Typewritten notes on groups and geometry.

This is a draft of the the unpublished Ph.D. dissertation which reads Cormac McCarthy and Stephen King synoptically through the lens of Christian hermeneutics.

The paper offers a philosophically infused analysis of Cormac McCarthy’s The Road. The main idea is that McCarthy’s novel is primarily a statement on the meaning of life. Once this idea is argued for and endorsed, by using a parallel between The Road and a 19th century Hungarian dramatic poem, The Tragedy of Man, the paper goes on to argue that the most plausible – although admittedly not the only possible – interpretation of The Road is that it advocates (...) a religious account of the meaning of life that is able to accommodate all other possible interpretations of how the question of meaning figures in the novel. (shrink)

The paper offers a philosophically infused analysis of Cormac McCarthy’s The Road. The main idea is that McCarthy’s novel is primarily a statement on the meaning of life. Once this idea is argued for and endorsed, by using a parallel between The Road and a 19th century Hungarian dramatic poem, The Tragedy of Man, the paper goes on to argue that the most plausible – although admittedly not the only possible – interpretation of The Road is that it advocates (...) a religious account of the meaning of life that uses what I call a practical conception of God (that borrows some of its aspects from Kant’s philosophy of religion). (shrink)

-/- The closing paragraph of Cormac McCarthy’s The Road hums with mystery. Some find it suggestive of renewal, though only vaguely. Others contend that it does little to ameliorate the novel’s pessimism. Still others find it offers both lamentation and hopefulness, while some pass it over in silence. As an admirer with a taste for puzzle solving, here I offer a new interpretation revealing a surprisingly optimistic denouement.

Comparative religion scholar Thomas Berry’s influential concept of “Earth jurisprudence” has been helpfully elaborated in three principal books. My first section identifies four of their common themes, deriving therefrom an implicit narrative: (1) the basis of ecology is autopoiesis, which (2) originally generated human communities and Indigenous vernacular laws, which were (3) later reasserted by forest defenders who fought to create the Magna Carta’s “Charter of the Forest,” which is (4) now championed globally by the Indian physicist and eco-activist Vandana (...) Shiva’s Earth Democracy movement. My next three sections identify mutually exclusive elements of the three books, deriving the following alternative narrative: self-conscious new dancing rituals (Cullinan) could empower an historically informed reconstruction of private property (Burdon) via commons-based vernacular law (Weston and Bollier). And my conclusion offers one template for such a strategy, namely a new environmental variation on my dancing-poetic conception of legal justice, christened “emerald star-law.”. (shrink)

The argument for vegetarianism from overlapping species goes like this. Every individual who is the subject of a life has a right to life. Some humans—e.g., the severely congenitally cognitively limited—lack language, rationality, autonomy, and self-consciousness, and yet they are subjects of a life. Severely congenitally cognitively limited humans have a right to life. Some animals—e.g., all mammals—lack language, rationality, autonomy, and self-consciousness, and yet they are subjects of a life. We ought to treat like cases alike. The cases of (...) some humans are like the cases of some animals. Therefore, some animals have a right to life. -/- The argument seems not to have moved many people to change their diets. The reason, I suggest, is not because the argument is unsound but because our ability to change our dietary practices is difficult and we lack the imaginative resources to see the world from a nonhuman perspective. -/- I suggest that creative artists are of great value here, and I provide an example by referring to the work of the American novelist, Cormac McCarthy. (shrink)

This is my (Subhasis Chattopadhyay's) draft of PhD pre-submission. Dr. Scriver has (had) put it up online in her blog and I found it today, that is 1:06 pm, 28th May, 2017. I am grateful to her since intellectual ideas can otherwise be hijacked. She has done a wonderful editorial job.