Results for 'Yannis Prelorentzos'

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  1. Τόμος 39 (2018-2019).Golfo Maggini, Alexandros Schismenos, Dionysis Drosos, Panagiotis Noutsos, Maria Pournari, Yannis Prelorentzos, Konstantinos Petsios, Christos Tezas, Eleni Roumkou & Nikos Avgelis (eds.) - 2020 - University of Ioannina Department of Philosophy.
    Αναμφίβολα, όσοι γνώρισαν προσωπικά και όχι μόνο μέσα από τα κείμενά του τον Ευθύμη Παπαδημητρίου, θα θυμούνται ότι ο ίδιος κατέφευγε συχνά σε αυτήν την έκφραση, όταν αναφερόταν σε κάτι αυτονόητο ή σε κάτι δύσκολο στην πραγμάτωση του και άρα δεν σχετίζεται άμεσα με τη συνήθη χρήση της ως έκφραση στην αγγλική γλώσσα. Επιπλέον, οι ίδιοι μάλλον θα συμφωνήσουν μαζί μου, ότι οι παρελθοντικοί χρόνοι που θα ακουστούν/θα χρησιμοποιηθούν σήμερα εδώ και θα τον αφορούν, θα δημιουργήσουν, μάλλον, αμηχανία, αφού, αν (...)
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  2.  53
    Moving in a World You Cannot See. Frome Imaginative Perception to Creative Moral Imagination.Yanni Ratajczyk - 2024 - In Galit Wellner, Geoffrey Dierckxsens & Marco Arienti (eds.), The Philosophy of Imagination: Technology, Art and Ethics. London: Bloomsbury. pp. 86-97.
    In this chapter I discuss the relation between imaginative perception and moral creativity. I focus on three authors that have explained moral imagination as imaginative perception. Iris Murdoch, Martha Nussbaum, and Cora Diamond have all argued how we use imagination to transform our perspective of moral situations. However, their central examples demonstrate the importance of morally inventive action as well. I argue that this reveals another mode of moral imagination: moral creativity. While a creative process might build on imaginative perception, (...)
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  3. The Moral Person in a Narrative Frame: Psychic Unity and Moral Responsiveness.Yanni Ratajczyk - 2018 - Ethical Perspectives 25 (4):617-642.
    This article confronts two different evaluations of the narrative identity paradigm in order to examine the possibility of a minimal narrative, practical identity without excessive stress on psychic unity and moral wholeness. It consists of three sections. The first part explains the criticisms of Lippitt and Quinn. Both authors warn of the MacIntyrean narrative model's emphasis on psychic unity and moral wholeness and argue for an ethical thinking that is built around concepts of psychic disunity and moral openness. The second (...)
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  4. Fragments, plinths and shattered bricks: Deleuze and atomism.Yannis Chatzantonis - 2023 - la Deleuziana 1 (15):39-45.
    There are two links that stand in the foreground of Deleuze’s treatment of Epicurus and Lucretius: the themes of immanent naturalism and of the externality of ontological relations. However, the links are problematised in Difference and Repetition, which presents an important critique of the concept of the atom. I will argue that this critique reveals the limits of the intellectual affinity between ancient atomism and Deleuzian metaphysics; in particular, that Deleuze’s notions of relationality and spatium respond to problems raised by (...)
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  5. The ontological import of Parmenides' metaphor: a reading of the proemium.Yannis Chatzantonis - manuscript
    The aim of this essay is to consider the nature of the philosophical task and of the conditions of its possibility according to Parmenides and Plato. With these thinkers, the task of the philosopher necessitates a propaedeutic activity that makes the doing of philosophy possible; that is, both Parmenides and Plato identify the need for a philosophical education that would alleviate the obstacles that would make philosophy impossible to practise, ensuring and accounting for the possibility of philosophical practice. The impossibility (...)
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  6. Deleuze's metaphysics of structure in Difference and Repetition.Yannis Chatzantonis - manuscript
    This essay describes and evaluates the conception of mereological structure that underpins Deleuze’s account of ontogenesis in Difference and Repetition. A theory of mereology is a theory of composition: it asks what it is to be a part making a whole, what it is to be a whole collecting its parts; in short, in what the relation of making or composing consists. The locus classicus for modern mereology is the third of Husserl’s Logical Investigations (‘On the Theory of Wholes and (...)
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  7. Deleuze and Mereology: Multiplicity, Structure and Composition.Yannis Chatzantonis - 2011 - Dissertation, Dundee University
    This investigation constitutes an attempt towards (1) understanding issues and problems relating to the notions of one, many, part and whole in Parmenides and Plato; (2) extracting conditions for a successful account of multiplicity and parthood; (3) surveying Deleuzian conceptions and uses of these notions; (4) appraising the extent to which Deleuze’s metaphysics can answer some of these ancient problems concerning the status of multiplicity and the nature of mereological composition, that is, of the relations that pertain between parts and (...)
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  8.  95
    Yannis Stavrakakis. Populism: Myths, Stereotypes and Reorientations, Publications of the Hellenic Open University, 2019. [REVIEW]G. Markou - 2020 - E-Extreme: Newsletter of the Ecpr Standing Group on Extremism and Democracy 21 (1):17-19.
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  9. B is innocent.D. Gregory - 2001 - Analysis 61 (3):225-229.
    The paper replies to an earlier paper by Yannis Stephanou, who presented an argument purportedly showing the falsity of certain instances of the characteristic axiom of the modal logic B. The paper argues that the B axiom was not to blame for the unsoundness of Stephanou's argument.
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  10. «Un nuevo epitafio de Aptera (Creta)», Zeitschrift für Papyrologie und Epigraphik (ZPE) 195, pp. 99 - 103. Bonn, Rheinhessen-Pfalz (Alemania): Habelt, 2015.Ángel Martínez Fernández - 2015 - Zeitschrift Für Papyrologie Und Epigraphik (ZPE) 195:99-103.
    La inscripciόn inédita que presentamos en el presente trabajo está grabada en un bloque de caliza de forma rectangular que encontré bajo la supervisión de la arqueóloga griega Vanna Ninioú-Kindelí, en la casa de Yannis Kelaidís en el actual pueblo de Megala Choraphia, el cual está situado junto al emplazamiento de la antigua Aptera. La inscripción procede probablemente de la necrópolis occidental de Aptera, la cual estaba situada fuera del recinto amurallado de la ciudad al oeste de la misma (...)
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