Folklore has often been seen as an independent element, specific to a certain time and space, forgetting that it does not belong only to a territory, but is present in universal culture. Clearly, when analyzing Romanian culture, we must start from the fact that local folklore is an essential component of national culture. The study of popular culture should not be profoundly affected by new trends in modern research or by new mass media, but rather should be combined to modernize (...) the discourse of folklore in order to achieve the desired results. Starting from the beginnings of the history of the Romanian people, passing through the modern era and reaching the contemporary period, the folk tradition and the Orthodox Christianity constituted some of the basic pillars of our affirmation all over the world. In this sense, the concern for the Romanian faith and tradition is permanently combined in the old and new preoccupations of the Orthodox spirituality. (shrink)

This article explores the relation between cinema and philosophy through the lens of interest shown by some filmmakers in the lives and works of philosophers. It begins by delving into contemporary perspectives on the relationship between philosophy and cinema. In order to assess how the constitutive dissimilarity of the two terms and the ways in which they can be brought together are at the origin of speculative short circuits and experiences of wonder, it brings together the works of thinkers – (...) Cavell, Benjamin, and Kracauer; and filmmakers Rossellini, Montaldo, Keaton, and Jarman. Reflecting on the aesthetic and cultural impact of cinema is all the more important given the current omnipresence of images and prosthetic technologies that, with their incessant solicitations, threaten the processes of apprehension, learning, and conveying of knowledge. Thinking and perceiving differently thus becomes an essential function of cinema, one keenly performed in Safaa Fathy’s Derrida’s Elsewhere, analyzed in the last two sections. (shrink)

De când au apărut mijloacele de comunicare în masă şi s-au răspândit la scară largă, au existat unele care au încălcat morala specifică anumitor epoci, promovând, nu de puţine ori, dezordinea socială, intrând astfel în conflict cu legile în vigoare în anumite perioade de timp. în zilele noastre, cel mai des reproş adus mass-media se referă la faptul că „servesc partidului aflat la putere ori unei elite culturale, în cazul în care sunt instituţii de stat, şi că sacrifică slujirea publicului (...) obsesiei pentru profit, în cazul în care sunt societăţi comerciale". (shrink)

In a society that is constantly changing and transforming, in which new aspects of reality always tend to replace older forms, traditional communities are beginning to lose both their place and the role they have played in history for a long time. Traditional Romanian values acknowledgement and promotion through modern means of mass communication, present and used on a global scale in the modern world, must become both a necessity and priority in order to confirm and preserve the identity, form (...) new generations and reintegrate our national culture into the great universal culture, to which it has always belonged to. In today’s global society we can speak of an increasing dependence of people on media systems. There is an interdependent relationship created between people and the media system as a whole or with certain parts of media. This relationship does not bear only one significance, but it also concerns the way in which media system depends more and more on the resources controlled by others. Without being the only modern means used to achieve certain goals, media facilitates their understanding, orientation and fulfilment. The consumption of a media product depends both on the context in which it is broadcast and on the product itself. The study of media in Romania must start from the Romanian realities, a country which has undergone from totalitarianism to democracy. This has also been reflected and illustrated by the way in which the Romanian media are perceived both locally and in Europe. Radio and television continue to play an important role in this process, along with other modern means of mass communication. The analysis of the Romanian audio-visual media contributes to outline an overview on the impact that media have on the society which we live in. (shrink)

Presa creştin-ortodoxă craioveană a ocupat un loc important în viaţa culturală şi duhovnicească a locuitorilor Cetăţii Presa creştin-ortodoxă craioveană: trecut şi prezent 71 Băniei şi nu numai, începând cu secolul al XX-lea. Publicaţiile apărute de-a lungul timpului au avut ca principal scop clădirea sufletească a credincioşilor olteni, fară a uita de pregătirea lor teologică şi de conectarea la realităţile religioase şi laice din anumite perioade. între apariţiile de acest fel din Craiova (din consideraţii de spaţiu nu ne-am ocupat în aceste (...) pagini decât de o parte dintre ele), cea mai importantă rămâne revista Mitropolia Olteniei, cu o vechime neîntreruptă de peste 70 de ani, continuând traseul început de vechile publicaţii ortodoxe craiovene şi deschizând perspective pentru noile apariţii periodice olteneşti ce abordează teme religioase. (shrink)

Nowadays, mass-media represents a support for the Church in his process of communication with his believers. The liturgical and also the dogmatic message can reach easiest to the one who are far from the ecclesiastical and liturgical communion. In this case, we can say that the Church is very present in the life of the people and also much implicated in the modern society. For the Christians the communications (having here the mass-media channels) become communion because it represents the mission (...) of the Church in the process of teaching and confessing the truth of the Gospel. We can say that the Church must use the modern channels of communication in media because she has the possibility and power to transform them after the words of the Holy Scriptures. In this regard, in the periodic and religious newspapers from our country, besides the period in which they appeared or the area in which they were distributed, there were published pages of great interest for the believers, written both by great theologians of the Church and also by the cultural personalities with love for the Christian values and faith. At the same time, alongside the theological issues, there existed also memorable pages about the architectural monuments and about the priests and believers which confessed the Orthodox faith in different periods of the history of the Church. (shrink)

In this paper, we are proposing a study of the Vesica Piscis, a symbol of Sacred Geometry, starting from mathematics. This study aims to give a deeper comprehension of the hidden meanings of this icon. The paper is also showing that scientific and philosophical studies can be integrated, leading to very interesting results.

CATEGORY: Philosophy play; historical fiction; comedy; social criticism. -/- STORYLINE: Katherine, a neurotic American lawyer, meets Christianus for a philosophy session at The Late Victorian coffee shop in London, where they also meet Wendy the waitress and Baldy the player. Will Katherine be able to overcome her deep depression by adopting some of Christianus’s satisfactionist ideas? Or will she stay unsatisfied and unhappy by stubbornly sticking to her own neti-neti nothingness philosophy? And what roles do Baldy, Wendy, and the Okefenokee (...) Man-Monster have in this connexion? -/- TOPICS: In the course of this philosophy play, Katherine and Christianus discuss many things: friendship, a Renoir painting, global warming, elephant conservation, freemasons, Prince of Wales and his tiger-hunting experience in Nepal, Victorian Chartism and a Kennington Common daguerreotype, a Mortality Proof, and, last but not least, Baldy, Wendy, and the gory plot of the Okefenokee Man-Monster. -/- NOTES: This work features elaborate footnotes and comments (including full bibliographical references) by the author, to enhance the reader's experience of the play and its philosophizing characters. (shrink)

Después de varios años bajo los efectos del boom del posmodernismo, en la década de los 90 la intelectualidad latinoamericana comenzó а recibir uп nuevo paquete de propuestas teóricas reunidas en torno al concepto “poscolonialidad”. Bajo el iпflujo de las teorías poscoloniales у los estudios subalternos se crea oficialmente en los Estados Unidos en 1994 el Grupo Latinoamericano de Estudios Subalternos (Latin American Subaltern Studies Gгoup). А el pertenecían intelectuales como Walter Mignolo, John Beverley, Alberto Moreiras, Ileana Rodríguez у (...) Norma Alarcón. Este grupo nace con la loable finalidad básica realizaг una renovación poscolonial de los llamados "Estudios de Área" norteamericanos, en particularг, de los "Latin American Studies”. En el trabajo, luego de describir algunas de las ideas más importante del grupo, se pasa a exponer, en forma de interrogantes, algunas reflexiones críticas sobre sus propuestas. (shrink)