Acarya Samantabhadra’s Svayambhustotra (2nd century CE) is a fine composition in Sanskrit dedicated to the adoration of the Twenty-four Tîrthankara, the Most Worshipful Supreme Beings. Acarya Samantabhadra was one of the most impelling proponents of the Jaina doctrine of anekantavada, a philosophical system which maintains that reality has multifarious aspects and that a complete apprehension of it must necessarily take into account all these aspects. Non-appreciation of this jewel of Jainism has caused the other philosophical systems fall into the trap (...) of one-sided, incomplete, and unsustainable dogmas that fail to explain the Truth. Through its 143 verses Svayambhustotra not only enriches reader’s devotion, knowledge, and conduct but also frees his mind from blind faith and superstitions. Rid of ignorance and established firmly in right faith, the reader’s mind experiences ineffable tranquility and equanimity. As proclaimed by Acarya 108 Vidyanand Muni, Svayambhustotra is an essential reading for all – ascetics and laymen. (shrink)

Bhaktāmara Stotra is the magnum opus composition of Ācārya Mānatunga (circa 7th century CE). Bhaktāmara Stotra eulogizes the supreme attributes of Lord Ādinātha, the first Tīrthaṅkara. This is perhaps the most well-known adoration of Lord Jina that is not only recited but memorized, with great devotion and reverence, by a large number of people among the Jaina community, Digambara and Śvetāmbara. It is believed that the worthy soul accumulates enormous propitiousness by reading Bhaktāmara Stotra with devotion. Hundreds of thousands of (...) instances, ancient and recent, must have come to light where people claimed to have benefitted miraculously by the recitation of and reflection on this sacred composition. This slim volume is a useful reference text for international readers. It will be of interest not only to Hindi-loving scholars but also to those looking for an authentic English rendering of Bhaktāmara Stotra. Besides the transliteration in English of the original Sanskrit verse, the meaning of each verse has been given both in Hindi and English languages. The Preface of the book contains, besides other useful information, a synopsis of the concept of empirical (vyavahāra) time (kāla), and a brief life-story of Lord Ādinātha, the first Tīrthaṅkara, as expounded in the Scripture. (shrink)

Bhakti Saṃgraha or ‘Collection of Devotions’ composed by Ācārya Pūjyapāda (alias Ācārya Devanandī; circa 5th century CE) comprises a set of devotions (bhakti) in form of chaste and melodious Sanskrit hymns. Incidentally, the Most Worshipful Ācārya Kundakunda (circa 1st century BCE) had earlier composed his ‘Daśa Bhakti’ in Prākrit. The reading of devotions (bhakti) is essential to tread the difficult path to liberation. This great work by Ācārya Pūjyapāda is an essential reading for the ascetic (sādhu, muni) as well as (...) the householder (śrāvaka). It not only helps the soul acquire merit (puņya) but, more importantly, saves it from engaging in evil tendencies and pursuits. The devotions pertain, among others, to Lord Jina, the Supreme Beings, the Scripture, the Perfect Conduct, the sacred adobes of attainment of liberation of the Arhanta, and the Nandīśvara dvīpa. This collection includes ‘Śāntyaştaka’ (hymn in praise of the sixteenth Tīrthańkara, Lord Śāntinātha). (shrink)

Kalyāņamandira Stotra (Pārśvanātha Stotra) is the magnum opus composition of Ācārya Kumudacandra (circa 12th century VS). Kalyāņamandira Stotra eulogizes the supreme attributes of Lord Pārśvanātha, the twenty-third Tīrthaṅkara. This is perhaps the most well-known adoration of Lord Pārśvanātha that is not only recited but memorized, with great devotion and reverence, by many among the Jaina community, both Digambara and Śvetāmbara. The worthy soul is believed to accumulate enormous propitiousness by reading Kalyāņamandira Stotra with devotion. Many claim to have benefitted miraculously (...) from the recitation of and reflection on this sacred composition. This slim volume is a useful reference text for international readers. It will be of interest not only to the Hindi-loving scholars but also to those looking for an authentic English rendering of Kalyāņamandira Stotra. Besides other useful information, the book’s Preface contains a brief life story of Lord Pārśvanātha, as expounded in the Scripture. The interesting and eye-opening sequence of the enmity carried forward by various incarnations of Kamaṭha (finally, Śambara deva) against his then-younger brother Marubhūti (finally, Lord Pārśvanātha), is also provided in a tabular form. (shrink)

