The movement has great significance for all philosophical problems, both metaphysical and epistemological. In the first part of this article I would like to show how Patočka takes up some theoretical knots of this problem in four essays on Aristotle. These texts explain movement as a fundamental ontological factor. They therefore link it to ontology. In the second part, however, I will use a contribution by Chiurazzi to show that the same theme was in fact also present in the ancient (...) thought of Plato, who was criticised by Aristotle. In the conclusion, I will try to summarise some common ideas about movement, all of which confirm the centrality of a dynamic ontology, and show the richness of the consequences of this approach. One of the most important results is that the basis of movement coincides with what makes life itself possible. In this way, dynamis becomes the very basis of reality itself. (shrink)

In this article, I aim to show how Patočka’s work since the 1960 s has reconceptualized the theory of intentionality. Never abandoning the referential character of the intentional relation, the Bohemian philosopher situates intentionality in its original matrix: the world. This change has the effect of moving the cause of appearing from consciousness to the world, framing it as what appears and what makes appear. Intentionality is not only connected to transcendental consciousness; intentions also must be interpreted as lines of (...) force (Kraftlinien) inside the field of appearing. Patočka moreover locates the origin of all intentional theory in the Aristotelian theory of the soul. Patočka thus wants, on the one hand, to overcome the substantialist argument that considers consciousness a permanent presence and, on the other, to move beyond an idealistic conception of consciousness. Movement is the category that allows us to express these aspects of intentionality. Inserting motion into being is a privilege unique to the soul. (shrink)

The article focuses on Patočka early phenomenological thought developed around the concept of the natural world. More precisely, the aim of the article is to explore Patočka recently published manuscript studies and fragments, dating from the first half of the 1940s, in which Patočka attempts to establish a deeper living correlation between man and world based on a certain metaphysical conception of nature which is not, as for Husserl, just one of the horizons which experiencing creates around itself, nor it (...) is just a basis on which the harmony of experiencing and its evironment must develop, but in which nature also includes an aspect which is closed and alien to subjectivity. In this way, the article shows that Patočka makes a step beyond of Husserl's and Heidegger's schemes of a correlation of life and world, understanding and being. The article thus shows that Patočka early writings throw a certain amount of light on his later phenomenological work that had been most notably developed from 1960s onwards. (shrink)

This article aims to present one of the main themes that characterize the philosophical reflection of Jan Patočka: the appearing as such. Specifically, this papers is focused on three questions: what (was) appears? How (wie) the world appears? Which is the hidden reason (Grund) that founds appearing, but that remains hidden? The Czech philosopher reaches a conception of phenomenality in which appearance can only be conceived through an a priori structure. This conception leads to a formal transcendentalism of appearing, on (...) the basis of which it can only be thought, but not shown. The formal character of Patočka's approach, however, is a consequence of his speculative method. This speculative method, nevertheless, is problematic because on the one hand the structure of appearing is only responsible for its own laws (and not for what appears), on the other hand Patočka states that the phenomenal sphere also has a practical and vital function. The article traces the way the philosopher proceeds on this theme, which points he analyzes it discusses and which difficulties he exposes himself to. Although Patočka's reflection seems to postulate more than what he can justify (neglecting appearing as experiencing), it offers a strong hint to rethink the roots of the major phenomenological themes still remaining open. (shrink)

Le langage exprime la relation entre l'homme et le monde. Cependant, une certaine manière de le comprendre en a fait l'une des figures de l'objectivité que Patočka a critiquée parce que elle ne nous permet pas d'accéder au monde. Cet article montre comment la pensée du philosophe tchèque a oscillé entre deux interprétations possibles: d'une part, le langage est pensé comme une couche essentielle mai qui se réfère néanmoins toujours au niveau plus profond de la perception; d'autre part, il est (...) le fondement même de la perception. La première interprétation est liée à la critique du positivisme logique de Wittgenstein, la seconde à la critique su subjectivisme de Husserl. Toutefois, à la fin de sa vie, Patočka, pour fonder une conception plus large du sens de l'existence, a fondé le langage sur la liberté, véritable fondement de l'être humain. Pour cette raison, le langage devient non seulement un point d'observation de la critique de l'objectivisme, mais il rend également possible un nouvel accès au phénomène de la chair et au contact sensible avec l'objectivité. (shrink)

Esta contribución presenta como el concepto filosófico de “donación” es reinterpretado en la reflexión de Patočka. Partiendo de la lección husserliana, gracias a la cual las cosas son dadas en la pura inmanencia de la consciencia, él critica esta orientación “subjetivista” porque no desarrolla adecuadamente el tema del aparecer en el campo fenomenal. La segunda sección analiza tres desplazamientos metódicos que abarcan: el rol del sujeto, su relación con la trascendencia, el darse a sí mismo del mundo en su totalidad. (...) La tercera sección compara la reflexión de Patočka con dos referencias cruzadas a algunos intentos similares en la historia de la fenomenología. El tema de “la donación”, por tanto, nos traslada al mayor problema con el que ha trabajado siempre la filosofía: la manifestación del mundo. Patočka intentó esclarecer este problema mediante dos metáforas (el espejo y la pintura), pero también subrayó cómo concierne el modo en el que el hombre interpreta la propia existencia. (shrink)

Tra il 1950 e il 1976, malgrado le prove e i contrattempi, Patočka ha ripreso spesso la sua meditazione sul mondo nel quale viviamo e dal quale la scienza ci allontana nello momento stesso in cui ne scopre l’oggettività. I dieci saggi qui raccolti permettono di seguire l’itinerario di pensiero che ha portato il filosofo ceco a porre la questione di una fenomenologia trans-soggettiva e a ripensare, in questa prospettiva, il concetto aristotelico di movimento. Lungo il percorso appare evidente che (...) dal 1910 Husserl liberava il significato fondamentale del “problema” di un mondo naturale; tuttavia, soltanto una fenomenologia che porta a compimento ciò che la Kehre heideggeriana inaugura, ha qualche possibilità di reperire le giustificazioni di un quotidiano in cui mito, lavoro e scienza trovano senso in queste grandi manifestazioni della libertà con l’altro che sono il sacrificio e la cosiddetta vita normale. (shrink)

Il volume presenta la traduzione di un manoscritto che risale agli anni Quaranta del Novecento. Queste pagine appartenevano a un progetto più grande, rimasto incompiuto, attraverso il quale Patočka cercava di elaborare una filosofia dell'uomo e dell'interno. L'obiettivo critico del testo è il biologismo scientifico del tempo. Da un lato vi si possono riconoscere motivi derivanti dall'idealismo tedesco, dall'altro emerge un approccio fenomenologico nuovo. Esso, quindi, riflette i primi tentativi del filosofo ceco di pensare il rapporto tra la soggettività e (...) il mondo. Questo progetto mirava a sviluppare una teoria fenomenologica della soggettività che avrebbe dovuto precedere un'interpretazione filosofica della vita organica non-umana, e muoversi in direzione di una filosofia della vitalità. Con il concetto di "interno", a cui lavora nei manoscritti degli anni 1939-1945, Patočka intendeva sostituire il concetto di "soggetto", rinunciando da un lato alla soggettività trascendentale husserliana, e dall'altro lato al Dasein heideggeriano. (shrink)