The terms “collaborative economy” or “sharing economy” have been commonly used in recent years to refer to a proliferation of initiatives, business models and forms of work. To observe this significant phenomenon is necessary to take into consideration a new perspective on social, economic, environmental, and political processes that can be created from a number of assets and skills, in innovative ways and at an unprecedented scale. Using of digital technologies for collaboration, communication, coordination, and value creation purposes is included (...) under the same umbrella of the collaborative economy. Market-focused digital innovation is able to disrupt existing business models and support economic activity. The situation in the area of the collaborative economy in Slovakia seems to be different from that of the Western European countries. Data from the area of sharing economy are not registered with the Statistical Office of the Slovak Republic, and there is no analysis examining its impact. We introduce a short summary of case studies examining the collaborative economy platforms in Slovakia and some issues of taxation of the collaborative economy. (shrink)

The emancipation of women has become a strong critical discourse in Bengali literature since the 19th century. Only since the second half of the 20th century, however, have female writers markedly stepped out of the shadow of their male colleagues, and the writings on women become more and more often articulated by women themselves. In this article, I focus on particular concepts of femininity in selected texts of two outstanding writers of different generations, a prose writer, and a woman poet: (...) Mahasweta Debi (b. 1926) and Mallika Sengupta (1960–2011). Analyzing Mahasweta’s female characters, I focus on the issue of the double marginalization of dalit tribal women; we can find here impacts of intersectional discrimination of class, gender and caste. Debi is very radical in her social criticism but is quite reluctant to accept the label of feminism. Mallika, on the other hand, represents a movement among the female writers of her generation that openly declares her support for feminist ideologies, which can be demonstrated on some of the examples referred to here. Another important strand of Mallika’s constructions of femininity are archetypal images — mythological metaphors of femininity (in the Hindu context) which may in some cases be interpreted in accordance with difference feminism, in others as a critique of the essentialized and dichotomous concepts of masculinity and femininity. While Mahasweta’s emancipation drive is more deeply grounded in her field research and journalistic activism in the tribal areas she writes about, Mallika’s has been more strongly linked with the academia and has joined the theoretical feminist discourse. Through a close reading the women’s emancipation discourse of these two protagonists in Bengali literature, we can speak of a shift from a practical, concrete criticism, to a theoretically founded radicalism. (shrink)

Ajahn Sona, Bloom: Buddhist Reflections on Serenity and Love. Ottawa, Ontario: Sumeru Press Inc, 2020. 144 pp. CAN $24.95 (pb). ISBN 978-1-89655-960-5.

Bir sure once, “Tarih’in sona erdigi” ileri surulmus idi. Soguk Savas cercevesinde ele alinan bir dusunce olup, ilgili “carpismanin” sona ermesi ile bundan boyle karsilastirmali tarih yazilmasina gerek kalmadigini, kazananlarin gorusunun tek gecerli gercek oldugunu vurguluyordu. Ya da oyle gosterilmesi isteniyordu. -/- “Turk Tarihi, Toplumlarin Mayasi, Uygarlik (1990)” ve “Kutluk Veren Bilgi Ve 26 Agustos’a Giden Yol (2000)” yazilarimda, Kutluk Veren Bilgi nitelikleri uzerinde gorus belirtmis idim. Aradan gecen sure icinde de Kimlikler [IDENTITIES: how Governed, Who Pays? (Carrie, (...) 2001); Turkcesi: Etnik ve Toplumsal Kimlikler Nasil Olusur? (KaraM, 2005) Ceviren: Osman Karatay] kitabini yayinladim. Amac, Kutluk Veren Bilgi’nin gorevini ne yontemler ile yerine getirdigini ele almak idi. Bu arada, Kutluk Veren Bilgi ile ugrasanlarin ne tur yaklasimlarla ise girisebilecekleri de ana cizgileri ile oneriliyordu. Bu yonde en onemli ozelliklerden biri de, Kutluk Veren Bilgi’ye ulasmak icin butun verileri seslendirip degerlendirmeye almak geregi olarak ozetlenebilir. (shrink)

Introduction: Online eye-tracking has been used in this study to assess the impacts of different cultural backgrounds on information discernment. An online platform called RealEye allowed participants to engage in the eye-tracking study from their personal computer webcams, allowing for higher ecological validity and a closer replication of social media interaction. -/- Methods: The study consisted of two parts with a total of five visuals of social media posts mimicking news posts on Twitter, Instagram, and Facebook. Participants were asked to (...) view examples of real and fake news taken from a news fact-checking website, Snopes, and their eye movements were recorded during the process. Participants were recruited through Prolific and SONA; the total sample size for study 1.1 was 29 participants, and the total for study 1.2 was 25 participants, after removing poor eye-tracking data. A total of five visual images comprising true and false news were shown to the participant, study 1.1 had three examples and study 1.2 had two examples. There were two main cultural backgrounds in focus: participants born in China or the United Kingdom. -/- Results: Results suggested that participants follow a similar visual pattern of attention to Areas of Interest (AOIs) on the posts, which leads us to believe that due to the global standardisation of popular social media platforms, a bias might have occurred during information discernment. -/- Discussion: It is suggested that regardless of country background, users may have similar eye-tracking results while viewing a social media post because social media platform formats are standardised globally. Further research would recommend looking at language and linguistic traits when seeking differences between country backgrounds during online information discernment. (shrink)