जिनशासन प्रणेता आचार्य समन्तभद्र (लगभग दूसरी शती) ने इस ग्रंथ "स्तुतिविद्या" में, जिसका अपरनाम "जिनशतक" अथवा "जिनस्तुतिशतं" है, अत्यंत अलंकृत भाषा में चतुर्विंशतिस्तव किया है। यह गूढ़ ग्रंथ आचार्य समन्तभद्र के अपूर्व काव्य-कौशल, अद्भुत व्याकरण-पांडित्य और अद्वितीय शब्दाधिपत्य को सूचित करता है। जिनेन्द्र भगवान की स्तुति करने का कारण यही है कि उनके द्वारा प्रतिपादित मोक्षमार्ग की अमोघता और उससे अभिमत फल की सिद्धि को देखकर उसके प्रति हमारा अनुराग (भक्तिभाव) उत्तरोत्तर बढ़े जिससे हम भी उसी मार्ग की आराधना-साधना करते (...) हुए कर्म-शत्रुओं को जीतने में समर्थ हो सकें और निःश्रेयस (मोक्ष) पद को प्राप्त कर सकें। सच्ची सविवेक भक्ति ही मार्ग का अनुसरण करने में परम सहायक होती है और जिसकी स्तुति की जाती है उसके मार्ग का अनुसरण करना ही स्तुति को सार्थक करता है। सारांश यह है कि हम जिनेन्द्र भगवान की स्तुति अपने स्वयं के परिणामों को निर्मल बनाने के लिए करते हैं। स्तुति वास्तव में एक विद्या है। सम्यक स्तुति घने-कठोर घातिया-कर्म रूपी ईंधन को भस्म करने वाली समर्थ अग्नि है। ‘Stutividyā’ by Ācārya Samantabhadra (circa second century CE) is the adoration of the twenty-four Tīrthańkara, the Most Worshipful Supreme Beings. In his earlier masterpiece work ‘Svayambhūstotra’, Ācārya Samantabhadra had expressed his devotion to the twenty-four Tīrthańkara in a highly analytical manner, establishing the supremacy and inviolability of their Doctrine. ‘Stutividyā’, however, is the epitome of poetic dexterity; in its 116 verses, Ācārya Samantabhadra has used the most amazing figures-of-speech – alańkāra – that make the composition highly ornate, inviting and, at places, extremely difficult to comprehend. Such adroitness is possible only in the Sanskrit language; perhaps that is the reason some consider Sanskrit as the most scientific language in the world. (shrink)

Ācārya Vādirāja, the composer of ‘Ekībhāva Stotra’ lived around the 11th century Vikrama Samvat. ‘Vādirāja’ was an honour bestowed on him; this was not his actual name. Being the undisputed master of the debating skills – vāditva – in regard to philosophical reasoning, he became famous as ‘Vādirāja’. Ācārya Vādirāja is considered as one of the great contributors to the Jaina literature. Due to the fruition of the past evil karmas, Ācārya Vādirāja’s body got inflicted with leprosy. In spite of (...) this infliction, the dispassionate saint used to remain engrossed in his meditation, unmindful of his bodily suffering. As per the anecdotal story, in order to save the glory of the Jaina saints, Ācārya Vādirāja got himself engrossed in the devotion of Lord Ādinātha and during the course of one night composed the famous ‘Ekībhāva Stotra’. He implores in ‘Ekībhāva Stotra’: “O Lord! On account of the merit of the worthy souls, you had descended on this earth from the celestial world (the Sarvārthasiddhi heaven) and earlier (six months before you entered your mother’s womb) this part of the earth was imparted the lustre of gold (due to the incessant rain of the choicest gems by Kubera). O Lord Jina! Now you have entered the home of my heart that has the door of your meditation and is attractive; is there any wonder in your imparting the lustre of gold to my body?” By virtue of his devotion to Lord Jina, the leprosy of Ācārya Vādirāja got quelled during the night and by the morning his body attained lustre and glow like that of the tempered gold. (shrink)