This paper presents a Davidsonian perspective on Derek Parfit’s disagreements with Nietzsche. I have actually gone further, too far perhaps, and tried to imitate Davidson’s attractive essayistic style.

This paper responds to Shashi Tharoor’s criticism that “much of Narayan’s prose reads like a translation.” He does not name any writers in another language to back up his claim and without doing so there is an explanation for his impression, but one which leaves it looking misleading.

This is a one page handout outlining an interpretation of Simone de Beauvoir which draws heavily upon material from the analytic tradition of philosophy.

The preface to A Theory of Justice includes the interesting suggestion that John Rawls’s system is consistent with W.V. Quine’s system. I raise a problem for achieving fair equality of opportunity granting Quine’s system: that one does not have to respond to apparent evidence that two candidates are equally suitable for a job in the desired way. There does not appear to be a logical inconsistency between the systems at this point, but in practice regular positive discrimination schemes are probably (...) required. (shrink)

In 1947 Quine wrote one of the most important and influential articles in the twentieth century philosophy - "On What There Is". One of the aims of this article was a critique of Meinong's Theory of Object. The critique was especially focused upon nonactual possibilities, which (according to Meinong) are some kinds of nonexistent objects. In my paper I want to present Neo-Meinongian refutations of Quine's critique. In order to do this I discuss: (i) the main thesis of "On What (...) There Is" ,(ii) premises of Meinongian Theory, (iii) views of proponents and opponents of the idea of nonexistent objects, (iv) Quine's critique aimed at nonactual possibilities, (v) Terence Parsons' theory, based on the distinction between nuclear and extranucler properties, and (vi) noneism, defended by Richard Routley. I also try to give a reply to the most popular critiques aimed at both Neo-Meinongian theories. The main conclusion is that Quine's critique and his arguments against nonactual possibilities aren't dangerous for theories endorsing Meinong's Theory of Object. Contrary to what Gilbert Ryle once claimed (If Meinongianism isn't dead, nothing is), Meinongian theories are still alive and doing well. (shrink)

This paper is partly inspired by a well-known debate between Ruth Barcan Marcus, Terence Parsons and W. V. 0. Quine in the sixties> concerning the extent to which Quantified Modal Logic is committed to Essentialism; the issue nevertheless goes back to the origins of "analytic philosophy'', to the reflections of Frege, Russell, and the earlier Wittgenstein on the nature of logic. By elaborating on a suggestion by Quine, we purport to show that there is a relevant and interesting way (...) to look at the ontological commitments of logical systems such that they are stronger than they are usually taken to be. (shrink)

In this paper I make some distinctions, which I hope are of help for Laura Valentini and others. Are the recommendations of a theory of what the government should do possible and are they feasible? Is the project of the theorist possibility-sensitive and is the project feasibility-sensitive?

In this paper, I present a little puzzle to do with a book of prefaces.

There have been times in the history of ethical theory, especially in this century, when moral realism was down, but it was never out. The appeal of this doctrine for many moral philosophers is apparently so strong that there are always supporters in its corner who seek to resuscitate the view. The attraction is obvious: moral realism purports to provide a precious philosophical good, viz., objectivity and all that this involves, including right answers to (most) moral questions, and the possibility (...) of knowing those answers. In the last decade, moral realism has re-entered the philosophical ring in powerful-looking naturalistic form. ln this paper we provide a dialectical overview: we situate the new wave position itself, and also our objections to it, in the context of the evolving program of philosophical naturalism in 20th century analytic philosophy. We seek to show that although this new contender might initially look like championship material, it succumbs to punches surprisingly similar to those that knocked out the old-fashioned versions of naturalist moral realism. (shrink)

This paper objects to an explanation I extract from Jeanette Edwards, concerning a pattern she observes of questions asked and not asked. There are propositions accepted as axioms which apparently lead to that pattern. I present an axiomatization but it leads to different questions.

I address a puzzle identified by the anthropologist Marilyn Strathern in her text on the village of Elmdon: that a disappearing ranking system has actually led to an increasing sense of a division, between the haves and the have-nots in the village.

I draw attention to how one of Donald Davidson’s arguments against the claim that others have an alternative conceptual scheme does not look compatible with his rejection of analytic truths – how his rejection of the third dogma of empiricism depends on accepting the first. The appendix contests Davidson’s approach to organizing the Pacific Ocean.

