Results for 'Zangwill'

17 found
Order:
See also
Nick Zangwill
University College London
  1. Normativity and the Metaphysics of Mind.Nick Zangwill - 2010 - Australasian Journal of Philosophy 88 (1):1–19.
    I consider the metaphysical consequences of the view that propositional attitudes have essential normative properties. I argue that realism should take a weak rather than a strong form. I argue that expressivism cannot get off the ground. And I argue that eliminativism is self-refuting.
    Download  
     
    Export citation  
     
    Bookmark   23 citations  
  2. Moral Response-Dependence, Ideal Observers, and the Motive of Duty: Responding to Zangwill.Jason Kawall - 2004 - Erkenntnis 60 (3):357-369.
    Moral response-dependent metaethical theories characterize moral properties in terms of the reactions of certain classes of individuals. Nick Zangwill has argued that such theories are flawed: they are unable to accommodate the motive of duty. That is, they are unable to provide a suitable reason for anyone to perform morally right actions simply because they are morally right. I argue that Zangwill ignores significant differences between various approvals, and various individuals, and that moral response-dependent theories can accommodate the (...)
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  3. Music, Emotion and Metaphor.Nick Zangwill - 2007 - Journal of Aesthetics and Art Criticism 65 (4):391-400.
    We describe music in terms of emotion. How should we understand this? Some say that emotion descriptions should be understood literally. Let us call those views “literalist.” By contrast “nonliteralists” deny this and say that such descriptions are typically metaphorical.1 This issue about the linguistic description of music is connected with a central issue about the na- ture of music. That issue is whether there is any essential connection between music and emotion. According to what we can call “emotion theories,” (...)
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  4.  15
    Nick Zangwill, The Metaphysics of Beauty. [REVIEW]Glenn Parsons - 2002 - Philosophy in Review 22:76-78.
    Download  
     
    Export citation  
     
    Bookmark  
  5. THE NORMATIVITY OF THE MENTAL: ZANGWILL AND A CONSERVATIVE STANDPOINT OF PHILOSOPHY.Yusuke Kaneko - 2011 - International Journal of Arts and Sciences 4 (7):99–114.
    This paper is devoted to defending philosophical studies of mind, especially traditional ones. In my view, human mentality is a dialogue with myself, which has a social aspect that is never explained nor predicted by scientific studies. We firstly derive this picture from Descartes’ classical argmuments (§§2-3), and then develop it in the context of Kantian ethics (§4). Some readers think this combination arbitrary. However, these two philosophers agree on mind/body dualism (§5), and further, the fact that the dialogue is (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  6. The Experience of Music as a Process of [Self] Development, In: Of Essesnce and Context. Bewteen Music and Philosophy, Ruta Staneviciute, Nick Zangwill, Rima Povilioniene.Małgorzata A. Szyszkowska (ed.) - 2019 - Springer.
    Music presents itself as a process, a continuation, following through. Musical works and music experience is perceived as development, succession, dialogical reaching out and harmonizing. Not one process but many. Among those various processes that make music the author focuses on a specific process of human development, which occurs during listening as much as during performing music. This is a process of growing and self-realization. In the course of the paper following the processual character of music, author turns to Maurice (...)
    Download  
     
    Export citation  
     
    Bookmark  
  7. Free Thinking for Expressivists.Neil Sinclair - 2008 - Philosophical Papers 37 (2):263-287.
    This paper elaborates and defends an expressivist account of the claims of mind-independence embedded in ordinary moral thought. In response to objections from Zangwill and Jenkins it is argued that the expressivist 'internal reading' of such claims is compatible with their conceptual status and that the only 'external reading' available doesn't commit expressivisists to any sort of subjectivism. In the process a 'commitment-theoretic' account of the semantics of conditionals and negations is defended.
    Download  
     
    Export citation  
     
    Bookmark   15 citations  
  8. Propositional Attitudes as Commitments: Unleashing Some Constraints.Alireza Kazemi - 2020 - Dialogue 59 (3):437-457.
    ABSTRACTIn a series of articles, Asbjørn Steglich-Petersen and Nick Zangwill argue that, since propositional attitude ascription judgements do not behave like normative judgements in being subject to a priori normative supervenience and the Because Constraint, PAs cannot be constitutively normative.1 I argue that, for a specific version of normativism, according to which PAs are normative commitments, these arguments fail. To this end, I argue that commitments and obligations should be distinguished. Then, I show that the intuitions allegedly governing all (...)
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark   1 citation  
  9. Against Essential Mental Normativity Again.Asbjørn Steglich-Petersen - 2011 - Dialogue 50 (2):333-346.
    In a recent paper (2008), I presented two arguments against the thesis that intentional states are essentially normative. In this paper, I defend those arguments from two recent responses, one from Nick Zangwill in his (2010), and one from Daniel Laurier in the present volume, and offer improvements of my arguments in light of Laurier’s criticism.
    Download  
     
