via negativa' reacts against an earlier account of mysticism which he calls constructivism'. Constructivism grew from a book of collected papers, Mysticism and philosophical analysis , contributed to and edited by Steven Katz. According to Forman, `the constructivist approach is, roughly, that of the historian [of ideas]' . But this characterization is much too generous.

P/A (Block's phenomenal/access) confounds a logical distinction with an empirical claim. Success of P/A in its logical role has almost no bearing on its plausibility as an empirical thesis (i.e., that two kinds of consciousness exist). The advantage of P/A over a single-consciousness assumption is unclear, but one of Block's analogies for P (liquid in a hydraulic computer) may be used to clarify the notion of consciousness as cognitive “hardware.”.

In ‘The Science of Art’ Ramachandran and Hirstein have written a vigorous, thought provoking paper. It raises many issues, but in the interest of brevity, I can only consider a few of them here.

O'Brien & Opie's (O&O's) theory demands a view of unconscious processing that is incompatible with virtually all current PDP models of neural activity. Relative to the alternatives, the theory is closer to an AI than a parallel distributed processing (PDP) perspective, and its treatment of phenomenology is ad hoc. It raises at least one important question: Could features of network relaxation be the “switch” that turns an unconscious into a conscious network?

This paper investigates how global coherence is represented in consciousness. It summarizes various lines of research that I have developed over the last twenty years, employing a method that intersects phenomenological with bio-functional analysis. The phenomenological analysis derives from William James's treatment of the fringe, especially a component feeling he called 'right direction'and I call 'rightness'. My bio-functional analysis centres on the limitations of consciousness, and the design strategies that have evolved to finesse these limitations. I argue that fringe phenomenology, (...) in general, has been shaped by its cognitive functions. The function of rightness, in particular, is to represent degrees of fit between a conscious content and the vast body of relevant non-conscious context information. Rightness, then, signals degrees of global positive evaluation. Phenomenologically, rightness is the common element in our feeling that something is a coherent whole: that it is meaningful, correct, fits together, makes sense. It is at the heart of the Aha! experience and, when intense, aesthetic and mystical experience. This analysis also provides a new argument for the efficacy of conscious volition, and a general view of consciousness as a biological information bearing medium. (shrink)