When Milan Kundera introduces the concept of graphomania, he seems to register only two extremes: the person who writes for a few known people and the person who writes for a very large audience. Joe Horton’s all-or-nothing problem provides a way of making sense of this conceptualization of the situation, though in a way that breaks with Kundera’s emphasis on a writer’s craving for audience attention.

In this paper, I propose that there are or will be examples where the principle of charity recommends an interpretation which makes a text more true than another interpretation, whereas the rival interpretation improves on making sense of its form.

I present a vision of a university in which each of the departments is based on having solved a paradox (especially for those who think that philosophers on here lack vision, in a grand sense!). I do so imitating a notable modernist writer, apologies for any political incorrectness.

I present an answer to the title question which relates Russell’s writings to a remark by C.D. Broad. Russell shared the same concerns as Broad about the new postgraduate students at the University of Cambridge but instead of voicing them, his writings left a problem.

This paper presents an alternative interpretation of what Milan Kundera tells us about the contents of the ostriches’ speech, which does not involve a satirical puncturing of the ominous atmosphere. Their talk sounds like human talk earlier in the book because they are being turned into parrots.

A department where you study creative writing is a paradox, given the following assumption: creativity is something natural to creative people and they do not need to study it. I try to formulate the paradox more clearly and note a logical gap.

This paper presents a paradox of the concept of the right wing, because it groups together significantly different political philosophies, in terms of premises and conclusions – ones that recommend a minimal state and ones oriented towards preserving the traditions of a community. It also presents a meta-paradox: everyone has noticed this and yet it is my paradox!

In this paper, I present some obstacles I envisage analytic philosophy facing as it spreads abroad. I use a paradox to illustrate these obstacles.

This paper responds to Joel Smith’s definition of empathy. It is unclear to me that it can serve as a dictionary definition of empathy, owing to the lack of a moral aspect, and I think Smith overlooks what its function is in specialist disciplines, such as psychology.

Are the leading members of different fields comparable in their achievements? Is the A-grade painter (or A* if that is your top grade) somehow equivalent to the A-grade boxer, say? I would like to think so, but there is a problematic piece of data for me, though there is a philosophical question of why it is problematic: I find some brief remarks from a certain painter as funny as the jokes of leading comedians. In the appendix, I cast doubt on (...) my characterization of Salvador Dali’s humour as not trading on English language ambiguity. (shrink)

I argue that Henry Heine's assessment of the English - that they are either universal geniuses or self-interested mediocrities - is prone to an objection that draws upon his own characterization. I tried to write this in an Edwardian style but the result is a mishmash.

In this paper, I present a response to the surprise exam paradox which may be of some use to someone. It is somewhat frightening for me.

I identify two seemingly good reasons for obscure writing, one to do with avoiding plagiarism or near-plagiarism (which I have identified before), and the other to do with avoiding attracting readers who prefer accessible writing but nevertheless have no space for you in the structure of roles they envisage.

Adam Smith recommends specialization but I present a problem of when you are stuck with a certain apprentice but they don’t seem suited to your specialism. If you were less specialized or more versatile, you could solve the problem.

P.E. Easterling presents a brief description of the life of Sophocles according to which he was “evidently a classic from the start.” I note a concern about the description, that all classics would seem to be classics from the start.

The Scottish economist Adam Smith recommends specialization, but Salvador Dali was not very specialized: he painted, wrote books, acted, sang, and made films. In this paper, I draw attention to a tactical advantage of not specializing for Dali, when faced with various challenges.

I presume numerous readers would have reacted as later critics famously did: we lack the sources to pursue Frazer’s goal of explaining why there was this rite of succession. Consequently, I find the popularity of his book puzzling. I cast doubt on Marilyn Strathern’s explanation and offer a wild conjecture.

This paper presents two reasons for writing philosophy fast: to succeed in certain competitions; and to realize new and better ideas.

This paper argues against a thesis that Shashi Tharoor seems to accept: that R.K. Narayan’s style is bound up with a very specific context, of people left behind by the times in South India. It cannot deal with other subject matter. I present a little fiction to challenge the thesis.

This paper argues that a criticism attributed to Gregory Bateson – that the term ‘function’ is from mathematics and has no place in social science – looks incoherent, when subject to clarification.

How can an outsider know your society better than you? Philosophers call this kind of question “epistemological.” A well-known answer amongst anthropologists is that they may know an aspect of it better: if everyone unthinkingly makes a certain assumption and the anthropologist is aware of an alternative to that assumption. I contrast that answer with an answer “derived” from the writings of George Bernard Shaw, who claimed to know America better despite never having been there.