    Export citation  
     
    Bookmark   6 citations  
  10. The Varieties of Musical Experience.Brandon Polite - 2014 - Pragmatism Today 5 (2):93-100.
    Many philosophers of music, especially within the analytic tradition, are essentialists with respect to musical experience. That is, they view their goal as that of isolating the essential set of features constitutive of the experience of music, qua music. Toward this end, they eliminate every element that would appear to be unnecessary for one to experience music as such. In doing so, they limit their analysis to the experience of a silent, motionless individual who listens with rapt attention to the (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  11. The Aesthetic Creation Theory of Art.Rafael De Clercq - 2009 - Sztuka I Filozofia (Art and Philosophy) 35:20-24.
    This is a critical discussion of Nick Zangwill’s Aesthetic Creation Theory of Art, as he has presented the theory in his book Aesthetic Creation. The discussion focuses on two questions: first, whether the notion of art implied by Zangwill’s theory is at once too wide and too narrow; second, whether Zangwill is right about the persistence conditions of works of art.
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  12. Beauty.Jennifer A. McMahon - 2007 - In Berys Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge. pp. 307-319.
    Beauty is evil, a surreptitious diversion of earthly delights planted by the devil, according to the third century theologian-philosopher Tertullian. Beauty is a manifestation of the divine on earth, according to another third century philosopher, Plotinus. Could these two really be talking about the same thing? That beauty evokes an experience of pleasure is probably the only point on which all participants in the continuing debate on beauty agree. But what kinds of pleasure one considers relevant to an experience of (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  13. Against the Besire Theory of Moral Judgment.Seungbae Park - 2013 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 20 (1):5-17.
    This paper critically examines two objections and raises a new objection against the besire theory of moral judgment. Firstly, Smith (1994) observes that a belief that p tends to expire whereas a desire that p tends to endure on the perception that not p. His observation does not refute the sophisticated version of the besire theory that to besire that p is to believe that p and to desire to act in accordance with the belief that p. Secondly, Zangwill (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  14. Review of The Metaphysics of Beauty. [REVIEW]Jennifer A. McMahon - 2002 - Journal of Aesthetics and Art Criticism 60 (4):358-60.
    This book is a compilation of papers that Zangwill has had published previously in a number of journals; this journal among them. The topics of these papers centre on the nature of aesthetic properties. Read as such, the papers are, for the most part, erudite and illuminating, presenting as they do a very clear synthesis of various well known positions on the relation of aesthetic properties to non-aesthetic properties; the relation of beauty to other aesthetic concepts; and the nature (...)
    Download  
     
    Export citation  
     
    Bookmark  
  15. A Critique of Moderate Formalism.Simon Fokt - 2013 - Estetika 50 (1):41-52.
    Moderate formalism is the view that all artworks which have aesthetic properties have formal aesthetic properties, and some but not all of those works also have non-formal aesthetic properties. Nick Zangwill develops this view in his Metaphysics of Beauty after having argued against its alternatives – extreme formalism and anti-formalism. This article reviews his arguments against the rivals of moderate formalism, and argues that the rejection of anti-formalism is unjustified. Zangwill does not succeed in proving that the broadly (...)
    Download  
     
    Export citation  
     
    Bookmark  
  16. Review of Mark Timmons (Ed.), Oxford Studies in Normative Ethics, Vol. 1[REVIEW]Noell Birondo - 2014 - Journal of Moral Philosophy 11 (5):669-672.
    This volume initiates a welcome new Oxford Studies series based on the annual meeting of the Arizona Workshop in Normative Ethics, organized by Mark Timmons. The back matter indicates that the series is a place where, "Leading philosophers present original contributions to our understanding of a wide range of moral issues and positions." But Timmons himself says more accurately, it seems, that the series aims to provide "some of the best contemporary work in the field of contemporary ethical theory" (p. (...)
    Download  
     
    Export citation  
     
    Bookmark  
  17. Moved by Music Alone.Tom Cochrane - 2021 - British Journal of Aesthetics 61.
    In this paper I present an account of musical arousal that takes into account key demands of formalist philosophers such as Peter Kivy and Nick Zangwill. Formalists prioritise our understanding and appreciation of the music itself. As a result, they demand that any feelings we have in response to music must be directed at the music alone, without being distracted by non-musical associations. To accommodate these requirements I appeal to a mechanism of contagion which I synthesize with the expectation-based (...)
    Download  
     
    Export citation  
     
    Bookmark