The “Value Alignment Problem” is the challenge of how to align the values of artificial intelligence with human values, whatever they may be, such that AI does not pose a risk to the existence of humans. A fundamental feature of how the problem is currently understood is that AI systems do not take the same things to be relevant as humans, whether turning humans into paperclips in order to “make more paperclips” or eradicating the human race to “solve climate change”. (...) Specifically, existing approaches approaches to alignment appear to be concerned with how AI might *solve* problems in the relevant way. This paper presents and explores an approach to alignment rooted in the Enactive Theory of mind. It offers an alternative conception of the alignment as “how do we make relevant to AI what is relevant to humans?” In this conception, alignment is concerned with building AI so that it *discerns* and defines the problem in the relevant way. In this way, the Alignment Problem is shown to be the same problem as the Frame Problem. The paper concludes with a consideration of tradeoffs between these conceptions of the alignment problem. (shrink)

The “Value Alignment Problem” is the challenge of how to align the values of artificial intelligence with human values, whatever they may be, such that AI does not pose a risk to the existence of humans. Existing approaches appear to conceive of the problem as "how do we ensure that AI solves the problem in the right way", in order to avoid the possibility of AI turning humans into paperclips in order to “make more paperclips” or eradicating the human race (...) to “solve climate change”. This paper proposes an approach to Alignment rooted in the Enactive theory of mind that reconceptualises it as "how do we make relevant to AI what it relevant to humans". This conceptualisation is supported with a discussion of 4E cognition and goes on to suggest that the Alignment problem and the Frame problem are the same problem. The paper concludes with a discussion of the tradeoffs of the different approaches to value alignment. (shrink)

Mormon transhumanism is the idea that humanity should learn how to be compassionate creators. This idea is essential to Mormonism, which provides a religious framework consistent with naturalism and supportive of human transformation. Mormon transhumanists are not limited to traditional or popular accounts of religion, and embrace opportunities and risks of technological evolution. Although usually considered secular, transhumanism has some religious origins and sometimes functions as religion. Accelerating change contextualizes a Mormon transhumanist narrative of common expectations, aspirations, and parallels between (...) Mormonism and transhumanism. Mormon transhumanism has produced secular arguments for faith in God and religious arguments for transhumanism. (shrink)

The standard argument to the conclusion that artificial intelligence (AI) constitutes an existential risk for the human species uses two premises: (1) AI may reach superintelligent levels, at which point we humans lose control (the ‘singularity claim’); (2) Any level of intelligence can go along with any goal (the ‘orthogonality thesis’). We find that the singularity claim requires a notion of ‘general intelligence’, while the orthogonality thesis requires a notion of ‘instrumental intelligence’. If this interpretation is correct, they cannot be (...) joined as premises and the argument for the existential risk of AI turns out invalid. If the interpretation is incorrect and both premises use the same notion of intelligence, then at least one of the premises is false and the orthogonality thesis remains itself orthogonal to the argument to existential risk from AI. In either case, the standard argument for existential risk from AI is not sound.—Having said that, there remains a risk of instrumental AI to cause very significant damage if designed or used badly, though this is not due to superintelligence or a singularity. (shrink)

The Harvard physiologists Alexander Forbes (1882-1965) and Walter Bradford Cannon (1871-1945) had an enormous impact on the physiology and neuroscience of the twentieth century. In addition to their voluminous scientific output, they also used literature to reflect on the nature of science itself and its social significance. Forbes wrote a novel, The Radio Gunner, a literary memoir, Quest for a Northern Air Route, and several short stories. Cannon, in addition to several books of popular science, wrote a literary (...) memoir in the last year of his life, The Way of an Investigator. The following will provide a brief overview of the life and work of Forbes and Cannon. It will then discuss the way that Forbes used literature to express his views about the changing role of communications technology in the military, and his evolving view of the nervous system itself as a kind of information-processing device. It will go on to discuss the way that Cannon used literature to articulate the horrors he witnessed on the battlefield, as well as to contribute to the philosophy of science, and in particular, to the logic of scientific discovery. Finally, it will consider the historical and philosophical value of deeper investigation of the literary productions of scientists. (shrink)