This is my response to a premise-by-premise argument in Anca Gheaus’s “Biological Parenthood: Gestational, Not Genetic.”.

I distinguish two senses of the word “offer.” I do so within a brief pastiche, which I put down to the influence of the European Union.

I make some proposals regarding which paradoxes Dr. Johnson was referring to in a preface.

Is kinship insignificant in Western societies? This paper presents an objection to the symbolism solution for why it is significant.

Sir James Frazer’s The Golden Bough presents a puzzle regarding how primitive peoples believe they can control something which civilized people regard as beyond their control: the weather. I clarify the puzzle and consider Frazer’s solution to it, as well as other solutions.

This paper tries to make sense of a piece of dialogue from Flora Nwapa’s novel Women are Different. I clarify the conclusion drawn by one of the characters, which enables a solution.

According to a familiar reading of Kant, he denies the possibility alleged by the rationalists of our having non-sensible or intellectual intuition. I argue in this article that he simply holds the possibility to be groundless. To put the contrast in terms of a distinction Kant makes in the A-Paralogisms, he raises a “dogmatic” objection to the rationalists in the former case, and a “critical” one in the latter. By analyzing the two-step argument in the B-Deduction, I defend the “critical” (...) reading, which may, I hope, shed light on how Kant can justify his claim – which may be regarded as a second-order, methodological one pivotal to his Critical project – that possible experience serves as the only guideline for proving that we can cognize objects a priori. (shrink)

This paper is written as a pastiche of a notable European novelist, and essayist – it is the essayist who is being imitated, my first effort at this. I make some notes on a paragraph from a well-crafted fiction by Stacy Aumonier. I use the pastiche mode not just for fun but because readers may prefer the bolder and less qualified style, despite some information loss.

I present an argument Marilyn Strathern makes against characterizing Elmdon villagers as innately lazy. It looks as if the eventual direction of this material is going to be a rational actor model.

What if, instead of a scandal, Jacques Derrida had been accepted by the community of analytic philosophers? My prediction is that little-known philosophers would make points like some which I have made: counterexamples to his claims. There is a different reaction to the question which I consider though, according to which these skills do not just transfer from topic to topic and would not be “activated” by Derrida’s philosophy.

Historian of anthropology George Stocking tells us: from the point of view of parts of the Victorian middle class, Victorian society was highly evolved yet also contained savage components. Why don’t they change their ways, or why didn’t they? There is a Quinean solution.

This paper proposes a solution to a puzzle regarding when people switch from one skilled area of specialization to another, in which they have had little training. Certain analogies between the previous area and the area switched to enable this. I use Susan Carey as an example.

As an answer to the title question, some stories you can operate on and then get something good. I explain why I find a story about a tiger attack good, because of this reason, “courageously” presenting what I take to be something good. In the appendix, I present an attempt to clarify a distinction.

This paper identifies three positions on the relationship between language and experience, the third of which I was not acquainted with before from my reading. It seems absurd.

It is tempting to interpret Marilyn Strathern as saying that the concept of nature is a social construction, because in her essay “No Nature, No Culture: the Hagen Case” she tells us that the Hagen people do not describe the world using this concept. However, I point out an obstacle to interpreting her in this way, an obstacle which leads me to reject this interpretation. Interpreting her in this way makes her inconsistent. The inconsistency is owing to a commitment that (...) she shares with previous British anthropologists, a commitment which points to an incompatibility between two intellectual traditions. (shrink)

Shashi Tharoor criticizes R.K. Narayan in the following way: “Narayan’s prose was like a bullock-cart: a vehicle that can move only in one gear, is unable to turn, accelerate or reverse, and remains yoked to traditional creatures who have long since been overtaken.” I think there is a quick defence, which is that it is very unlikely that one can write the different kinds of works he did without being able to significantly change pace; but there is an objection from (...) Joseph Conrad criticism. (shrink)

I propose that the film Temptation, from 1946, presents us with a person, or type of person, who was once observed: she is very involved in evaluating the significance of highly specialist inquiries, in this case Egyptology, and evaluating borderline cases of literature, regarding which it is difficult to assess their long-term value. The film assists with addressing how The Golden Bough was actually received. An appendix proposes that the film is of interest to Derrideans.