The Guggenheim’s spring retrospective of the seminal Swedish painter, Hilma Af Klint, has, naturally, evoked a multitude of art critics and visual culture scholars who laud her radical abstraction which, at the beginning of the 20th century, preceded Kandinsky, Malevich, Mondrian. Yet, where much attention has been given to the symbology and motifs riddling Klint’s work – bold, private, untethered and nonrepresentational as they are – there has been a modicum of nuanced thought on how, exactly, esotericism and theology fomented (...) Klint’s pedagogical projects. Jillian Steinhauer, for instance, has underscored Klint’s naturalistic watercolors; featuring flowers and lifelike drawings of women; Summer Landscape (1888) suggests Klint’s technical aptitude for rendering light. Jadranka Ryle, in a clever article titled “Reinventing the Yggdrasil,” invokes Klint’s motif of the Yggdrasil, or the holy tree of Norse mythology, as a political axle for Nordic romanticism. Ryle makes the claim that by redirecting the Yggdrasil towards androgynous abstraction, Klint’s engagement with Norse mythology subverts the nationalist and patriarchal romanticism that previously characterized the nineteenth century’s use of the Yggdrasil. Others have adroitly uncovered biographical fragments from Klint’s life, detailing how she and four friends formed De Fem (“the Five”), an exclusively female coven that met weekly, praying, meditating, and holding seances to commune with spiritual guides. Rather than poise the Swedish maverick within the cannon of abstraction qua a political praxis, feminist subject-being, or historiography – projects that have been exhaustively overwrought, to the point of rendering Klint’s work both mute and reductively technical– I would like to take this time to closely examine simply one of Klint’s paintings and foreground it as an axiomatic modernist injunction between metaphysics and epistemology. (shrink)

This paper will show that Mary Wollstonecraft developed a modern feminist version of virtue ethics. Virtue ethics is an all-encompassing moral theory which holds that the best life for individuals is commensurate with a good society. Simply, self-interest and our public duties are argued as identical and not at odds when we realize what is truly good for ourselves and for others. In the Western philosophic cannon, the most common version of virtue ethics is Aristotle’s, with the Nicomachean Ethics (...) as the definitive presentation. Wollstonecraft’s argument for the political, social, economic, and personal equality of women utilizes ideas that are reminiscent of classical virtue ethics. Her novel and effective addition is to show that the explicit inclusion of women requires a reconsideration of the duties needed for happy lives to be led and for a good society, and good families, to exist. (shrink)

is one of the world's oldest bibles written in Ge'ez and Amharic. It includes 81 books, and the broader cannon also adds 9 more books on top of that. Their language is often rendered as one of the eldest's written languages and a possible candidate for the original language spoken by Adam along with the hieroglyphs and pre-hieratic languages of ancient Egypt. Ethiopia is considered the heart of Africa by many and is a prominent center for Orthodoxy and Christianity. (...) The Holy See of Tekle Haymanot is considered representative of the kingship or restoration of the Solomonic dynasty. The love story of King Solomon and the Queen of Sheba holds high significance to them, as Sheba could be an ancient Ethiopian city. The Ethiopian Tewahedo Bible is difficult to find an authentic copy of online (especially when not written in Amharic) due to copies including the non-canonical version of Enoch over its canonical version or heterodox Rastafarian copies that are heretical to the Ethiopian Orthodox Church. There have been some efforts in modern scholarship and pop culture to promote the usage of the Ethiopian Tewahedo Bible or bibles like the Monastic Coptic Bible (which include the Septuagint or Canonical Greek to Coptic translations). These efforts may include advocating for their usage(s) over the protestant KJV bible. The KJV may have been favored due the Gutenberg Press and the Gutenberg Bible leading to the KJV bible winning in popularity. Outside of the political ramifications, accessibility or largely scaled printing was a race in which these ancient translations didn't win for mass adoption. (shrink)

Charles Taylor defines `hypergoods' as the fundamental, architechtonic goods that serve as the basis of our moral frameworks. He also believes that, in principle, we can use reason to reconcile the conflicts that hypergoods engender. This belief, however, relies upon a misindentification of hypergoods as goods rather than as works of art, an error which is itself a result of an overly adversarial conception of practical reason. For Taylor fails to distinguish enough between ethical conflicts and those relating to the (...) religio-aesthetic domain. A proper identification of hypergoods as aesthetic, moreover, requires us to revise his accounts of ordinary life, of evil and of the controversy over university curricula. (shrink)